Tommy Potts (1912–1988) was a improvisational Irish fiddle player and composer from Dublin who gained iconic status in traditional Irish music circles for his virtuoso musicianship. He has influences in jazz and classical music, making his music a highly individualistic take on the Irish music tradition. Only one commercial recording of his playing was ever made.
Although Potts never received formal training, he was able to read and write music, giving his works structure and purposeful variation, rather than simply inventing them as he went along.[1] One of the most notable aspect of Potts' style is the treatment of traditional Irish music as a creative art form rather than as music for dancing. This is particularly evident in Potts' version of the hop jig "Top it Off", in which he deliberately adds occasional extra beats and slight pauses between phrases, taking away the flow needed for dance. The addition of odd, extra beats is reminiscent of Donegal fiddle traditions, personified by John Doherty.
Despite his controversial approach, Potts is today acknowledged as a figure of vital importance to the evolution of folk music. Many classical and folk music performers acknowledge him as an influence on their music, including Martin Hayes, Danú, Frankie Gavin, and Paddy Glackin. Potts was the subject of a 2009 TG4 documentary, "Cérbh É? Tommy Potts", in which a series of major figures in contemporary traditional music trace his life and pay homage to Potts and his mastery of their craft.