Dear Mr. Watterson
| Dear Mr. Watterson | |
|---|---|
 The poster for Dear Mr. Watterson | |
| Directed by | Joel Allen Schroeder |
| Produced by |
Chris Browne Matt McUsic |
| Starring |
Seth Green Berkeley Breathed Stephan Pastis |
| Music by | Mike Boggs |
| Cinematography | Andrew Waruszewski |
| Editing by | Joel Allen Schroeder |
| Release dates |
April 9, 2013 (Premiere) November 15, 2013 (Limited release/VOD) |
| Country | United States |
Dear Mr. Watterson is a film documentary directed by Joel Allen Schroeder, produced by Christopher Browne and Matt McUsic, with Andrew P. Waruszewski as the cinematographer.[1] The film follows the career of Bill Watterson, the author of the comic strip Calvin and Hobbes, and the influence of both the author and the comic strip on the world.
Watterson ended the strip on December 31, 1995, and since then remained away from the public scene. Joel Schroeder says that the film is not a quest to find Watterson or invade his privacy:
Dear Mr. Watterson is a film that will look to the readers and fans of Calvin & Hobbes to tell the story of the strip and its creator. As we explore the art and impact of Bill Watterson through this unique perspective, the undying appreciation and love of Calvin & Hobbes and the man behind it will be evident in the anecdotes, stories, and memories shared by readers of the strip and friends and colleagues of Mr. Watterson.
—Joel Allen Schroeder
History
The origin of Dear Mr. Watterson came from Schroeder wanting to understand the cultural impact of Bill Watterson’s decade-long comic strip, so he began as a series of fan interviews in December 2007.[2]
Dear Mr. Watterson launched its first Kickstarter campaign on December 15, 2009 ending March 15, 2010. The Kickstarter raised more than 200% of the goal of $12,000. Since then they have gone on to interview Berkeley Breathed, Lee Salem, Stephan Pastis, Jef Mallett, Dave Kellett, Charles Solomon, Seth Green, Keith Knight, Jenny Robb, Tony Cochran, Andrew Farago (Cartoon Art Museum), Joe Wos (Toonseum), Jean Schulz, Jan Eliot, Bill Amend, and more. And in addition also launched a second Kickstarter campaign[3] in order to fund the finishing of the project. The campaign was successfully funded July 14, 2012.
On November 21, 2012 Schroeder reported to the Kickstarter backers that they had completed the 'Martini Shot', which is the last take you shoot while in production on a film. In late December 2012 the crew shipped nearly 200 posters[4] as a show of appreciation to backers of their kickstarter all over the world. Since then they have been updating their Kickstarter with notifications on their submissions of the film to film festivals all over the US, and on March 1, 2013 they announced that Dear Mr. Watterson had been accepted into the 37th Annual Cleveland International Film Festival.[5]
Release
Dear Mr. Watterson had its premiere at the Cleveland International Film Festival on April 9, 2013.[6]
The film had a limited release (Los Angeles, New York, Santa Fe, N.M., and Toronto) into theaters and video-on-demand on November 15, 2013.[6] [7] The film was to be released later in November in Albuquerque, N.M.; Phoenix; Portland, Ore; Spokane, Wash.; and Miami, and in December in Dallas, Cleveland, New Orleans; Columbus, Ohio, and Grand Rapids, Mich.,[7] with more cities to follow.
Influences and impact
| “ | At the time, I don’t think we realized what it was going to become,” recalls the director. “We definitely wanted to document the impact of the strip, but then it grew into trying to answer the question of how on earth it had such impact. By digging deeper, it has become a better film. | ” |
| —Joel Shroeder reflects on the beginning of Dear Mr. Watterson | ||
The film began with Schroeder interviewing fans of the strip to better understand the cultural impact it had. The strip adhered to topics like morality and animal activism, combined with an imagination and vantage point of a young child, hyper-aware of stereotypes and subjective cultural perspectives. Watterson reported in an interview that he has no regrets of ending the strip when he did, and that he could have gone on repeating himself for another 10–20 years and the fans that were grieving the strip would be wishing it dead for its tediousness.
In an interview with NPR′s Weekend Edition, Schroeder explained that Watterson′s final cartoon exemplified the strip′s enduring appeal.[8] Said Schroeder, describing the panel: “It′s a fresh layer of snow and Calvin and Hobbes are out with the toboggan, and Calvin looks to Hobbes and says, ‘It’s a magical world, old buddy ... let′s go exploring.’ And those last words are just, I think, a challenge to all of us to make sure that we have that curiosity. And words, I think words to live by.”[8]
References
- ↑ "Dear Mr. Watterson". Retrieved 2013-03-03.
- ↑ Makice, Kevin (2012-07-02). "Dear Mr. Watterson Explains Why Geeks Love Calvin and Hobbes | GeekDad". Wired.com. Retrieved 2013-03-03.
- ↑ Joel Schroeder (2009-12-15). "Dear Mr. Watterson - a cinematic exploration of Calvin & Hobbes by Joel Schroeder". Kickstarter.com. Retrieved 2013-03-03.
- ↑ "Poster". Dearmrwatterson.com. Retrieved 2013-03-03.
- ↑ "Dear Mr. Watterson - A Calvin & Hobbes Documentary by Joel Schroeder » Updates". Kickstarter.com. Retrieved 2013-03-03.
- ↑ 6.0 6.1 6. "Dear Mr. Watterson FAQ". Retrieved 2013-31-07.
- ↑ 7.0 7.1 O'Hehir, Andrew (12 November 2013). ""Dear Mr. Watterson": Remembering the last great newspaper comic". Salon. Retrieved 16 November 2013.
- ↑ 8.0 8.1 Gonyea, Don (16 November 2013). "On The Timeless Appeal Of 'Calvin & Hobbes'". NPR. Retrieved 16 November 2013.
External links
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