Yangshao Culture 仰韶文化 |
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Extent of Yangshao Culture | ||||
Capital | Banpo | |||
Government | Tribal | |||
History | ||||
- Established | ca. 5000 BC | |||
- Disestablished | ca. 3000 BC | |||
Currency | Cowries |
The Yangshao culture (Chinese: 仰韶文化; pinyin: Yǎngsháo wénhuà) was a Neolithic culture that existed extensively along the central Yellow River in China. It is dated from around 5000 BC to 3000 BC. The culture is named after Yangshao, the first excavated representative village of this culture, which was discovered in 1921 in Henan Province by the Swedish archaeologist Johan Gunnar Andersson (1874–1960). The culture flourished mainly in the provinces of Henan, Shaanxi and Shanxi.
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The subsistence practices of Yangshao people were varied. They cultivated millet extensively; some villages also cultivated wheat or rice. The exact nature of Yangshao agriculture—small-scale slash-and-burn cultivation versus intensive agriculture in permanent fields, is currently a matter of debate. However, Middle Yangshao settlements such as Jiangzhi contain raised floor buildings that may have been used for the storage of surplus grains. They kept such animals as pigs, chickens and dogs, as well as sheep, goats, and cattle, but much of their meat came from hunting and fishing. Their stone tools were polished and highly specialized. The Yangshao people may also have practiced an early form of silkworm cultivation.
The Yangshao people mainly cultivated millet but some settlements grew rice. They also grew vegetables like turnips, cabbage, yams and other vegetables. The Yangshao people domesticated chickens, ducks, pigs, dogs and cattle. Millet and rice was made into gruel for the morning while millet was made into dumplings. Meat was only eaten on special occasions and rice was ground into flour to make cakes. Most of the meat was obtained by hunting or fishing.
Although early reports suggested a matriarchal culture,[1] others argue that it was a society in transition from matriarchy to patriarchy, while still others believe it to have been patriarchal. The debate hinges around differing interpretations of burial practices.[2][3]
The Yangshao culture produced silk to a small degree and wove hemp. Men wore loin cloths and tied their hair in a top knot. Women wrapped a length of cloth around themselves leaving the shoulders bare or wore a skirt and took the front end between the legs and tied it in the back. Women tied their hair in a bun. The wealthy could wear silk.
Houses were built by digging a rounded rectangular pit a few feet deep. Then they were rammed, and a lattice of wattle was woven over it. Then it was plastered with mud. The floor was also rammed down. Next, a few short wattle poles would be placed around the top of the pit, and more wattle would be woven to it. It was plastered with mud, and a framework of poles would be placed to make a cone shape for the roof. Poles would be added to support the roof. It was then thatched with millet stalks. There was little furniture; a shallow fireplace in the middle with a stool, a bench along the wall, and a bed of cloth. Food and items were placed or hung against the walls. A pen would be built outside for animals.
The Yangshao culture crafted pottery. Yangshao artisans created fine white, red, and black painted pottery with human facial, animal, and geometric designs. Unlike the later Longshan culture, the Yangshao culture did not use pottery wheels in pottery-making. Excavations found that children were buried in painted pottery jars.
The archaeological site of Banpo village, near Xi'an, is one of the best-known ditch-enclosed settlements of the Yangshao culture. Another major settlement called Jiangzhai (姜寨) was excavated out to its limits, and archaeologists found that it was completely surrounded by a ring-ditch. Both Banpo and Jiangzhai also yielded controversial incised marks on pottery which a few have interpreted as numerals or perhaps precursors to the Chinese script.[4] However, such conclusions may be premature.[5]
Among the numerous overlapping phases of the Yangshao culture, the most prominent phases, typified by differing styles of pottery, include:
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