Viola caipira

The viola caipira (Portuguese for hillbilly guitar) is a ten-string, five-course guitar[1]. Unlike most steel-string guitars, its strings are plucked with the fingers of the right hand similarly to the technique used for classical and flamenco guitars, rather than by the use of a plectrum.

It is a folk instrument commonly found in Brazil, where it is often simply called viola[2]. Resonator models are also produced.

The origins of the viola caipira are obscure, but folklorist Luís da Câmara Cascudo believes it to be an archaic form of the Arab lute (al-luth) that elsewhere evolved into the modern guitar. It is likely a descendant of one of the many folk guitars that have traditionally been played in Portugal. The viola braguesa and viola amarantina, for instance, are two types of ten-string guitars from the north of Portugal[3], which are closely related to the viola caipira.

Some have claimed the viola caipira to be the national instrument of Brazil [4], but the tambourine-like pandeiro has a stronger claim to being this [5][6][7][8]. The Brazilian Embassy in Washington lists a national flower among the official symbols of Brazil, but no national musical instrument [9]. What is undisputed is that the viola caipira was introduced in São Paulo before the violão, and is the basis for the música caipira, or São Paulo´s folk music, as Inezita Barroso states.

A large number of tunings are used; open tunings are common[10].

Violas are present in nearly all Brazilian music forms, anywhere in the country (although it is declining in some places). It most often associated with Caipira Music (Brazilian country music), with some forms of North-Eastern music and with folkloric music. It was once used to play urban music, like choro, samba and Maxixe, but has been replaced by the acoustic guitar.

The greatest virtuosos of Brazilian viola are Zé Côco do Riachão (composer from Minas Gerais) , Toninho Ramos (composer from Minas Gerais live in France) and Almir Sater (successful singer-songwriter from Mato Grosso do Sul).

A National Association of Viola Players (Associação Nacional dos Violeiros) has been founded in 2004 and the Ministry of Culture has declared the preservation of the Viola tradition as of national interest.

Contents

Notable performers

References

  1. ^ Corrêa, Roberto (2000) (in portuguese) A Arte de Pontear Viola (by the author ed.) Brasília pp. 259 ISBN 85-901603-1-9 
  2. ^ Moura, Reis (2000) (in portuguese) Descomplicando a Viola: Método Básico de Viola Caipira (by the author ed.) Brasília pp. 62 ISBN 85-901637-1-7 
  3. ^ See Lark in the Morning
  4. ^ See for example Brad Hoyt's essay which also includes some photos of the viola caipira
  5. ^ http://www.brazilproductions.com/html/instrument.html
  6. ^ http://www.musicoutfitters.com/ethnic/pandeiro.htm
  7. ^ http://www.charliehunter.com/discs/rightnowmove.html
  8. ^ http://www.petelockett.com/pete%20new%20pages/Re%20Cycle%20percussion%20programming.html
  9. ^ Brazilian Embassy website
  10. ^ http://jazz-guitar-talk.blogspot.com/2009/02/tuning.html
  11. ^ http://www.tiaocarreiro.com.br/interna.php?page=biografia

See also

External links