Carol J. Oja
Carol J. Oja (born Hibbing, Minnesota) is a musicologist and scholar of American Studies. Since 2003, she has held the post of William Powell Mason Professor at Harvard University.[1] Her previous appointments have been at the College of William and Mary (1997–2003) and the City University of New York (1988–97), where she was professor of music at Brooklyn College and the Graduate Center, as well as director of the Institute for Studies in American Music (1993–97). She attended St. Olaf College (B.A.), the University of Iowa (M.A.), and the Graduate School of the City University of New York (Ph.D.).
Her main fields of study include 20th-century American modernism, musical theater, and cross-cultural composition, and her work positions composers and their music within broad historical contexts. She often explores sites of musical intersection and hybridity, whether having to do with race, genre, cultural hierarchy, or geographic origin, and she probes institutional frameworks for music-making, as well as patronage (especially by women). The composers she has written about include Leonard Bernstein, Aaron Copland, Henry Cowell, George Gershwin, Colin McPhee, Ruth Crawford Seeger, William Grant Still, and Virgil Thomson. Her principal books include:
Copland and his World, edited with Judith Tick (2005)[2]
Making Music Modern: New York in the 1920s (2000)[3]
Colin McPhee: Composer in Two Worlds (1990)[4]
A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, edited with Richard Crawford and R. Allen Lott (1990)
American Music Recordings: A Discography of 20th Century U.S. Composers (1982)
Stravinsky in "Modern Music" (1924–1946) (1982)
She is currently at work on a book titled, Bernstein Meets Broadway: Collaborative Art in a Time of War. She has won a Guggenheim Fellowship, the Lowens Book Award from the Society for American Music, three separate ASCAP-Deems Taylor Book Awards, and an award for “Best Reference Book” from the Music Library Association. She was president of the Society for American Music (2003–05), and she collaborated with Lucius Wyatt (Prairie View A&M University) to found the Cultural Diversity Committee of the American Musicological Society. Together with Judith Clurman, she directed the Harvard festival, “Leonard Bernstein: Boston to Broadway” in 2006.[5]
References
- ↑ http://www.fas.harvard.edu/~musicdpt/faculty/coja.html
- ↑ http://press.princeton.edu/titles/8061.html
- ↑ http://www.us.oup.com/us/catalog/general/subject/Music/MusicHistoryAmerican/?view=usa&ci=9780195162578
- ↑ http://www.press.uillinois.edu/books/catalog/34tnd8hy9780252071805.html
- ↑ “Symposia to Explore Life, Music of Conductor Leonard Bernstein,” Harvard University Gazette, October 5, 2006, http://news.harvard.edu/gazette/legacy-gazette/#