Bap-Tizum
Bap-Tizum | ||||
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Live album by Art Ensemble of Chicago | ||||
Released | 1972 | |||
Recorded | September 9, 1972 | |||
Genre | Jazz | |||
Label | Atlantic | |||
Producer | Tunç Erim, Jimmy Douglass | |||
Art Ensemble of Chicago chronology | ||||
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Bap-Tizum is a 1972 live album by the Art Ensemble of Chicago recorded at the Ann Arbor Blues and Jazz Festival held at the Otis Spann Memorial Field and first released on the Atlantic label in 1972. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye.
Reception
The Allmusic review by Richard S. Ginell awarded the album 5 stars noting that "the Art Ensemble holds back nothing in a chaotic, meandering, exasperating, outrageous -- and, thus, always fascinating -- performance".[1]
Critic Michael G. Nastos calls the album "essential".[2] Author Rafi Zabor describes the album as a "riotous" real-life analogue to his depiction of a fictional, tumultuous Art Ensemble performance in The Bear Comes Home.[3]
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [1] |
Penguin Guide to Jazz (8th ed.) | () |
Track listing
- "Nfamoudou-Boudougou" (Moye) - 4:16
- "Immm" (Favors) - 5:31
- "Unanka" (Mitchell) - 10:44
- "Oouffnoon" (Mitchell) - 3:25
- "Ohnedaruth" (Art Ensemble of Chicago) - 15:00
- "Odwalla" (Mitchell) - 5:42
- Recorded September 9, 1972 at the Ann Arbor Blues and Jazz Festival, Michigan
Personnel
- Lester Bowie: trumpet, percussion instruments
- Malachi Favors Maghostut: bass, percussion instruments, vocals
- Joseph Jarman: saxophones, clarinets, percussion instruments
- Roscoe Mitchell: saxophones, clarinets, flute, percussion instruments
- Don Moye: drums, percussion
References
- ↑ 1.0 1.1 Ginell, R. G. Allmusic Review accessed July 27, 2011.
- ↑ Nastos, Michael (1994). Wynn, Ron, ed. All Music Guide to Jazz. San Francisco: Miller Freeman. p. 48. ISBN 0-87930-308-5
- ↑ Zabor, Rafi (1997). "A Listener's Guide". The Bear Comes Home. New York: W. W. Norton. p. 481. ISBN 0-393-31863-X. "For the best analogue - including specific compositions, flying obscenities, and perhaps even pistol shots - of the Art Ensemble's own appearance in these pages, I'd recommend the riotous Bap-tizum on Atlantic."