| Tyāgarāja | |
|---|---|
| Background information | |
| Born | May 4, 1767 |
| Origin | Tiruvarur, Tiruvarur District, Tamil Nadu, India |
| Died | January 6, 1847 (age 79) |
| Genres | Carnatic music |
| Occupations | Carnatic Composer |
Kakarla Tyagabrahmam (Telugu: త్యాగరాజు) (May 4, 1767–January 6, 1847), colloquially known as Tyāgarājar and Tyagayya, was one of the greatest composers of Carnatic music or classical South Indian music. He, along with his contemporaries Muthuswami Dikshitar and Shyama Shastry, forms the Trinity of Carnatic music. He was a prolific composer and highly influential in the development of the South Indian classical music tradition. Tyagaraja composed thousands of devotional compositions, most of them in praise of Lord Rama — most of which remain very popular even today. Of special mention are five of his compositions called the Pancharatna Krithis (English: 'five gems'), which are often sung in programs in his honor.
Tyagaraja was born in 1767 in Tiruvarur, Tiruvarur district, Tamil Nadu, to Kakarla Ramabrahmam and Sitamma in a Telugu Brahmin family of the Mulukanadu subsect.[1] He was named Tyagaraja, after Lord Tyagaraja, the presiding deity of the temple at Tiruvarur. Tyagaraja was born at his maternal grandfather Giriraja Kavi's house. Giriraja Kavi was a poet-composer in the court of the king of Thanjavur.
| Indian Music | |
|---|---|
| Indian classical music | |
| Carnatic music | |
| Hindustani music | |
| Core Concepts | |
| Shruti · Swara · Alankar · Rāga · Tāla |
Tyagaraja began his musical training under Sonti Venkataramanayya, a noted music scholar, at an early age. He regarded music as a way to experience God's love. His objective while practising music was purely devotional, as opposed to focusing on the technicalities of classical music. He also showed a flair for composing music and, in his teens, composed his first song Namo Namo Raghavayya in the Desika Todi ragam and inscribed it on the walls of the house.
A few years later, Sonti Venkataramanayya invited Tyagaraja to perform at his house in Thanjavur. On that occasion, Tyagaraja sang Endaro Mahaanubhavulu, the fifth of the Pancharatna Krithis. Pleased with Tyagaraja's composition, Sonti Venkataramanayya informed the King of Thanjavur about Tyagaraja's genius. The king sent an invitation, along with many rich gifts, inviting Tyagaraja to attend the royal court. Tyagaraja, however, was not inclined towards a career at the court, and rejected the invitation outright, composing another gem of a kriti, Nidhi Chala Sukhama (English: "Does wealth bring happiness?") on this occasion.
Angered at Tyagaraja's rejection of the royal offer, his brother threw the statues of Rama Tyagaraja used in his prayers into the nearby Kaveri river. Tyagaraja, unable to bear the separation with his Lord, went on pilgrimages to all the major temples in South India and composed many songs in praise of the deities of those temples.
Tyagaraja, who was totally immersed in his devotion to Lord Rama and led the most spartan way of life without bothering in the least for the comforts of the world, did not take any steps to systematically codify his vast musical output. The late Rangaramanuja Iyengar, a leading researcher on Carnatic music, in his work Kriti Manimalai, has described the situation prevailing at the time of death of Tyagaraja. It is said that a major portion of his incomaparable musical work was lost to the world due to natural and man-made calamities. Usually Tyagaraja used to sing his compositions sitting before idols of Lord Rama, and his disciples noted down the details of his compositions in palm leaves. After his death, these palm leaves came in the possession of the disciples, and to several families descending from the disciples. Thus a definitive edition of Thyagaraja's songs did not exist.
However the popularity of his songs was widespread. Great musical experts like Kancheepuram Nayana Pillai, Simizhi Sundaram Iyer and Veenai Dhanammal saw the infinite possibilities for imaginative music inherent in the compositions of Thyagaraja and systematically notated the songs available to them. Subsequently, indefatigable researchers like K. V. Srinivasa Iyengar and Rangaramanuja Iyengar took enormous pains to contact various teachers and families who had the possession of the palm leaves. K. V. Srinivasa Iyengar brought out Adi Sangeetha Rathnavali and Adi Thyagaraja Hridhayam (in 3 volumes). Rangaramanuja Iyengar published Kriti Mani Malai in two volumes. Kriti Mani Malai is a monumental research effort.
Further, Musiri Subramania Iyer, the doyen of Bhava Sangeetham, had a vast collection of books in his library. T. K. Govinda Rao, his disciple, brought out an excellently researched volume of the songs of Tyagaraja in English and the Devanagari script. T. S. Parthasarathy, a leading scholar on Tyagaraja, published the text and meaning of Tyagaraja's songs, very popular among teachers and students alike.
There are many publications in Telugu, too, which are not as comprehensive as the works of Rangaramanuja Iyengar and T. K. Govinda Rao.
Thus, due to the painstaking labour of these musicians and researchers, there now exists a stable and definitive collection of Thyagaraja's music. Out of 24,000 thousand songs said to be composed by Tyagaraja, around 700 songs have survived.
In addition to nearly 700 compositions (kritis), Tyagaraja composed two musical plays in Telugu, the Prahalada Bhakti Vijayam and the Nauka Charitam. Prahlada Bhakti Vijayam is in five acts with 45 kritis set in 28 ragas and 138 verses, in different metres in Telugu. Nauka Charitam is a shorter play in one act with 21 kritis set in 13 ragas and 43 verses. The latter is the most popular of Tyagaraja's operas, and is a creation of the composer's own imagination and has no basis in the Bhagavata Purana.
it is the fact that Tyagaraja's works are some of the best and most beautiful literary expressions in Telugu language,which every telugu person who is blessed to know the kritis agrees. Valmiki composed the Ramayana, the story of Rama, with 24,000 verses, and coincidentally Tyagaraja, too, composed 24,000 kritis in praise of the Lord.
K.V. Ramachandran, a well-known 20th-century Indian music critic, wrote: "Tyagaraja is an indefatigable interpreter of the past... but if with one eye he looks backward, with the other he looks forward as well. Like Prajapati, he creates his own media, and adores his Rama not alone with jewel-words newly fashioned, but also with jewel-[like]-music newly created. It is this facet of Thyagaraja that distinguishes him from his illustrious contemporaries." In other words, while Tyagaraja's contemporaries were primarily concerned with bringing to audiences the music of the past, Tyagaraja, apart from doing the same, also pioneered new musical concepts at the same time.
Sarvalaghu is the heart of Tyagraja's music. Tyagaraja's music is melody and rhythm personified. It is easy for children, a challenge for the learned, and a wonder for the genius.
In the publication "The Hindu speaks on music", tribute is paid to the great Carnatic music composer. "In his universality, he is like Shakespeare... Behind that magnificent achievement was a soul that had found itself. Unfashionable as it is to talk of such things, we must insist that one who would ignore the mainspring of Tyagaraja's inspiration, the mystic's love of God, can never hope to understand him or feel a fraction of his haunting charm. A sublime certitude marked the march through life of this humble man who could look with unerring insight into the heart of the peasant and the prince, the footpad and the fashionable roue. He was tempted neither by pomp and power nor by the vanity of wealth. He had antagonism for none, his heart was full of compassion. He yearned to bring to his fellowmen the peace that passeth understanding. In the company of the dedicated spirits of all time - Prahlada, Narada and Sukha - his immortal genius ministers to our need for sweetness and light."
Tyagaraja Aradhana, the commemorative music festival is held every year at Thiruvaiyaru in the months of January to February in Tyagaraja's honour. This is a week-long festival of music where various Carnatic musicians from all over the world converge at his resting place. On the Pushya Bahula Panchami,[2] thousands of people and hundreds of Carnatic musicians sing the five Pancharatna Kritis in unison, with the accompaniment of a large bank of accompanists on veenas, violins, flutes, nagasvarams, mridangams and ghatams.
As the most famous composer of Telugu kritis or (kirtanas), Tyagaraja, who is fondly remembered as Tyagayya, has caught the imagination of filmmakers in the Telugu film industry. Apart from references to his works, using the kirtanas as songs, two films were made on his life. The legendary Chittor V. Nagaiah made a biographical epic on Tyagaraja titled Tyagayya in 1946 which is still treated as a masterpiece of Telugu cinema. Nagayya's rendition of Endaro Mahanubhavulu and its picturisation is treated as a matchless classic even today. Later, Bapu - Ramana made Tyagayya in 1981 with J. V. Somayajulu in the lead role. Another attempt is being made by Singeetam Srinivasa Rao to picturise the life of Tyagaraja.
The term pancharatna in Sanskrit means five gems: The Pancharatnas are known as the five finest gems of carnatic music. All the Pancharatnas are set to adi thalam. They are set in perfect sarvalaghu and contain all the musical and mathematical wonders of carnatic music. So far as Pancharathnas are concerned, fortunately a stable text has been handed over by the earlier musicians to the present day. Several musicians have brought out editions of Pancharatnas. However, Veenai Sundaram Iyer's edition is the most detailed and comprehensive. All the compositions of Tyagaraja show the way for the systematic development of the respective ragas. However, in the Pancharatnas Tyagaraja has given full, exhaustive and complete treatment as to how to systematically and scientifically develop a raga. The Pallavis and anupallavis of the Pancharatnas are absolute musical and rhythmic beauties and an earnest practice of the Pallavis and anupallavis of the Pancjaratna will reveal as to how to develop a raga in a methodical and systematic manner. The two fundamental conditions that must be satisfied for a systematic development of a raga are the arrangement of the solfa swaras in the natural order of Arohanam and Avarohanam of the Ragas so as to satisfy the sound principles of harmony and continuity. Pancharatnas satisfy these scientific principles in an unparalleled manner. The Pancharatnas are composed in perfect sarvalaghu swaras.
త్యాగరాజ పంచరత్న కృతులు
| # | Composition | Raga | Tala | Language | Audio Links | Other Info |
|---|---|---|---|---|---|---|
| 1 | jagadAnanda kAraka | nATa | Adi | Sanskrit |
MS Subbulakshmi - http://www.youtube.com/watch?v=voyxn7zsvGE |
|
| 2 | duDuku gala | gOuLa | Adi | Telugu | Malladi Brothers - http://www.youtube.com/watch?v=LvCQ1UNztKU | |
| 3 | sAdhincene O manasA | Arabhi | Adi | Telugu | M.Balamurali Krishna - http://www.youtube.com/watch?v=BqopEZLe13A | |
| 4 | kanakana ruci rA | varALi | Adi | Telugu | Hyderabad Brothers - http://www.youtube.com/watch?v=OHitPjnim6g | |
| 5 | endarO mahAnubhAvulu | Sri | Adi | Telugu |
MS Subbulakshmi - http://www.youtube.com/watch?v=98vu-xKuLRU |
| # | Composition | Raga | Tala | Language | Audio Links | Other Info |
|---|---|---|---|---|---|---|
| 1 | SambhO mahAdEva | pantu varALi | rUpaka | Sanskrit | ||
| 2 | sundarEswaruni cUcina | sankarAbharaNam | Adi | Telugu | ||
| 3 | I vasudhA nI vanti daivamu | sahana | Adi | Telugu | RK Srikanthan - http://www.youtube.com/watch?v=5r_UC4NqRi4 | |
| 4 | kOrisevimparAre | kharaharapriya | Adi | Telugu | ||
| 5 | nammivachina | kalyAni | rUpaka | Telugu |
| Composition | Raga | Tala | Language | Audio Links | Other Info |
|---|---|---|---|---|---|
| lalitE srI pravRddhE | bhairavi | Sanskrit | TM Krishna - http://www.youtube.com/watch?v=gplKbGJhdL8 |
| Composition | Raga | Tala | Language | Description | Audio Links |
|---|---|---|---|---|---|
| cUtAmu rArE | Arabhi | rUpaka | Telugu | ||
| O ranga SAyI yani palichitE | kAmbhOji | Telugu | T M Krishna - http://www.musicindiaonline.com/album/10-Classical_Carnatic_Vocal/24080-O_Rangasayee_Vol_2_/#/album/10-Classical_Carnatic_Vocal/24080-O_Rangasayee_Vol_2_/ | ||
| rAju veDalE cUtAmu rAre | thODi | rUpaka | Telugu | Priya Rathakrishnan - http://www.youtube.com/watch?v=UsPiApZXFgs |
| Composition | Raga | Tala | Language | Audio Links | Other Info |
|---|---|---|---|---|---|
| sundari nI divya rUpamunu | kalyAni | Adi | Telugu | ||
| sundari ninu | Arabhi | Telugu |
| Composition | Raga | Tala | Language | Audio Links | Other Info |
|---|---|---|---|---|---|
| Amba ninnu nammitinanTE | Arabhi | Adi | Telugu | ||
| parASakthi manuparAdA nA pai | sAvEri | Adi | Telugu | ||
| vidhi SakrAdulaku dorakunA | yamunA kalyANi | rUpaka | Telugu |
| Composition | Raga | Tala | Language | Audio Links | Other Info |
|---|---|---|---|---|---|
| vinAyakuni valenu brOvavE | madhyamAvati | Adi | Telugu | MS Subbulakshmi - http://www.youtube.com/watch?v=iasgmyGATNQ |
| Composition | Raga | Tala | Language | Audio Links | Other Info |
|---|---|---|---|---|---|
| muccata bramhAdulaku dorakuna | madhyamAvati | Adi | Telugu | R.Vedavalli - http://www.youtube.com/watch?v=9etMsXgL1lQ |
| Composition | Raga | Tala | Language | 'Description | Audio Links |
|---|---|---|---|---|---|
| tera tIyaga rAdA | goULi pantu | Adi | Telugu |
Ranjani & Gayatri - http://www.youtube.com/watch?v=1mXgYrOiDeo |
|
| venkaTESA ninnu sEvimpanu | madhyamAvati | Adi | Telugu | Radha & Jaya Lakshmi - http://www.youtube.com/watch?v=nY72rZFmcKU |
| Composition | Raga | Tala | Language | Description | Audio Links |
|---|---|---|---|---|---|
| aDugu varamulaniccedanu | Arabhi | misRa cApu | Telugu | ||
| E nATi nOmu phalamO | bhairavi | Adi | Telugu |
MS Subbulakshmi - http://www.youtube.com/watch?v=zQHjNqbALB4 |
|
| ETi janmamidi rA | varALi | misra cApu | Telugu | ||
| ipudainanu talacinArA | Arabhi | misra cApu | Telugu | ||
| rArA mA inTidAkA | asAvEri | Adi | Telugu |
M.Balamurali Krishna - http://www.youtube.com/watch?v=XsfAy6WgQZw |
|
| srI gaNapatini sEvimpa rArE | sourASTra | Adi | Telugu | ||
| tanalOnE dhyAninchi tanmayamE kAvalerA | dEva gAndhAram | Adi | Telugu | ||
| vAsudEva yani | kaLyANi | Adi | Telugu | ||
| vinatA suta rA rA | hussEni | Adi | Telugu |
| Composition | Raga | Tala | Language | Audio Links | Other Info |
|---|---|---|---|---|---|
| cAlu cAlu nI yuktulu naDavavu | sAvEri | Adi | Telugu | ||
| evaru manaku samAnamevarilalO | dEva gAndhAram | Adi | Telugu | ||
| gandhamu puyyaru gA | punnAga varALi | Adi | Telugu | ||
| ODanu jaripe muccata | sAranga | Telugu |
| Composition | Raga | Tala | Language | Audio Links | Other Info |
|---|---|---|---|---|---|
| heccarikagA rA rA | yadukula kAmbhoji | khanda cApu | Telugu | ||
| jO jO rAma | rIti gowLa | Adi | Telugu | lullaby | |
| kshIra sAgara vihArA | Ananda bhairavi | jhampa | Telugu | ||
| lAli yUgavE | nIlambari | rUpaka | Telugu | lullaby | |
| nagu mOmu kala vAni | madhyamAvati | Adi | Telugu | Modumudi Sudhakar - http://www.youtube.com/watch?v=35z70jSxMSk | |
| nA pAli sRI rAmA | Telugu | nalugu pATa | |||
| mElukOvayya mammEluko rAma | boWLi | khnDa cApu | Telugu | mElu kolupu pATa | |
| uyyAlalUgavayyA sRI rAma | nIlambari | Adi | Telugu | lullaby |
| Composition | Raga | Tala | Language | Audio Links | Other Info |
|---|---|---|---|---|---|
| callarE rAma candruni pai pUlu | Ahiri | misRa cApu | Telugu | Pantula Rama - http://www.youtube.com/watch?v=ZQbfPzPTXNI | |
| daSaradha nandana dAnava mardana | asAvEri | Adi | Telugu | ||
| dIna janAvanA SrI rAmA | bhUpalam | Adi | Sanskrit | ||
| maravakurA nava manmadha rUpuni | dEva gAndhAram | Adi | Telugu | ||
| nArAyaNa hari nArayaNa hari | yamunA kaLyANi | Adi | Telugu | ||
| O rAma O rAma OmkAra dhAma | Arabhi | Adi | Telugu | ||
| pAhi rAma rAmA yanucu bhajana sEyavE | khara hara priya | rUpaka | Telugu | ||
| pAhimAm harE mahAnubhAva rAghava | soUrAsTra | rUpaka | Telugu | ||
| pAlaya srI raghu vIra | dEva gAndhAram | Adi | Telugu | ||
| rAma pAhi mEgha shyAma pAhi | kApi | Adi | Telugu | ||
| rAma rAma rAma mAm pAhi | yamunA kaLyANi | Adi | Telugu | ||
| vandanamu raghu nandanA | Sahana | Adi | Telugu | ||
| vara lIla gAna lOlA | sankarAbharaNam | trisRa laghu | Sanskrit |
| Composition | Raga | Tala | Language | Description | Audio Links |
|---|---|---|---|---|---|
| abhimAnamu lEdEmi | AndhALi | misRa cApu | Telugu | ||
| ADamODi galadE | cAru kEshi | Adi | Telugu | ||
| anurAgamu lEni manasuna | saraswati | rUpaka | Telugu | ||
| aparAdhamulanOrva | rasALi | Telugu | |||
| appa rAma bhakti entO goppara rA | pantu varALi | rUpaka | Telugu |
Savitha Narasimhan - http://www.youtube.com/watch?v=B8DRd1kfLdM |
|
| AragimpavE | tODi | rUpaka | Telugu |
Nedunuri Krishna Murthy - http://www.youtube.com/watch?v=yLjAXRbrgVw |
|
| bAgAyenayyA nI mAyalentO | candra jyOti | dEsha Adi | Telugu | ||
| banTu rIti koluviavayya rAma | hamsa nAdam | dEsha Adi | Telugu |
T N Seshagopalan - http://www.youtube.com/watch?v=fTGZEmn3BY4 |
|
| brOva bAramA | bahudAri | Adi | Telugu | ||
| cakkani rAja mArgamE yunDaga | khara hara priya | Adi | Telugu | ||
| daya cEyavayya sadaya rAma candra | yadukula kAmbhOji | Adi | Telugu | ||
| dinamaNi vamsa tilaka lAvanyA | hari kAmbhOji | Adi | Telugu |
ML Vasanta Kumari - http://www.youtube.com/watch?v=3AGeWInhVmk |
|
| dhyAname varamaina gangA snAnamu rA | dhanyAsi | Telugu | |||
| dwaitamu sukhamA | rIti goULa | Telugu | |||
| E dAri sancharinturA | sRti ranjani | dESa Adi | Telugu |
Modumudi Sruthi Ranjani - http://www.youtube.com/watch?v=O3P7nGC-IVc |
|
| E tAvuna rA nilakaDa nIku | kalyANi | Adi | Telugu | ||
| Emani pagaDudu rA | vIra vasantam | Telugu | |||
| Emi dOva balkumA | sAranga | Adi | Telugu | ||
| ennALLu tirigEdi | mALava srI | Adi | Telugu | ||
| enta vEDukondu rAghavA | saraswati manOhari | Adi | Telugu | ||
| evaricciri rA Sara cApamu | madhyamAvati | Telugu | |||
| evvari mATa vinnAvO | kAmbhoji | Adi | Telugu | ||
| gAnamUrtE | gAna mUrthi | dEsha Adi | Sanskrit | ||
| giri pai nelakonna | sahana | Telugu | |||
| hari dAsulu veDalE muccaTa ganu | yamunA kaLyANi | Adi | Telugu | ||
| kAla haraNamEla rA harE | shuddha dhanyAsi | Adi | Telugu | ||
| kalugunA pada nIraja sEva | pUrNa lalita | Adi | Telugu | ||
| karuNA samudrA rAma | dEva gAndhari | Adi | Telugu | ||
| koluvai unnADE | dEva gAndhari | Telugu | |||
| ksIra sAgara SayanA | dEva gAndhari | Adi | Telugu | ||
| mA jAnaki jata battaga | kAmbhoji | rUpaka | Telugu | ||
| manasA eTulOrtunE | malaya mArutam | rUpaka | Telugu | ||
| manasA srI rAma candruni maruvakE | Isha manOhari | Telugu | |||
| manavi AlakincarAdaTE | naLina kAnti | dEsha Adi | Telugu | ||
| mari mari ninnE | kAmbhoji | Adi | Telugu | ||
| marugEla rA O rAghavA | jayanta srI | dESa Adi | Telugu |
Priya Sisters - http://www.youtube.com/watch?v=zCbdtXBCDk4 |
|
| mOhana rAma | mOhana | Adi | Telugu | ||
| mOkshamu galadA | sAramati | Adi | Telugu |
ML Vasanta Kumari - http://www.youtube.com/watch?v=ZsKLnL7gWjI |
|
| nAda lOluDai bramhAnandamandavE | kalLyANa vasanta | rUpaka | Telugu |
Rajkumar Bharati - http://www.youtube.com/watch?v=dLjea81ztMI |
|
| nAda sudhA rasambilanu | Arabhi | rUpaka | Telugu | ||
| nAda tanum anisham | citta ranjani | Adi | Sanskrit | ||
| nagu mOmu kana lEni | abhEri | Adi | Telugu | ||
| nA moralanu vini | Arabhi | Adi | Telugu | ||
| nA morAlakimpavEmi srI rAma | dEva gAndhari | rUpaka | Telugu | ||
| nanu kanna talli | sindhu kannada | Adi | Telugu |
Semmangudi Srinivasa Iyer - http://www.youtube.com/watch?v=4QOmZ2BcMG8 |
|
| nArada gAna lOla | aThANA | Adi | Telugu | ||
| nidhi cAlA sukhamA | kalyANi | misRa cApu | Telugu | ||
| nija marmamulanu telisina vAriki | umAbharaNam | Adi | Telugu | ||
| ninnE bhajana sEyu | nATa | rUpaka | Telugu | ||
| ninnE nera namminAnu | pantu varALi | rUpaka | Telugu | ||
| niravadi sukhadA | ravi candrika | Adi | Sanskrit | ||
| O rAjIvAksha OrajUpulu jUcEvErA | Arabhi | misRa cApu | Telugu | ||
| rAga sudhA rasa pAnamu | AndOLika | Adi | Telugu | ||
| palukavEmi nA daivamA | pUrNa candrika | Adi | Telugu | ||
| para lOka bhayamu lEka | mandAri | Adi | Telugu | ||
| raghu nAyakA nI padayuga | hamsa dhwani | Adi | Telugu | ||
| rAmA kOdanda rAmA | bhairavi | Adi | Telugu | ||
| rAkA SaSi vadana inta parAkA | takka | Adi | Telugu | ||
| rAma kadhA sudhA rasa pAnamu | madhyamAvati | Adi | Telugu | ||
| ramincu vArevaru rA | supOshiNi | dESa Adi | Telugu | ||
| rAnidi rAdu | maNirangu | Telugu | |||
| sAmaja Vara GamanA | hindoLam | Adi | Sanskrit | ||
| sangIta gnyAnamu bhakti vinA | dhanyAsi | Telugu |
savitha Namuduri - http://snamuduri1.googlepages.com/sangIta_gnyAnamu.wav |
||
| sarasa sAma dAna | kApI nArayaNi | dEsha Adi | Telugu |
Manda Sudha Rani - http://www.youtube.com/watch?v=UsPiApZXFgs |
|
| sItamma mAyamma | vasanta | rUpaka | Telugu | ||
| sItApatE nA manasuna siddhAntamani | khamAs | rUpaka | Telugu | ||
| sItAvara sangIta gnyAnamu dhAta vrAyavale rA | dEva gAndhAri | Adi | Telugu | ||
| smaraNE sukhamu | jana ranjani | Adi | Telugu | ||
| SObhillu sapta swara | jaganmOhini | rUpaka | Telugu | ||
| sogasu cUDa taramA | kannaDa gouLa | rUpaka | Telugu |
Thirvaiyyaru P.Sekhar - http://www.youtube.com/watch?v=34x0uqj6MF8 || |
|
| sogasugA Mridanga | sri ranjani | rUpaka | Telugu | ||
| srI raghukulamandu putti nIvu | hamsa dhwani | Adi | Telugu | ||
| srI rAma pAdamA | amRta vAhini | Adi | Telugu | ||
| sudhA mAdurya bhAshaNA | sindhu rAma kriya | Telugu | |||
| telisi rAma cintana tO | pUrnNa candrika | Adi | Telugu | ||
| teliyalEru rAma | dhEnuka | Adi | Telugu | ||
| tulaSammA mA inTa nelakonnAvammA | dEva gAndhAram | dESa Adi | Telugu | ||
| tulasI daLamula cE santoshamu gA pUjintu | mAyA mALava gouLa | rUpaka | Telugu | ||
| vidulaku mrokkeda | mAyA mALava goULa | Telugu | |||
| vinarAdA nA manavi | dEva gAndhAri | Telugu | |||
| yOcanA kamala lOcanA | darbAr | Adi | Telugu |
| Kriti | Raga | |
|---|---|---|
| abhishta varadA | ||
| lIla gAnu jUcE | dundhubi | Only kriti in this raga |
| sArasa nEtra |
The "Thyagaraj Sports Complex" is one of the competition venues for CWG 2010.