Clement Meadmore
| Clement Meadmore | |
|---|---|
 Curl, 1968. Columbia University campus, New York, NY | |
| Born |
February 9, 1929 Melbourne, Australia |
| Died | April 19, 2005 (aged 76) |
| Nationality | American |
| Field | Sculpture |
Clement Meadmore (9 February 1929 – 19 April 2005) was an Australian-American sculptor known for massive outdoor steel sculptures.
Biography
Born Clement Lyon Meadmore in Melbourne, Australia in 1929, Clement Meadmore studied aeronautical engineering and then industrial design at the Royal Melbourne Institute of Technology. After graduating in 1949, Meadmore designed furniture for several years and, in the 1950s, created his first welded sculptures. He had several one-man exhibits of his sculptures in Melbourne and Sydney between 1954 and 1962.
In 1963 Meadmore moved to New York City. Later, he became an American citizen.
Meadmore used COR-TEN steel, aluminum, and occasionally bronze to create colossal outdoor sculptures which combine the elements of abstract expressionism and minimalism.[1] He was an avid amateur drummer and jazz lover who held jam sessions in his home. His fondess for jazz is reflected in the names of several of his works including "Riff" (1996), "Round Midnight" (1996), "Stormy Weather" (1997), "Night and Day" (1979) and "Perdido" (1978).
Meadmore's sculptures are held by museums, corporate headquarters, and schools internationally.
Meadmore is the author of How to Make Furniture Without Tools (Pantheon, 1975) (ISBN 0-394-73063-1) and The Modern Chair: Classic Designs by Thonet, Breuer, Le Corbusier, Eames and Others (Dover Publications; 1997) (ISBN 0-486-29807-8). His work and career were catalogued in 1994 book, The Sculpture of Clement Meadmore by Eric Gibson (Hudson Hills Press; 1994) (ISBN 1-55595-098-1).
Meadmore died at the age of 76 in Manhattan from complications of Parkinson's disease.
Sculptures in public collections and public spaces
United States
- California
- Bent, 1966, Newport Harbor Art Museum, Newport Beach
- Up Ended, 1969, University of California Art Museum, Santa Barbara
- District of Columbia
- Riding High, 1977, Gallaudet College, Washington[2]
- Florida
- Trans, 1972, Performance Asset Management, West Palm Beach
- Northbridge Center, West Palm Beach
- Illinois
- Spiral, 1971, Nathan Manilow Sculpture Park, University Park
- Iowa
- Sophisticated Lady, 1977, Figge Art Museum, Davenport
- Kentucky
- Fling, 1971, Speed Art Museum, Louisville
- Kansas
- Always, 1992, Johnson County Community College, Overland Park
- Louisiana
- Out of There, 1974, Hale Boggs Federal Building Plaza, New Orleans
- Flippant Flurry, 1977, Mrs. P. Roussel Norman, New Orleans
- Massachusetts
- Upsurge , 1989, Diana Chapman Walsh Alumnae Hall, Wellesley College, Wellesley[3]
- Michigan
- Hob Nob, 1992, University of Michigan, North Campus, Ann Arbor[4]
- Upcast, 1985, Southfield Rd & Maple Rd, Birmingham
- Virginia, 1970, Detroit Institute of Arts, Detroit
- Split Ring, 1969, Woodland Mall, Grand Rapids
- However, 1998, Dennos Museum Center, Traverse City
- New Hampshire
- Dervish, 1972, Currier Museum of Art, Manchester
- New Jersey
- Offshoot, 1982, Grounds for Sculpture, Hamilton
- Upstart 2,[5] 1973, Entrance to the Engineering Quadrangle, Princeton University, Princeton
- New York
- Verge, 1970, Empire State Plaza, Albany[6]
- Wingspread, 1999, 400 Chambers Street, Manhattan
- Curl, 1968, Columbia University, New York
- Swing, 1969, Chase Manhattan Bank, New York
- Wave, 1969, Chase Manhattan Bank, New York
- Three Up, 1977, White Plains Courthouse, White Plains[7]
- Untitled, 1971, Sarah Lawrence College, Bronxville[8]
- Ohio
- Open End, 1984, St. Xavier High School, Cincinnati
- Branching Out, 1981, Cleveland Museum of Art, Cleveland[9]
- Out of There, 1974, Columbus Museum of Art, Columbus
- Extent, 1981, Pyramid Sculpture Park, Hamilton
- Clench, 1979, 34555 Chagrin Boulevard, Moreland Hills
- Switchback, 1980, 811 Madison, Toledo
- Upbeat, 1984, Butler Institute of American Art, Youngstown
- Oregon
- Split Ring, 1969, Portland Art Museum, Portland
- Pennsylvania
- Up and Away, 1977, PNC Plaza, Pittsburgh
- Hence, 1977, Hartwood Acres Park, Pittsburgh
- Cross Current, 1980, Smith Kline Corporation, Philadelphia
- Texas
- Upbeat, 1984, the Colonnade, Dallas
- Split Level, 1971, University of Houston, Houston[10]
- Vermont
- Around and About, 1971, Middlebury College, Middlebury[11]
- Virginia
- Wisconsin
- Double Up, 1970, Lynden Sculpture Garden, Milwaukee
- Upstart I, 1967, Lynden Sculpture Garden, Milwaukee
International
- Australia
- Virginia, 1970, National Gallery of Australia, Canberra
- Awakening, 1968, AMP Society, Melbourne
- Dervish, 1981, Victorian Arts Centre, Melbourne
- Silence, 1960, Art Gallery of New South Wales, Sydney
- Thunder, 1960, Art Gallery of New South Wales, Sydney
- Double Up, 1970, Art Gallery of New South Wales, Sydney
- Flippant Flurry, 1977, Art Gallery of New South Wales, Sydney
- Between 1979-1980, 1981, Perth Cultural Centre, Perth
- Offshoot, 1982, Queensland Government, Brisbane
- Canada
- Upstart II, 1970, Robert McLaughlin Gallery, Oshawa, Ontario
- Japan
- Crescendo, 1989, Tokyo Metropolitan Art Space, Tokyo
- Mexico
- Janus, 1968, Ruta de la Amistad, Mexico City
References
- ↑ Eric Gibson, The Sculpture of Clement Meadmore, Hudson Hills Press, 1994 ISBN 1-55595-098-1
- ↑ Virtual Globetrotting.com
- ↑
- ↑ University of Michigan
- ↑ Princeton University
- ↑ New York State Office of General Services - Art Collection
- ↑ Waymarking.com
- ↑ Art Inventories Catalog, Smithsonian American Art Museum
- ↑ Cleveland Museum of Art
- ↑ University of Houston Art Collection
- ↑ Middlebury.edu
External links
 |
Wikimedia Commons has media related to Clement Meadmore. |
- Clement Meadmore Website.
- "Clement Meadmore, Sculptor in Metal, Is Dead at 76." The New York Times, April 21, 2005.
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