Cross motif

From Wikipedia, the free encyclopedia
Liszt's cross motif  Play (help·info).
Tchaikovsky's "Cross"-motive,  Play (help·info).

In music, the cross motif is a motif.

A motif (Crux fidelis) was used by Franz Liszt to represent the Christian cross ('tonisches Symbol des Kreuzes' or tonic symbol of the cross) and taken from Gregorian melodies.[1]

Pyotr Ilyich Tchaikovsky associated a motif with the crucifixion, himself, and Tristan, a variation of which first appears in mm.1-2 of his Pathétique Symphony[2]. Tchaikovsky identified with and associated the cross-motif with "star-cross'd lovers" in general, such as in Romeo and Juliet.[2]

See also

  • Bach motif
  • Cruciform#Cruciform melody

Sources

  1. ↑ Merrick, Paul (2008). Revolution and Religion in the Music of Liszt, p.284. ISBN 0-521-08351-6.
  2. ↑ 2.0 2.1 Jackson, Timothy (1999). Symphony No. 6 (Pathétique), p.51. ISBN 0-521-64676-6.
Early
  • Ave Regina Caelorum - Dufay
Bach cross.
Common
practice
Modern and
contemporary
Other
This article is issued from Wikipedia. The text is available under the Creative Commons Attribution/Share Alike; additional terms may apply for the media files.