Timothy Akis, born around 1944[1] in Tsembaga village, Simbai Valley, Madang Province, Papua New Guinea, died in 1984[2], was a Papua New Guinean artist.[2] His art consisted primarily in imaginative pen and ink drawings and batiks inspired by his country's wildlife.[1] [3]
Akis had the distinction of being the first Papua New Guinean artist to hold an exhibition, at the University of Papua New Guinea in 1969.[1] [3] He later held exhibitions in the United States, the United Kingdom, Switzerland, the Philippines and Australia.[2] [4]
Ulli Beier described Akis' artwork from his first exhibition in these terms:
Examples of Akis' artwork were reproduced in the inaugural issue of Beier' Kovave: A Journal of New Guinea literature, alongside the work of fellow artists such as Mathias Kauage.[3] Kauage's own art was reportedly inspired by visiting Akis' exhibition.[3]
In the 1970s and early 1980s, Akis divided his time between subsistence farming in his native village and working on his art in Port Moresby.[3]
During a posthumous exhibition, the Tamworth Regional Gallery (Australia) identified Akis as one of Papua New Guinea's leading print and drawing artists, along with Mathias Kauage, John Man and Martin Morububuna.[5] Akis' art was also exhibited posthumously at the Musée des Confluences in Lyon in 2007.[6] [7] An exhibition in Cairns that same year celebrated Akis' "international reputation", along with that of other notable Papua New Guinean artists,[8], and his art was also displayed at the Alcheringa Gallery in 2007.[9] In 2008, his work featured alongside that of Kuagae and Morububuna an exhibition in Clarence Valley[10], then alongside that of Jakupa Ako and Mathias Kauage at the East-West Center Gallery.[11] The ninth issue of the Australian Art Review described Beier's "mentorship" relationship with Akis.[12] Akis' art has been featured in the book La peinture des Papous[13], along with that of Mathias Kauage, Jakupa Ako and John Siune.
The Star Bulletin described Akis as having had "a major influence on the nation's art as [he] demonstrated how indigenous culture could be reflected in contemporary art forms."[11]