Charles Van Enger
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| Charles Van Enger | |
|---|---|
| Born |
August 29, 1890 Port Jervis, New York United States |
| Died |
July 4, 1980 Woodland Hills, California United States |
| Occupation | Cinematographer |
| Years active | 1920-1966 |
Charles Van Enger (1890–1980) was an American cinematographer. In the 1920s Van Enger worked on all the silent films the German director Ernst Lubitsch made for Warner Brothers.[1] During the 1930s he worked in the British film industry. His later work was largely on supporting features for Universal Pictures and various independents.
Selected filmography
- The Last of the Mohicans (1920)
- Salomé (1923)
- Lady Windermere's Fan (1925)
- The Port of Missing Girls (1928)
- Help Yourself (1932)
- Money Means Nothing (1932)
- Turkey Time (1933)
- I Was a Spy (1933)
- Friday the Thirteenth (1933)
- Aunt Sally (1933)
- My Song for You (1934)
- Me and Marlborough (1935)
- In Town Tonight (1935)
- Boys Will Be Boys (1935)
- The Stoker (1935)
- Things Are Looking Up (1935)
- Soft Lights and Sweet Music (1936)
- Where There's a Will (1936)
- Captain Bill (1936)
- Jack of All Trades (1936)
- The Bureaucrats (1936)
- San Francisco Docks (1940)
- Moonlight in Havana (1942)
- Sherlock Holmes Faces Death (1943)
- Frisco Sal (1945)
- Abbott and Costello Meet the Killer, Boris Karloff (1949)
- Lorna Doone (1951)
- Sitting Bull (1954)
- Captain Kidd and the Slave Girl (1954)
- Khyber Patrol (1954)
- Gun Fever (1958)
References
- ↑ Thompson p.28
Bibliography
- Thompson, Kristin. Herr Lubitch Goes To Hollywood: German and American Film After World War I. Amsterdam University Press, 2005.
External links
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