Closing the Ring

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Closing the Ring

Theatrical release poster
Directed by Richard Attenborough
Produced by Richard Attenborough
Jo Gilbert
Written by Peter Woodward
Starring Shirley MacLaine
Christopher Plummer
Mischa Barton
Stephen Amell
Neve Campbell
Pete Postlethwaite
Gregory Smith
Music by Jeff Danna
Cinematography Roger Pratt
Editing by Lesley Walker
Distributed by The Works Distribution
Release dates
  • 14 September 2007 (2007-09-14) (Toronto International Film Festival)
  • 28 December 2007 (2007-12-28) (United Kingodm)
Country United Kingdom
Canada
United States[1]
Language English

Closing the Ring is a film directed by Richard Attenborough and starring Shirley MacLaine, Christopher Plummer, Mischa Barton, Stephen Amell, Neve Campbell, Pete Postlethwaite, and Brenda Fricker.

The film was released in both Republic of Ireland and the United Kingdom on 28 December 2007.[2]

Plot

The film opens in 1991, with the funeral of a World War II veteran. The man's daughter Marie (Neve Campbell) delivers the eulogy to a church full of veterans who knew and loved her father, while her mother Ethel Ann (Shirley MacLaine) is sitting out on the church porch, smoking and nursing a hangover. When Ethel Ann begins acting strangely, only her friend Jack (Christopher Plummer) seems to understand why. It quickly emerges that there is a lot Marie does not know about her mother's past and the true story of her love life.

The movie flips to a time when this mother was young, lively, and optimistic (young Ethel Ann played by Mischa Barton). She is in love with a young farmer, Teddy Gordon (played by Canadian newcomer Stephen Amell), who goes off to war with his best friends Jack (Gregory Smith) and Chuck (David Alpay), but not all of them make it back alive. The plot lines intertwine with the story of a young Ulsterman in Belfast, Jimmy, who finds a ring in the wreckage of a crashed B-17 and is determined to return it to the woman who once owned it.

Inadvertently caught up in cross-border troubles, Jimmy flees Belfast, travelling to Michigan to give Ethel the ring. Ethel reveals a wall covered in souvenirs of Teddy, which Jack and Chuck boarded up for her in 1944. Marie is shocked and furious to learn that her mother loved not Chuck, but Teddy's memory. Ethel travels to Belfast with Jimmy. She holds the hand of a dying British soldier caught in a car-bomb attack. Quinlan (Pete Postlethwaite) tells Ethel that he was on the hill when Teddy died, and that Teddy's dying words freed Ethel from her promise to love him forever. Joining Ethel in Belfast, Jack admits that he has always loved her. They begin a romance.

Main cast

Production

Closing the Ring was filmed in Toronto and Hamilton, Ontario, Canada, and Belfast, County Antrim, Northern Ireland.

The B-17 used in this movie was the Yankee Lady from the Yankee Air Museum, which was also used in the movie Tora! Tora! Tora!.[citation needed] It was flown by Captain D. Eugene Wedekemper.

Festival appearances

The film had its world premiere at the Toronto International Film Festival on 14 September 2007.[3] The film received its UK premiere at the London Film Festival on 21 October 2007.

Reception

The film attracted a mixed critical response.

According to the Toronto International Film Festival it "exemplifies the balance between the epic and the intimate that has been the hallmark of Lord Richard Attenborough's venerable career...Attenborough traces multiple themes with ease and grace, giving his celebrated ensemble cast ample opportunity to shine". It concluded that the film is "a remarkable tale of love, loss and redemption that stands proudly among the films of one of the cinema's living legends. Deftly weaving together different eras and locales, Attenborough has produced another grand canvas about the emotional repercussions of a wartime promise."[3]

Derek Malcolm of the Evening Standard wrote that it "is well-acted throughout and it has a romantic appeal that is not to be sneered at.."[4]

Alan Morrison of Empire wrote "After recent disappointments Sir Dickie Attenborough is back on better, albeit old-fashioned, form."[5]

Philip French of The Observer wrote "Woodward's script is more than a little contrived, as well as over-emphatic. But Attenborough has infused it with warmth and mature insight, and older members of the audience are likely to find it extremely moving."[6]

Laura Bushell of BBCi Films called the film a "looping tale of love and loss in WWII which is so old fashioned in its aspirations, it's hard to see why new audiences would flock to see it."

Variety called the film "decades-skipping schmaltz" and an "aggressively bittersweet yet oddly uninvolving drama."[7]

References

External links

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