Clay Geerdes

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Photo taken of Clay Geerdes from 1991 at San Francisco.

Clay Geerdes (May 25, 1934 – July 8, 1997) was a teacher, photojournalist, and publisher who covered various events from the anti-war demonstrations in Berkeley, productions of Freestore and Cockettes, to the underground comic book business.

Biography

Early Years

Clay was born in Sioux City, Iowa and was the oldest of 3 children. He grew up in Lincoln, Nebraska[1] and was an avid comic collector of Batman, Superman, and Bugs Bunny. When Clay was in his mid-teens, his father passed away after a long illness. Clay worked in a number of small jobs at cafes, hotels, and grocery stores in the Lincoln area.[2] Clay enlisted in the U.S. Navy in 1954 and served a 4-year tour.[1] He served on the USS Chemung[3] and visited numerous ports from Australia to Japan. San Francisco became his new home at the end of his Navy tour.[2][4]

College Years

In 1958, Clay enrolled at San Francisco State College and received his B.A. in literature. He continued his enrollment at SF State College to complete a M.A. in English.[4] Clay enrolled at UC-Berkeley to study for a doctorate in English literature. His dissertation was complete, but he was more interested in the growing political movement at Berkeley than completing his last few classes.[1][2]

Clay got a teaching job in 1965 in the English department at Fresno State College. His classes were mostly for the freshmen student body covering standard college literature. Clay left Fresno State College after nearly 3 years to teach at Sonoma State College in their English department which ended by 1972.[1][4]

Journalism career

Clay’s first published work was in Michael Corrigan’s Pillar, but his photojournalism career started in 1968 with the Los Angeles Free Press.[1][4] His articles covered a variety of subjects from the demonstrations in People’s Park to the personalities in underground comic books. Clay also wrote for other underground newspapers such as The Staff, Berkeley Barb, Village Voice, and the SF Phoenix from 1968 through the mid-1970s. He was also a long-time contributor to Adam, Hustler, and Knight magazines.[3]

Clay’s interest in the people within the underground comic book scene started from a chance meeting with Roger Brand in 1970.[4][5] Clay wrote articles on Ron Turner, Roger Brand, Robert Crumb, Fred Schrier, Dave Sheridan, Gilbert Shelton, and other personalities in underground comics. The articles appeared in the Los Angeles Free Press, The Staff, and the Berkeley Barb newspapers throughout the early to mid-1970s.[1]

Clay’s Comix World newsletter began in 1973[4][6] and ended in 1984.[3] The newsletter focused on newly released books, artists, and related activities. By 1980, Clay's Comix World newsletter was being mailed to every state in America and 14 countries.[1] Clay started the Comix Wave newsletter in 1983 which concentrated on the “newave” era with mini-comix.[6][7][8] Mini comix were self-published books by the artists, and many new artists were inspired from Clay's newsletters to publish their own work.[9] Comix Wave ended regular publication in 1995. He worked with numerous people in this new era of underground comics such as Kevin Eastman, Jim Valentino, Par Holman, Bob Vojtko, David Miller, Brad Foster, and many others.

The last publication Clay wrote for was the Anderson Valley Advertiser from 1995-1997.[3] He was a frequent contributor covering aspects of his life and observations of current events.

Clay’s photographs have appeared in numerous publications after his death in 1997. The Underground Comix Family Album by Malcolm Whyte, from 1998, has 50 of Clay's photographs of the people associated with shaping the underground comics business.[4] A book about the San Diego Comic Cons, Comic-Con: 40 Years of Artists, Writers, Fans, & Friends also published some of Clay’s photographs.[10] The Snatch Comics Treasury from Apex Joint Ventures reprinted Robert Crumb’s work while adding some photographs from Clay.[11] Clay passed away on July 8, 1997 in San Francisco from liver cancer.

References

  1. ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 Harvey, R. (1997, August 29). Rants & Raves. Comics Buyers Buide, 1241, p. 30.
  2. ↑ 2.0 2.1 2.2 Geerdes, Clay (1998). The Last Bus, Electron Press.
  3. ↑ 3.0 3.1 3.2 3.3 "Clay Geerdes Database" Retrieved on 29 December 2013
  4. ↑ 4.0 4.1 4.2 4.3 4.4 4.5 4.6 Whyte, M. (1998). The Underground Comix Family Album. (1st ed., pp. 11-13). San Francisco, CA: Word Play Publications. ISBN 0-9642922-7-0.
  5. ↑ Comix Wave. (1986). No. 35, p. 2.
  6. ↑ 6.0 6.1 Luciano, D. (1985, May). Keeping the comix grapevine. The Comics Journal, No. 98, p. 85.
  7. ↑ Dowers, M. (2010). Newave! The Underground Mini Comix of the 1980s. (1st ed., pp. 152-153). Seattle, WA: Fantagraphics Books. ISBN 978-160699313-2.
  8. ↑ Kennedy, J. (1982). The Official Underground and Newave Comix Price Guide. (1st ed., pp. 15). Cambridge, MA: Boatner Norton Press. ISBN 0-9606654-3-9.
  9. ↑ Erling, G. (1982). A Personal History. The official underground and newave comix price guide. (1st ed., pp. 36). Cambridge, MA: Boatner Norton Press. ISBN 0-9606654-3-9.
  10. ↑ Comic-Con: 40 Years of Artists, Writers, Fans & Friends. (2009). (1st ed., pp. 54-55). San Francisco, CA: Chronicle Books. ISBN 978-0-8118-6710-8.
  11. ↑ Snatch Comics Treasury. (2011, June). (1st ed., pp. 14, 50-51, 84-85). Apex Joint Ventures. ISBN 978-0-615-43978-5.

External links

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