Tom Shaner | |
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Background information | |
Origin | New York City, USA |
Genres | Indie rock, folk rock |
Years active | 1992–present |
Labels | Mother West Records |
Website | [1] |
Tom Shaner is a songwriter, performer, director, and writer based in New York City. He writes and plays ghost songs, songs, waltzes, and rock and roll. His music is informed by roots music, but contains a modern awareness. Tom Shaner released an E.P. in 2011 titled “Get Real or Get Gone.” The E.P. was reviewed favorably by a number of online magazines including NeuFutur[1] and Music Emissions.[2]
Shaner is also involved in the production of his recordings, as well as the directing of his own videos.
According to Mark Morton of Music Emissions, "Tom Shaner is a folk singer-songwriter, whose sound borders on the surreal, placing him somewhere between the realms of Nick Cave and Tom Waits. Yet, he performs with a true unpretentious earnestness akin to classic Simon & Garfunkel."[3]
Similar accolades were given by James McQuiston of NeuFutur Magazine: "There are few singer-songwriters that are able to create something that successfully marries the rich tradition brought the genre by luminaries like Dylan and Cohen in the sixties with a vitality and vibrancy that is germane to current audiences. However, I believe that Tom Shaner does just that." [4]
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Shaner was raised in Connecticut where he was involved in sports and theater. After spending one year at Bard college, he attended New York University where he studied theater under William H. Macey and David Mamet. At NYU he wrote and staged two plays, and also began playing his original songs on the streets and in the subways. Early friendships with late friend Jeff Buckley, Tom Clark, Daniel Harnett, and long time close friend and collaborator Danielle Howle have been influential. Together with Howle, the two sang a duet for the main track of a film called "Glissando." [5]
Shaner performed as the lead singer of Industrial Tepee. The band released three albums including, "What Divine Engine",[6] "Hymns For the Civil Savage",[7] and a self title album. The band toured extensively throughout the United States of America.
Among the musicians and friends Shaner has worked with are Whit Smith of Hot Club of Cowtown, Claude Coleman, Jr., of Ween,” Pete Fand, Paul Wegmann, Josh Margolis, Phil Cohen, Bob Sharkey, Rob Cimno, Dan Green, Chris Harfenist of “Sound of Urchin,” Merrill Garbus of Tune-Yards, Emmy Bean, and many others. Industrial Tepee's tracks "Joe's Airfield" and "We're Gonna Ride It" were on the soundtrack of the film "Bloody Murder." [8]
From 2007 to present he has been performing extensively in Ireland, where his varied and dynamic songs are finding a wider audience. Gigs in Ireland include playing with friends and Irish songwriters Hank Wedel and Gavin Moore.
Shaner currently records with Mother West Records.[9] He works alongside producer Charles Newman, who has produced records for Stephin Merritt and the Magnetic Fields. There is at least one full length album slated for release in late 2011/early 2012 on Mother West.
He composed songs for two plays, one Bertolt Brecht's "The Good Person of Szechwan" the other, Max Frisch’s "The Firebugs" for director Eric Bass, of he Sandglass Theater.[10] Tom Shaner also is known to occasionally perform and write for a multi-media performance group called "Company of Strangers" in Vermont. They combine songs, video, and puppetry for haunted yet humorous performances on an old farm. Company of Strangers was founded by friends and collaborators Finn Campman and Barbara Whitney. While working with “Company of Strangers” he met Emmy Bean. The two often sing together, and Emmy is featured in the “Get Real or Get Gone" video.[11]
"Get Real or Get Gone" and "She's in the Air" from Tom Shaner's solo E.P. “Get Real or Get Gone,” released in 2011, have been highlighted on television by Oprah Winfrey's network's show "Ryan & Tatum: the O'Neils." [12]
Tom Shaner's solo tracks have also been played on other television shows. MTV's "The Osborne's" used his song "He's a Player,[13] as have numerous other tv shows and media.
Some reviewers' thoughts on Shaner's work: