Carlo Ratti

From Wikipedia, the free encyclopedia
Carlo Ratti in 2008

Carlo F. Ratti (born 1971 in Turin, Italy) is an Italian architect, engineer, inventor, educator and activist who teaches at the Massachusetts Institute of Technology, USA, where he directs the MIT Senseable City Lab, a research group that explores how new technologies are changing the way we understand, design and ultimately live in cities. He is also a founding partner of the international design office Carlo Ratti Associati – Walter Nicolino and Carlo Ratti, which he established in 2004 in Torino, Italy. Ratti was named one of the "50 most influential designers in America" by Fast Company[1] and highlighted in Wired Magazine's "Smart List: 50 people who will change the world."[2]

Early life and education

Ratti graduated from both the Ecole Nationale des Ponts et Chaussees in Paris, France, and the Politecnico di Torino in Italy. He later earned his MPhil and PhD degrees from the Martin Centre at the University of Cambridge, UK. In 2000 he moved to the Massachusetts Institute of Technology (MIT) as a Fulbright fellow, working with Hiroshi Ishii at the MIT Media Lab.

Vision

In a 2011 TED talk in Long Beach Ratti outlines the vision of an “architecture that senses and responds.”[3] Digital technologies are becoming networked and atomized, hence changing the interaction between humans and the built environment. It is as if our cities, buildings and objects were starting to “talk back to us”.[4] In a discussion with architect Peter Cook as part of the Royal College of Art 2011/2012 Architecture Lecture Series[5] in London Ratti traces back his vision to Michelangelo’s “why don’t you speak to me” and to the Baroque and Art Nouveau periods.

Ratti's work deals with the built environment of cities—from street grids to plumbing and garbage systems—using new kinds of sensors and hand-held electronics that have transformed the way we can describe and understand cities. Other projects flip this equation—using data gathered from sensors to actually create dazzling new environments. The Copenhagen Wheel developed by MIT Senseable City Lab explores how any bicycle could be transformed into a network-connected e-bike by sampling changing a wheel hub. The project Trash Track uses electronic tracking to better understand and optimize flows of waste through cities. He has also opened a research center in Singapore as part of an MIT-led initiative on the Future of Urban Mobility.[6]

Ratti’s work has been seminal in the field of intelligent or smart cities. In an article[7] published in Scientific American together with Anthony M. Townsend, however, Ratti contrasts the prevailing technocratic vision of smart cities - highlighting instead the ‘human face’ of urban technologies and their potential in promoting bottom-up social empowerment.

Ratti has been featured in Esquire Magazine’s ‘2008 Best & Brightest’ list[8] and in Thames & Hudson’s selection of ‘60: Innovators Shaping our Creative Future.[9] In 2010 Blueprint Magazine included him as one of the ‘25 People Who Will Change Architecture and Design’,[10] Forbes listed him as one of the ‘Names You Need To Know’ in 2011.[11]

Architecture and design

Ratti’s designs inventively bridge digital and physical. The Digital Water Pavilion at the World Expo 2008 in Zaragoza reacts to visitors by parting a stream of water to let them visit. Its literally fluid architecture was considered by Time Magazine as one of the "Best Inventions of the Year".[12] In his extension of the Trussardi fashion house in Milan’s central in Piazza della Scala, developed with botanist Patrick Blanc, a green vertical canopy is suspended on a crystal box to promote new interactions with people on the inside and the outside.[13] An un-built proposal for the 2012 Summer Olympics in London turns a landmark building into a 'Cloud' of blinking interactive art.

Several design projects rely on data visualization. Real Time Rome, which filled an entire pavilion at the 2006 Venice Biennale of Architecture, explored real time dynamics of a city mapped through cellphone data. New York Talk Exchange, exhibited at MoMA in New York as part of the exhibition ‘Design and the Elastic Mind’, moved further to explore global communications flows together with Saskia Sassen. Several projects from the Senseable City Lab were included in Fast Company’s 'Best Infographics of 2011’.[14] A data analysis and visualization project resulted in an Op-Ed in the New York Times to redesign the map of the United States.[15]

During the 2013 Milan Design Week ('Salone del Mobile') Ratti’s work ventured into product design with a project for Italian furniture manufacturer Cassina, called ‘Our Universe’. At the same venue another project, called 'Makr Shakr', explored The Third Industrial Revolution and its effect on creativity and design through the simple process of making a drink.

Ratti is currently curating the "Future Food District" - one of the themed pavilions at Expo 2015 in Milan.

Scientific contributions

Ratti has authored over 250 scientific publications.[16] In a seminal paper[17] in Environment and Planning B he questions the validity of urban analysis technique Space Syntax. He has been opening the way in exploring the use of cellphone data to understand urban dynamics, which has now developed into an established field of scientific investigation. In general, the MIT Senseable City Lab works on papers that use network analysis and complexity science to better understand cities.[18] Such aspects were discussed by Ratti in Seed Magazine's Salon, together with mathematician Steven Strogatz.[19]

Teaching and activism

Ratti has taught at the Politecnico di Torino, the Ecole Nationale des Ponts et Chaussees, Harvard University, Strelka Institute and MIT. The class ‘Urban Infoscape’ taught at Harvard Graduate School of Design in 2004, was central to setting the vision of the MIT Senseable City Lab.[20] In 2011, Ratti was a Lab Team member and curator for the Berlin location of the BMW Guggenheim Lab. He was also a program director at the Strelka Institute for Media, Architecture and Design in Moscow.

While a PhD student the University of Cambridge, Ratti was one of the initiators of Progetto Collegium for the reform of Italian universities, together with philosophers Umberto Eco and Marco Santambrogio. The project led to the foundation of the Collegio di Milano and other institutions in Italy. Ratti has been involved several civic initiatives – most notably to preserve Italy’s industrial architecture heritage.[21]

  • In June 2007 the Italian Minister of Culture and Tourism Francesco Rutelli selected Ratti as a member of the Italian Design Council - an advisory board to the Italian government that includes 25 leaders of design in Italy.[22] He was also the president of the Comitato Valdo Fusi, a people-led initiative to redesign Piazzale Valdo Fusi in Turin, Italy.[23]
  • In 2009 Ratti worked on several civic initiatives in Brisbane, Australia, after being named Queensland's inaugural Innovator in Residence - a Queensland Government initiative that invites world renowned thinkers to bring their own unique perspective to the issues currently affecting Queenslanders.
  • Since 2009 he has been a delegate to the World Economic Forum in Davos and is on the WEF Global Agenda Council for Infrastructure and Urban Development.[24]

Writing

Ratti is a collaborator of the Italian daily Il Sole 24 Ore and correspondent for design magazine Domus. He has written for Scientific American, The Architectural Review, La Stampa, BBC, The Huffington Post, The New York Times, The Global Herald. A book on Opensource Architecture, together with Joseph Grima, has been announced by Italian publisher Einaudi.

References

  1. ↑ Fast Company: 50 most influential designers in America http://www.fastcompany.com/design/2011/50-most-influential-designers-in-america
  2. ↑ Wired Magazine: Smart List; 50 people who will change the world http://www.wired.co.uk/magazine/archive/2012/02/features/the-smart-list
  3. ↑ "TED: Architecture that Senses and Responds" http://www.ted.com/talks/carlo_ratti_architecture_that_senses_and_responds.html
  4. ↑ Back Talk, a project by MIT Senseable City Lab exhibited in the Museum of Modern Art (MoMA), New York, "Talk to Me: Design and the Communication between People and Objects" (July 24–November 7, 2011) http://www.moma.org/interactives/exhibitions/2011/talktome/objects/146408/
  5. ↑ RCA Architecture Lecture Series 2011/12 http://www.architectural-review.com/rca-architecture-lecture-series-2011/12/8622976.article
  6. ↑ Singapore-MIT Alliance for Research and Technology (SMART) Interdisciplinary Research Group (IRG) on Future Urban Mobility (FM) http://smart.mit.edu/research/future-urban-mobility/future-urban-mobility.html
  7. ↑ "Social Nexus: Harnessing Residents' Electronic Devices Will Yield Truly Smart Cities" in Scientific American (September 2011) http://www.scientificamerican.com/article.cfm?id=the-social-nexus
  8. ↑ "Best and Brightest 2008: Four Innovative Mapmakers Re-inventing the Very Idea of Maps" in Esquire Magazine (2008) http://www.esquire.com/features/best-and-brightest-2008/best-new-cartographers-1208#slide-5
  9. ↑ "60: Innovators Shaping our Creative Future" - Interview with Lucas Dietrich, Commissioning Editor https://www.thamesandhudson.com/60dietrich.html
  10. ↑ "25 who will change architecture and design in 2010" in Blueprint Magazine (December 2009)
  11. ↑ "Names You Need to Know in 2011: Carlo Ratti" by Oliver Chiang in Forbes Magazine (December 2011) http://www.forbes.com/sites/oliverchiang/2010/11/13/names-you-need-to-know-in-2011-carlo-ratti/
  12. ↑ Time Magazine: Best Inventions of 2007 http://www.time.com/time/specials/2007/article/0,28804,1677329_1678083_1678067,00.html
  13. ↑ Trussardi Dehors, a project by Carlo Ratti Associati with Patrick Blanc for Cafe Trussardi http://www.cafetrussardi.com/Dehors.html
  14. ↑ 'The Connected States of America' and 'Health Infoscape' by MIT Senseable City Lab in "The 22 Best Infographics We Found In 2011" by Fast Company http://www.fastcodesign.com/1665705/the-22-best-infographics-we-found-in-2011#9
  15. ↑ "Phone-Call Cartography" by Carlo Ratti in The New York Times Sunday Review (July 2, 2011) http://www.nytimes.com/2011/07/03/sunday-review/03phone-map.html
  16. ↑ Database of MIT Senseable City Lab publications http://senseable.mit.edu/papers/publications.html
  17. ↑ "Space syntax: some inconsistencies" by Carlo Ratti in Environment and Planning B: Planning and Design (2004; volume 31(4); pages 487 – 499) http://www.envplan.com/abstract.cgi?id=b3019
  18. ↑ For example: "Eigenplaces: analysing cities using the space-time structure of the mobile phone network" by Jonathan Reades, Francesco Calabrese and Carlo Ratti in Environment and Planning B: Planning and Design (2009; volume 36(5); pages 824 – 836) http://www.envplan.com/abstract.cgi?id=b34133t
  19. ↑ Science is Culture: Conversations at the New Intersection of Science + Society (October, 2012) http://salon.seedmagazine.com/salon_strogatz_ratti.html
  20. ↑ "Urban infoscapes: new tools to inform city design and planning" by Carlo Ratti and Nick Baker in Environmental Design (2003; volume 7, no. 1) http://senseable.mit.edu/papers/pdf/2003_Ratti_Baker_ARQ.pdf
  21. ↑ Masterplan Manifattura Tabacchi, Rovereto, Italy, a project by Carlo Ratti Associati http://europaconcorsi.com/projects/132526-Masterplan-Manifattura-Tabacchi-Rovereto
  22. ↑ "Ecco il consiglio nazionale del design" by Giannino della Frattina in Il Giornale (June 21, 2007) http://www.ilgiornale.it/news/ecco-consiglio-nazionale-design.html
  23. ↑ "Ratti: Il Valdo Fusi fa piangere" by Sara Strippoli in La Repubblica (July 7, 2004; page IX) http://ricerca.repubblica.it/repubblica/archivio/repubblica/2004/07/04/ratti-il-valdo-fusi-fa-piangere.html
  24. ↑ "Cities in transformation- toward an intelligent future" by Carlo Ratti on the World Economic Forum Councils Blog (26 January 2012) http://forumblog.org/2012/01/cities-in-transformation-toward-an-intelligent-future/

External links

Wikimedia Commons has media related to Carlo Ratti.
This article is issued from Wikipedia. The text is available under the Creative Commons Attribution/Share Alike; additional terms may apply for the media files.