Village Bottoms

The Village Bottoms is a historic cultural district in the predominantly Black neighborhood of West Oakland, California. Its current revitalization and cultural arts renaissance is being catalyzed by artist/cultural worker Marcel Diallo and a neighborhood of young, black artists including Githinji wa Mbire, Eesuu Orundide, letitia ntofon, and rappers Boots Riley of The Coup, Zumbi of Zion I and Adimu Madyun of rap group Hairdooo.[1]

The neighborhood and its development initiatives came under intense media scrutiny in 2009, when Diallo was implicated in an Internet fraud and libel scandal against another Oakland activist. There is currently significant skepticism in the Oakland press as to the legitimacy of Marcel Diallo's enterprises.[2][3]

The Village Bottoms Cultural District contains The Black Dot Cafe, The Continental Club, Ester's Orbit Room, Pacific Cannery Lofts, 16th Street Train Station, Velocity Circus, Lower Bottom Playaz Community Theater and Environmental Indicators Project and more.[4] It is currently gentrifying rapidly in the wake of the housing market crash of 2008, to a point where many of its new gentrifying residents have mounted an aggressive internet campaign to attempt to discredit the district in fear that it will stop them from taking over the neighborhood.[5] These anonymous detractors spread false information through online venues such as Wikipedia, myspace and countless blogs attempting to defame the character of Marcel Diallo and the Black cultural revival that he, along with many others are catylzing.[6][7]

The "Village Bottoms" is a name that many in Oakland's black cultural community, including the late Oakland poet laureate Reginald Lockett prefer to call a small section of the old West Oakland neighborhood that their parents, grandparents and/or great-grandparents lived in.[8] Although the city of Oakland officially calls the larger district Prescott, the 1980s generation called it the boondocks and then The Lower Bottoms, and many of the new gentrifying residents prefer the even older Oakland Point, what ever one believes the name to be, its many names point to the overwhelming fact that the neighborhood is indeed gentrifying and is undergoing an intense transition and struggle for its very identity similar to what occurred in New York's Lower East Side neighborhood two decades earlier.[9]

References

  1. ^ [Against Gentrification: Marcel Diallo sees a black cultural district where Oakland's the Bottoms neighborhood now stands by Anne Stuhldreher, Sunday, January 21, 2007, San Francisco Chronicle Magazine http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2007/01/21/CMG93N6V7B1.DTL]
  2. ^ Robert Gammon. "You Don't Know Jack". East Bay Express. http://www.eastbayexpress.com/ebx/you-dont-know-jack/Content?oid=1428761. 
  3. ^ Jonathan Bair (November 18, 2009). "West Oakland, Internet Fraud, and Developers: a Lower Bottom Scandal". SFGate.com / San Francisco Chronicle. http://www.sfgate.com/cgi-bin/blogs/inoakland/detail?&entry_id=51942. 
  4. ^ [Black Dot Artists Collective: Evolving Tradition in West Oakland. By Sonya Smith, Feb 15, 2008, CityFlight.com]
  5. ^ [Informal Arts Districts and Neighborhood Change: Two Oakland Case Studies Center for Community Innovation University of California Berkeley October 2007 Anja Wodsak and Kimberly Suczynski http://communityinnovation.berkeley.edu/publications/Arts-Community.pdf]
  6. ^ [The Odd Couple: How developer Rick Holliday reached out to community activist Marcel Diallo to pave the way for Central Station. By Rachel Swan, East Bay Express, August 27, 2008 http://www.eastbayexpress.com/artsculture/the_odd_couple/Content?oid=816005]
  7. ^ [ The Fine Art of Rebuilding West Oakland by Richard Gonzales. NPR, Morning Edition, February 16, 2007]
  8. ^ Roots & Renaissance: Open, free, inspiring and beautiful—words to describe Oakland? Yes, say generations of black artists. A new book celebrates the history and future of the city’s black art scene. BY EMILY WILSON, January, 2008 [1]
  9. ^ Selling the Lower East Side: Culture, Real Estate, and Resistance in New York City (University of Minnesota Press, 2000) by Christopher Mele.]