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The Eight Principles of Yong (Chinese: 永字八法; pinyin: Yǒngzì Bā Fǎ; Japanese: 永字八法/えいじはっぽう, eiji happō; Korean: 영자팔법, Yeongjapalbeop; Vietnamese: Vĩnh Tự Bát Pháp/Tám Phương Pháp về Chữ Vĩnh) explain how to write eight common strokes in regular script which are found all in the one character, 永 (pinyin: yǒng, "forever", "permanence"). It was traditionally believed that the frequent practice of these principles as a beginning calligrapher could ensure beauty in one's writing.
The Eight Principles are influenced by the earlier Seven Powers (七勢) by Lady Wei Shuo (衛鑠) of Eastern Jin. Publications on the Principles include:
Contents |
Stroke | Name (pinyin, trad./simp.) |
CJK stroke name | Lǐ's name | Additional description | |
---|---|---|---|---|---|
1 | Cè, (側/侧) "Sideway" | Diǎn, (點/点) "Dot" | Guài Shí, (怪石) "Strange stone" | Tiny dash, speck. | |
2 | Lè, (勒) "Bridle" | Héng, (橫) "Horizontal" | Yù Àn, (玉案) "Jade table" | Rightward stroke. | |
3 | Nǔ, (弩), "Crossbow"; Nǔ, (努) "Strive" |
Shù, (竪 "Erect"; Tiěchǔ, (鐵杵/铁杵) "Iron staff" |
Tiězhù, (鐵柱/铁柱) "Iron pillar" | Downward stroke. | |
4 | Tí, (趯) "Jump" | Gōu, (鉤) "Hook" | Xièzhuǎ, (蟹爪) "Pincer of a crab" | Appended to other strokes, suddenly going down or going left only. | |
5 | Cè, (策) "Horsewhip" | Tí, (提) "Raise"; Tiāo, (挑) "Lifting off" |
Hǔyá, (虎牙) "Tiger's tooth" | Flick up and rightwards. | |
6 | Lüè, (掠) "Passing lightly" | Wān, (彎/弯) "Bend, curve" | Xījiǎo, (犀角) "Horn of rhinoceros" | A tapering thinning curve, usually concave left (convex outward right) and with fast speed as if skimming. | |
7 | Zhuó, (啄) "Pecking" | Piě, (撇) "Throw away, slant"; Duǎn Piě (短撇) "Short slant" |
Niǎo Zhuó, (鳥啄)/(鸟啄) "Bird pecking" | Falling leftwards (with slight curve). | |
8 | Zhé, (磔) "Dismemberment" | Nà, (捺) "Pressing forcefully"; Pō, (波) "Wave" |
Jīndāo, (金刀) "Golden dao (knife)" | Falling rightwards (fattening at the bottom), where the end point is "as sharp as a knife" (hence the name "Dismemberment"). |
Note: - Xié 斜 is sometimes added to the 永's strokes. It's a concave Shù falling right, always ended by a Gōu, visible on this image.
In addition to these eight common strokes in 永, there are at least two dozen strokes of combinations which enter in the composition of CJK strokes and by inclusion the CJK characters themselves, all characters which consist of ideograms, in contrast to Western phonetic alphabets and characters.