Deathbird Stories

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Deathbird Stories

First edition cover
Author Harlan Ellison
Illustrator Leo and Diane Dillon
Country United States
Language English
Genre Fantasy short story collection
Publisher Harper & Row
Publication date
 1975
Media type Print (Hardback)
Pages 334 pp (first edition, hardback)
ISBN ISBN 0-06-011176-3 (first edition, hardback)
OCLC 1102861
Dewey Decimal 813/.5/4
LC Class PZ4.E4695 De3 PS3555.L62

Deathbird Stories: A Pantheon of Modern Gods is a 1975 collection of short stories written by Harlan Ellison over a period of ten years;[1] the stories address the theme of modern-day "deities" that have replaced the older, more traditional ones. The collection, with its satirical, skeptical tone, is widely considered one of Ellison's best. The book includes a 1973 introduction and a stern caveat lector page advising the reader against enjoying the volume in one sitting. The title of the book comes from "The Deathbird", the nineteenth and last story in the collection.

Contents

It contains the following stories (along with an introduction):

  • "Introduction: Oblations at Alien Altars"
  • "The Whimper of Whipped Dogs"
    • Inspired by the Kitty Genovese murder.
  • "Along the Scenic Route"
  • "On the Downhill Side"
  • "O Ye of Little Faith"
  • "Neon"
  • "Basilisk"
  • "Pretty Maggie Moneyeyes"
  • "Corpse"
  • "Shattered Like a Glass Goblin"
  • "Delusion for a Dragon Slayer"
  • "The Face of Helene Bournouw"
  • "Bleeding Stones"
  • "At the Mouse Circus"
  • "The Place with No Name"
  • "Paingod"
  • "Ernest and the Machine God"
  • "Rock God"
  • "Adrift Just Off the Islets of Langerhans: Latitude 38° 54' N, Longitude 77° 00' 13" W"
  • "The Deathbird"

Reception

New York Times reviewer Gerald Jonas found that the stories "offer a mixture of overheated Hype and genuine concern for the human condition," noting that on occasion Ellison "raises excess and pretension to a form of art."[2] In 1993, the Times described a reissue of the collection as "Fantasy at its most bizarre and unsettling."[3] Writing in Galaxy, Spider Robinson reviewed the collection favorably, despite faulting Ellison's "unrelieved pessimism."[4]

One academic biography describes Deathbird Stories as "a kind of spiritual autobiography" and notes that Ellison's modern gods "gain their influence not from revelatory or charismatic social movements but from the driving anxieties of mid-twentieth century American culture."[5]

Footnotes

  1. ↑ pg 297 of the Bluejay edition, from the Gratia gratiam parit: "It took ten years to complete this cycle of stories."
  2. ↑ "S.F.", The New York Times Book Review, March 23, 1975
  3. ↑ Laurel Graeber, "New and Noteworthy Paperbacks", The New York Times Book Review, September 5, 1993
  4. ↑ "Bookshelf", Galaxy, June 1975, p.46-47
  5. ↑ Gary K. Wolfe and Ellen Weil, Harlan Ellison: the edge of forever, Ohio State University Press, 2002, p.157-58

External links

Novels & novellas
Short story
collections
Short stories
Collaborations
Televison work
Adaptations
Anthologies edited
Non-fiction
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