Can't Be Tamed

From Wikipedia, the free encyclopedia
Can't Be Tamed
Studio album by Miley Cyrus
Released June 18, 2010 (2010-06-18)
Recorded December 2009–March 2010
Genre
Length 44:15
Label Hollywood
Producer
Miley Cyrus chronology

  • Can't Be Tamed
  • (2010)
  • Bangerz
  • (2013)
Singles from Can't Be Tamed
  1. "Can't Be Tamed"
    Released: May 14, 2010 (2010-05-14)
  2. "Who Owns My Heart"
    Released: October 22, 2010 (2010-10-22)

Can't Be Tamed is the third studio album by American recording artist Miley Cyrus, released on June 18, 2010, by Hollywood Records; it would become her final album with the label after signing with RCA Records in 2013. Cyrus began planning the project in 2009, while travelling internationally for her Wonder World Tour, and continued into 2010. Described by Cyrus as a "good [record] to blast in your car", Can't Be Tamed represents a musical departure from her earlier work, which she had grown to feel uninspired by. As executive producers, Tish Cyrus and Jason Morey enlisted partners including Devrim Karaoglu, Marek Pompetzki, Rock Mafia, and John Shanks to achieve Cyrus' desired new sound. Their efforts resulted in a primarily dance-pop and pop rock record, with lyrical themes that revolve largely around breaking free of constraints and expectations.

Upon its release, Can't Be Tamed received generally mixed reviews from music critics, who were ambivalent towards perceived lack of musical focus and Cyrus' maturing public image. It debuted at number three on the U.S. Billboard 200 with first-week sales of 102,000 copies. In doing so, it became Cyrus' lowest-peaking and lowest-selling record in the United States. As of January 2014, it has sold 350,000 copies in the country.[1] Can't Be Tamed charted moderately on record charts in internationally, reaching the top-ten in countries including Australia, Canada, and the United Kingdom.

Two singles were released from Can't Be Tamed. Its title track "Can't Be Tamed" was released on May 14, 2010, and peaked at number eight on the U.S. Billboard Hot 100, and performed moderately worldwide. Follow-up single "Who Owns My Heart" was only released in selected European countries, failing to chart on the Billboard Hot 100 and charting poorly on European singles charts. Promotional efforts for Can't Be Tamed began to associate Cyrus with an increasingly provocative image, an effort continued with her fourth studio album Bangerz (2013). The record was primarily promoted through a series of television appearances and the Gypsy Heart Tour.

Background and production

Cyrus performing "Liberty Walk" during the Gypsy Heart Tour.

Cyrus announced that she intended to take a musical hiatus after completing Can't Be Tamed in order to explore a variety of musical genres and develop a sound befitting her tastes. Cyrus stated that her music isn't inspiring her the way it should be, and hoped Can't Be Tamed would be her last pop album.[2] "The more I make music that doesn't truly inspire me, the more I feel like I'm blending in with everyone else", she said.[3] Cyrus originally desired for a new, more rock inclined sound for her music.[4] She later revealed Can't Be Tamed contained music influenced by pop singer Lady Gaga and possessed techno qualities.[5] "It was a natural progression for her," said Abbey Konowitch, general manager of Hollywood Records.[6] He commented that the album was more dance-pop than originally intended. "But it feels very comfortable for her, and it feels very comfortable in terms of the state of contemporary music".[7]

Can't Be Tamed was recorded as Cyrus traveled the world, largely due to the Wonder World Tour. In December 2009, she began the recording process in London, England. Album producer John Shanks, who previously produced Cyrus' hit single "The Climb", affiliated with Cyrus for the album and, in order to do so, navigated via airplane to different locations. Shanks would repeatedly travel to London in order to fulfill recording and writing sessions with Cyrus. Then, he would return to Los Angeles, California to continue further work on the tracks. The head of A&R at Hollywood Records, Jon Lind, said, "John spent quite a bit of time, God bless him [...] He was really a soldier and a world traveler for going to do this creative thing in between Miley's schedule."[8]

Other producers Cyrus had previously worked with also appear on the album — Antonina Armato and Tim James, both of who produced Cyrus' hits "See You Again" and "7 Things". Cyrus described the environment during the recording process with Armato to be warm: "I call Antonina 'Mommy' because she's my second mom. No one could ever understand the relationship we have. I've been working with her for four years and every day I go into the studio and we just sit around and eat cupcakes and talk and I tell her everything about my life. I think that's why we make good music together." The finished product results in a variety of dance beats and synths, but Cyrus believed the sound was secondary to the personal lyrics therein.[8]

Release and artwork

Cyrus believed the summer 2010 release was appropriate because it was "definitely a good CD. It's good to blast in your car".[5] The album was first released on June 18, 2010 in Germany and then on June 21, 2010 in the United States.[9][10] Unlike Cyrus' and Hollywood Records' previous albums, Can't Be Tamed was released using a day-and-date format, following a new licensing deal with Universal Music Group in Europe.[6] Konowitch presented the album at its earliest stage to representatives of Universal Music Group in Europe in order to speak of the new licensing deal that enabled day-and-day for its release; the approval allowed for them to commence global marking plan earlier than usual.[7] "Normally our records are staggered throughout the world because of the availability of the artist. It's unusual for us to have the time and the music far enough in advance to do that," he said.[7] A standard edition, containing only an audio CD, and a deluxe edition, containing an audio CD and a DVD, were released. The DVD contains previously unreleased footage from Cyrus' concert at The O2 Arena in London, England, which was part of her first world tour, the 2009 Wonder World Tour. It contains nineteen live performances and backstage interviews with Cyrus.[7] The album artwork was revealed on May 7, 2010 through Cyrus' official website.[11]

Composition

"This record was good for me. I think every album has been almost like a little bit of therapy to just get out what you think and what you feel. I think this is the most honest a record of mine has been. I think this record shows a different maturity in me, a different light but it's also still being the people my fans can relate to. I'm a spiritual person but my main religion that people ask me is the core of what I do and what my songs are about is love. And that's, I think, what this world is lacking and what it's all about."[12]

— Cyrus explaining the concept behind and themes on Can't Be Tamed.

Cyrus told Billboard magazine that she does not have a formal songwriting process and instead takes notes on her cellphone and the journal she stores in her computer.[8] She said that she does not listen to pop music, and that her "13-year-old self would have beaten up her 17-year-old self" for being "a sellout". Nonetheless, she stated that the music on the album is meaningful to her.[8] Musically, Can't Be Tamed varies and includes several dance numbers, many of which heavily rely on bass.[6] "Liberty Walk", co-written by Cyrus, Antonina Armato, Tim James, John Fasse, and Nick Scapa is about someone who finds the courage to leave an abusive relationship.[8] Cyrus, Armato, James, Paul Neumann, and Marek Pompetzki composed "Can't Be Tamed", the album's title track, which was written about being trapped and people observing her. The song, according to her, bears a theme of "breaking out and feeling free."[13]

Cyrus recorded a cover version of Poison's "Every Rose Has Its Thorn", from their 1988 album Open Up and Say... Ahh!, after hearing a crowd of people singing along to it. She deemed it "a classic" and one of her favorite songs. "I feel like the way the music industry is today really shelters kids and they aren't exposed to songs as honest and real as this one." Cyrus consulted the lead singer of Poison, Bret Michaels, who helped Cyrus analyze "Every Rose Has Its Thorn" and then add her "own flare and edge".[14] Michaels said the band receives numerous requests to cover the song and is always nervous about granting permission. "And I gotta tell you something. She nailed the song," he told MTV. He added that Cyrus was "one of the few musicians" that could "give ['Every Rose Has Its Thorn'] her own flare and make it sound good". Michaels sings backup on the cover.[15] Cyrus conceived "Robot" in December 2009 in London, while traveling on the Wonder World Tour; it describes a desire to escape "the form and the machine everyone thinks you should be".[16] Cyrus wrote the song "My Heart Beats for Love" for her gay hairdresser, one of her best friends. It is an attempt to persuade audiences to not discriminate against homosexuals and "be open to the world".[12]

Singles

"Can't Be Tamed" was released as the album's lead single on May 14, 2010.[17] Despite mixed reviews for the album, the single received positive critical and commercial reception. Ed Masely of The Arizona Republic writing, "The leadoff single, "Can't Be Tamed," [...] promised so much more than she's delivered here."[18] It debuted at number eight on the Billboard Hot 100, selling over 192,000 digital copies,[19] number six on the Canadian Hot 100,[20] and number five on the New Zealand Singles Chart.[21] The song's accompanying music video, which premiered on E! News on May 4, was directed by Robert Hales and follows Cyrus and numerous backup dancers dressed in bird-like clothing as they escape a cage and trash a museum.[22]

"Who Owns My Heart" was released as the album's second and final single on October 22, 2010. It would become her final single with Hollywood Records after signing with RCA Records in 2013. It was only released in selected European countries. A music video was released on October 20, 2010 resulting in criticism from the Parents Television Council for its sexual content. The single would become her final with the label.

Promotion

Cyrus at her Gypsy Heart Tour at Sao Paulo, Brazil in 2011

To promote Can't Be Tamed, Hollywood Records focused on television appearances rather than radio, as a result of the time constraints that surrounded Cyrus at the time. The strategy was to "benefit from loud individual events versus the traditional touring and press runs."[7] Cyrus first performed "Can't Be Tamed" live on May 18, 2010 on Dancing With the Stars.[23] In her first appearances in Europe, Cyrus performed the title track, "Robot", and "My Heart Beats for Love" at the Rock in Rio concerts in Lisbon, Portugal on May 29, 2010 and Madrid, Spain on June 6, 2010.[24][25] She performed a concert that featured six songs from the album at the Los Angeles House of Blues on June 21, 2010. The concert was taped and streamed across over thirty websites owned by MTV Networks.[26][27] Throughout the summer of 2010, Cyrus promoted Can't Be Tamed as she performed songs on Britain's Got Talent,[28] Good Morning America,[29] Late Show with David Letterman,[30] and MuchMusic Video Awards.[31] Cyrus performed "Who Owns My Heart" at MTV Europe Music Awards 2010 and "Forgiveness and Love" at the 2010 American Music Awards. The album would be further promoted during the 2011 Gypsy Heart Tour visiting the Americas, Australia and Asia.[32]

Critical reception

Professional ratings
Review scores
Source Rating
AllMusic [33]
The Arizona Republic [18]
Entertainment Weekly B−[34]
The Globe and Mail [35]
The Guardian [36]
The New Zealand Herald 3/5[37]
Rolling Stone [38]
The Sydney Morning Herald [39]
USA Today [40]
Us Weekly [41]

The album generated mostly mixed reviews from critics. Glenn Gamboa of Newsday said the album's primary fault is how confused it sounds; he says Cyrus is "hard to resist" on some tracks but lacked focus on others, such as while "wandering through" "Every Rose Has Its Thorn" and rapping on "Liberty Walk", and that such songs made her "hard to take seriously".[42] Ed Masely of The Arizona Republic agreed: "The trouble is, Miley's not a little girl, not yet a woman, and she seems a little stumped as to the best way one might bump and grind her way through the transition years in public." Masely was also disappointed that Cyrus had turned away from "the spunky bubblegum she did so well" and considered the album's best songs its "frothy electro-pop".[18] Ron Harris of the Associated Press said Cyrus sounded "17 going on 15" as she continued to sing "vague love songs slathered in studio software instrumentals".[4] He questioned Cyrus's large team of co-writers: "How do you claim artistic independence while maintaining a co-writing team that outnumbers the musicians?"[4] In a kinder review, Rolling Stone said Cyrus and her album were undeniably Disney products, but were better for it: "Tamed was mostly cooked up by the pros who helped make Cyrus a Disney princess. It's a Top 40 record of a high order."[38] Leah Greenblatt of Entertainment Weekly gave the album a "B-", saying, "Despite her best rebellious efforts, Miley's just not (yet) that thorny a girl."[34] Ian Drew of Us Weekly said the album's with Britney Spears-style declarations and dance beats ("I'm hot like that," she brags on "Can't Be Tamed") as well as big ballads that echo "The Climb." A glitch? As with Ms. Spears, overproduction cant mask her thin voice."[41]

Many reviewers criticized the album's heavy use of technology on the album. Alexis Petridis of The Guardian said the album was "bog-standard pop-dance: rave synths, vocals chromed with Auto-Tune [...] in seeking to establish a more individual identity, Cyrus has become more generic."[36] Brad Wheeler of The Globe and Mail claimed, "There’s not a sliver of individuality on this uninspired album". He said her auto-tuned voice was "nothing special" and the album's lyrics were cliche-ridden.[35] Heather Phares of AllMusic commented, "Though pop was Cyrus' bread and butter during her Hannah years, the album’s synth-dominated tunes don’t jell with her voice; she sounds more natural and more grown-up on the songs that straddle rock and country."[33] Phares also noted that "too often, Cyrus equates grown-up with joyless".[33] The Washington Post reviewed saying, "Tamed" takes advantage of her vinegary personality, dividing itself between disposable, tinny dance pop tracks and generically sweeping, echo-y ballads."[43]

Track listing

Can't Be Tamed Standard version
No. TitleWriter(s)Producer(s) Length
1. "Liberty Walk"  
4:06
2. "Who Owns My Heart"  
  • Cyrus
  • Armato
  • James
  • Karaoglu
Rock Mafia 3:35
3. "Can't Be Tamed"  
  • Cyrus
  • Armato
  • James
  • Marek Pompetzki
  • Paul NZA
  • Rock Mafia
  • Karaoglu[a]
  • Pompetzki[a]
2:48
4. "Every Rose Has Its Thorn"  Rock Mafia 3:48
5. "Two More Lonely People"  
Rock Mafia 3:10
6. "Forgiveness and Love"  
  • Cyrus
  • Armato
  • James
  • Adam Schmalholz
Rock Mafia 3:28
7. "Permanent December"  Shanks 3:38
8. "Stay"  
  • Shanks
  • Cyrus
Shanks 4:22
9. "Scars"  
  • Shanks
  • Cyrus
Shanks 3:42
10. "Take Me Along"  
  • Shanks
  • Cyrus
Shanks 4:09
11. "Robot"  
  • Shanks
  • Cyrus
Shanks 3:43
12. "My Heart Beats for Love"  Shanks 3:43
Total length:
44:15
Can't Be Tamed iTunes Store bonus track
No. Title Length
13. "Can't Be Tamed (Rockangeles Remix)" (featuring Lil Jon) 4:00
Total length:
48:15
Can't Be Tamed Deluxe version (Miley Cyrus: Live at the O2 bonus DVD)
No. Title Length
1. "Hello London / Wanna Hear My Fingers Crack?"    
2. "Breakout" (live)  
3. "Start All Over"    
4. "7 Things" (live)  
5. "Kicking and Screaming" (live)  
6. "It's More About the Music Here"    
7. "Bottom of the Ocean" (live)  
8. "You Have to Buy It"    
9. "Fly on the Wall" (live)  
10. "Let's Get Crazy" (live)  
11. "Hoedown Throwdown" (live)  
12. "Not Sure if the Queen Jams Out"    
13. "These Four Walls" (live)  
14. "I Don't Do Hats"    
15. "When I Look at You" (live)  
16. "Obsessed" (live)  
17. "The Show Can't Go On / Back Stage at the O2"    
18. "Spotlight" (live)  
19. "G.N.O. (Girl's Night Out)" (live)  
20. "I Love Rock 'n' Roll" (live)  
21. "Party in the U.S.A." (live)  
22. "Hovering" (featuring Trace Cyrus; live)  
23. "This Is How We Roll"    
24. "Simple Song" (live)  
25. "See You Again" (live)  
26. "The Climb" (live)  
27. "End Credits"    
Can't Be Tamed Japanese and UK version (bonus DVD)[44][45]
No. Title Length
1. "Can't Be Tamed" (making of the music video)  
2. "Fly on the Wall" (live at the O2)  
3. "Start All Over" (live at the O2)  
4. "Can't Be Tamed" (music video)  
5. "Who Owns My Heart" (music video; Japanese edition only)  
6. "Miley Hearts London"    
Notes

Credits and personnel

Credits for Can't Be Tamed adapted from AllMusic[46]

  • Brooke Adams – background vocals
  • Angie Aparo – composer
  • Antonina Armato – composer
  • Brian Bowen-Smith – photography
  • Ryan Carline – engineer, keyboards, programming
  • Dan Chase – keyboards, programming
  • Adam Comstock – second engineer
  • Dorian Crozier – drum programming
  • Miley Cyrus – composer, vocals, background vocals
  • Tish Cyrus – executive producer, management
  • Bobby Dall – composer
  • C.C. DeVille – composer
  • John Read Fasse – composer
  • Lars Fox – Pro-Tools
  • Steve Hammons – engineer
  • Ross Hogarth – engineer
  • Sean Hurley – bass
  • Tim James – composer
  • Brandon Jane – composer, vocals (background)
  • Enny Joo – art direction, design
  • Charles Judge – keyboards
  • Kevin Kadish – composer, acoustic guitar, background vocals
  • Devrim "DK" Karaoglu – composer, producer
  • Aaron Kasdorf – engineer
  • Claude Kelly – composer
  • Patrick Leonard – Hammond B3, piano
  • Jon Lind – A&R
  • Hilary Lindsey – composer, background vocals
  • Nigel Lundemo – digital editing
  • Michael McGinnis – composer
  • Jim McGorman – piano
  • Bret Michaels – composer
  • Jason Morey – executive producer, management
  • Akhiro Nishimura – assistant engineer
  • Paul Nza – composer, producer
  • Paul Palmer – mixing
  • Tim Pierce – guitar
  • Marek Pompetzki – composer, producer
  • Rich Ramsey – assistant engineer
  • Rock Mafia – digital editing, mixing, producer
  • Rikki Rockett – composer
  • Jeff Rothschild – drums, engineer, mixing, programming
  • Gordie Sampson – composer, keyboards
  • Nicholas J. Scapa- composer
  • Adam Schmalholz – composer
  • John Shanks – bass, composer, guitar, keyboards, producer, background vocals
  • Dave Snow – creative director
  • Shari Sutcliffe – contractor, coordination, music contractor, production coordination
  • Robert Vosgien – mastering

Charts

Weekly charts

Chart (2010) Peak
position
Australian ARIA Albums Chart 4
Austria Top 40 2
Belgium Albums Chart (Flanders)[47] 8
Belgium Albums Chart (Wallonia)[48] 7
Canadian Albums Chart[49] 2
Czech Albums Chart[50] 8
Danish Albums Chart[51] 25
Dutch Albums Chart[52] 31
European Top 100 Albums[53] 2
Finnish Albums Chart[54] 41
French Albums Chart 13
German Albums Chart[55] 4
Greek Albums Chart[56] 3
Hungarian Albums Chart[57] 10
Irish Albums Chart[58] 5
Italian Albums Chart[59] 4
Mexican Albums Chart[60] 10
New Zealand Albums Chart[61] 2
Norway Albums Chart[62] 8
Polish Albums Chart[63] 11
Portuguese Albums Chart 1
Spanish Albums Chart 1
Swedish Albums Chart[64] 21
Swiss Albums Chart[65] 3
UK Albums Chart[66] 8
U.S. Billboard 200[67] 3

Year-end charts

Chart (2010) Position
Austrian Albums Chart[68] 75
European Top 100 Albums[69] 70
German Albums Chart[70] 99
US Billboard 200[71] 130

Certifications

Region Certification Sales/shipments
Australia (ARIA)[72] Gold 35,000^
United Kingdom (BPI)[73] Silver 60,000^
Poland (ZPAV)[74] Gold 0*

*sales figures based on certification alone
^shipments figures based on certification alone
xunspecified figures based on certification alone

Release history

Region Date Label Ref.
Germany June 18, 2010 Universal Music [9]
Poland [10]
Australia
United States June 21, 2010 Hollywood
Canada Universal Music [10]
United Kingdom Fascination
Sweden Universal Music
Japan June 23, 2010 Avex Group [75]

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