| Thompson Twins | |
|---|---|
Alannah Currie and Joe Leeway, 1984 |
|
| Background information | |
| Origin | United Kingdom |
| Genres | Pop Dance New wave Synthpop |
| Years active | 1977–1993 |
| Labels | Tee Records Arista Records Warner Bros. Records |
| Associated acts | Babble International Observer |
| Past members | |
| Tom Bailey Alannah Currie Joe Leeway Pete Dodd John Roog Matthew Seligman Chris Bell Jane Shorter Andrew Edge Jon Podgorski Roger O'Donnell Boris Williams |
|
The Thompson Twins were a British pop group that were formed in April 1977[1] and disbanded in May 1993. They achieved considerable popularity in the mid 1980s, scoring a string of hits in the United Kingdom, the United States and around the globe. The band was named after the two bumbling detectives Thomson and Thompson in Hergé's comic strip, The Adventures of Tintin.[2] A predominantly synthpop trio, they were joined on stage at Live Aid by Madonna and were at the forefront of the so-called Second British Invasion.[2]
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In 1977, the original Thompson Twins line-up consisted of Tom Bailey (born 18 January 1954, Halifax, Yorkshire[3]) on bass and vocals, Pete Dodd on guitar and vocals, John Roog on guitar, and Jon Podgorski (known as "Pod") on drums.[4] Dodd and Roog first met when they were both 13 years old.
Arriving in London with very little money, they lived as squatters in Lillieshall Road, London. Future Thompson Twins member Alannah Currie lived in another squat in the same street — which is how she met Bailey. It was in this ramshackle and run-down house that they found an illegal way of "borrowing" electricity from the house next door. Bailey described themselves (laughingly) as spongers (meaning that they were on the dole—unemployed) back then, as they were living on very little and scavenging everything they could lay their hands on. He even said that the only instruments they had were bought, or had been stolen or borrowed. Dodd managed to get a council flat not far away. Their roadie at that time was John Hade, who lived in the same house, and who later became their manager.
As Podgorski had decided to stay in the north, the group auditioned for drummers at the Point Studio in Victoria, London. Andrew Edge joined them on drums for less than one year, and went on to join Savage Progress, who later toured with the Thompson Twins as their support act on the 1984 UK tour.[5]
By 1981, the line-up was Bailey, Dodd, Roog and three new members: Chris Bell on drums, former band roadie Joe Leeway on congas and percussion, and Jane Shorter on saxophone. This line-up recorded the first Thompson Twins album A Product of ... (Participation), documented in the film, Listen to London (1981).[6] Currie, who had been associated with the band for a few years, played and sang on the first album, but was not yet a full member.
After the first album, the band's line-up shifted yet again. Saxophonist Jane Shorter left, percussionist Currie was made an official member, and bassist Matthew Seligman, a former member of The Soft Boys and The Fallout Club, joined.[4] Bailey moved to keyboards and guitar in addition to serving as lead vocalist, with Leeway handling vocals on a few tracks.
The band signed to Arista Records and released the album Set.[4] Thomas Dolby played some keyboards on Set and some live gigs, as Bailey had little experience with synthesizers before then. Set contained the single "In the Name of Love", sung and largely written by Bailey. It became a #1 dance club hit in the US,[7] and an album entitled In the Name of Love (consisting mainly of tracks from Set, with two others from A Product Of... (Participation)) was released in the US to capitalize on the song's popularity. It entered the US Billboard 200.[8]
After the success of "In the Name of Love", Bailey, Currie and Leeway, wanting to pursue the single's different sound, toyed with the idea of starting a new band on the side, which they planned to call 'The Bermuda Triangle'.[9] When "In The Name Of Love" (and the parent album Set) failed to make a substantial impact in the UK charts, this plan was abandoned. However, at the same time, manager Hade convinced Bailey, Leeway and Currie to downsize the Thompson Twins to a core of the three in April 1982.[9] Accordingly, the other four members of the band were notified that they were being let go; they were each paid £500 and were allowed to keep their instruments and equipment.
All the former members are still on friendly speaking terms with each other, and with Bailey, Currie and Leeway — although Dodd once had the job of delivering a keyboard to Thompson Twins session keyboard player Thomas Dolby some time later, but (to Dodd's irritation) Dolby failed to recognise him.
The Thompson Twins decided to go abroad to free themselves of any UK influence, as well as to combine the songwriting for their first album as a trio with a long holiday. They first went to Egypt and then to the Bahamas where they recorded at the Compass Point Studios in Nassau with the producer, Alex Sadkin.
The band broke into the UK Singles Chart and the US Billboard Hot 100 chart at the beginning of 1983 with "Lies" and "Love On Your Side", which became the band's first UK Top 10 single.[2][7] They then released their third album, Quick Step and Side Kick (called simply Side Kicks in the US[8]), which peaked at number 2 in the UK and was later certified platinum there. Further singles followed with "We Are Detective" (another Top 10 UK hit) and "Watching".[2] All three received songwriting credits, though the band publicly acknowledged Bailey as the songwriter, with Currie contributing lyrics and Leeway focusing on the stage show.[10] During 1983, the band had the opening spot on The Police concert tour in the US.
A new single, "Hold Me Now", was released towards the end of 1983. The song was an international chart success, peaking at #4 in their native UK where it became the band's biggest seller earning a gold disc,[11] and reached #3 in the US in the spring of 1984 becoming their biggest American hit.[7] The band's new album, Into the Gap, was released in early 1984 and became one of the year's biggest sellers, selling five million copies worldwide. It topped the UK Albums Chart[2] and was later certified double platinum there. Further hit singles from the album followed with "Doctor! Doctor!" (UK #3) and "You Take Me Up" (UK #2, their highest UK singles chart placing[2] and which earned a silver disc).[12] Other singles included a new version of the album track "Sister of Mercy" (UK #11), and "The Gap" (though this was not released in the UK). The band embarked on a world tour in support of the album, which had also made the US top ten.
A new single, "Lay Your Hands On Me", was released in the UK in late 1984 and reached #13 in the UK charts.[2] However, while working on the follow-up album to Into The Gap, Bailey suffered a nervous breakdown. The band's planned next single, "Roll Over", was then cancelled at the last minute. The band had already parted company with their producer Alex Sadkin, and Nile Rodgers was subsequently called in to help finish the album. Released in September 1985, Here's To Future Days reached the Top 5 in the UK and the Top 20 in the US[8]), though failed to come close to the success of Into The Gap. It spawned the single "King For A Day", which peaked at #22 in the UK,[2] but reached #8 on the US chart[7] Other singles included a new US version of "Lay Your Hands On Me" (US #6),[7] the anti-drug song "Don't Mess With Doctor Dream" (UK #15[2]) and an unsuccessful cover of The Beatles' 1968 hit "Revolution" which became the band's first single to fail to make the UK Top 40 in three years.
Prior to the album's release, the Thompson Twins made headlines when they performed on the American leg of Live Aid in July 1985 and were joined onstage by Madonna.[2] The planned 1985 tour of the UK had to be cancelled due to Bailey's breakdown (fans with tickets received a free live album as compensation), though international dates were re-scheduled and the latter half of 1985 saw sell out tours for the band in the US and Japan.[13]
Leeway left the band in 1986, and the remaining duo of Bailey and Currie carried on making music for another seven years.[4] 1987 saw the release of Close to the Bone and the single "Get That Love", which climbed to #31 in the US[7] but failed in the UK.[4] "In the Name of Love" was given a new lease on life in 1988, after a remix by Shep Pettibone made the Top 50 in the UK.[2] 1989 saw the release of another album, Big Trash, and a new recording contract with Warner Bros. Records.[4] The single "Sugar Daddy" peaked at #28 in the US[7] and would be their last brush with mainstream chart success.[4] 1991's Queer would be the band's swansong, and was supported by various techno inspired singles under the moniker of Feedback Max (in the UK) to disguise the identity of the band to club DJs. The single "Come Inside" reached #7 in the US Dance Chart[7] and #1 in the UK Dance Chart. However, once it was discovered that the Thompson Twins were behind the record, sales dropped and the album never had a UK release .
Prior to this, Bailey and Currie (who were now a couple) had their first child together in 1988,[4] and in the following years they spent a lot of time writing material for other artists including the hit single "I Want That Man" for Debbie Harry in 1989. In 1990, Bailey and Currie contributed the song "Who Wants To Be A Millionaire?" to the Cole Porter tribute album "Red Hot + Blue" produced by the Red Hot Organization. In 1991, Bailey and Currie were married in Las Vegas and the following year moved to New Zealand with their two children. In 1992, the Thompson Twins contributed the song "Play With Me" to the soundtrack of the Ralph Bakshi film Cool World; Bailey alone contributed a second track, "Industry and Seduction". The following year, the duo formally teamed up with engineer Keith Fernley & changed their band name to Babble.[4]
The Thompson Twins declined to follow the examples of many of their contemporaries and reform to tie-in with a nostalgic rebirth of the 1980s, although Bailey, Currie and Leeway appeared together on the UK Channel 4 show Top Ten Electro Bands in 2001. The Thompson Twins were placed ninth.
The British musical press regularly criticised the Thompson Twins. The NME called them, "1984's most instantly kitsch mass program of monosodium glutamation of the brain". City Limits said they were "candy-floss art capitalists", whilst The Guardian dubbed them "The three haircuts".[10]
Babble released two albums—The Stone (1993)[4] and Ether (1996)—with songs featured in the films Coneheads and With Honors. Three quarters of a third album was recorded, but it remains unreleased.
In 1999, Bailey produced and played keyboards on the hit album Mix by the New Zealand band Stellar*, and won the 'producer of the year' award at the New Zealand equivalent of the Grammy Awards.[14] He has also arranged soundtracks and has provided instrumental music for several films. In the mid 1990s, Currie gave up the music business to set up her own glass-casting studio in Auckland.
After her sister died of Creutzfeldt–Jakob disease, Currie founded a group in New Zealand called Mothers Against Genetic-Engineering in Food and the Environment (also known as MADGE), which soon had thousands of members.[10] Currie described this group as a "rapidly growing network of politically non-aligned women who are actively resisting the use of genetically-engineered material in our food and on our land". An advert for this group featuring a young woman with four breasts hooked up to a milking machine became famous after appearing on billboards across New Zealand.[10]
Bailey and Currie split up in 2003, and are now divorced. They both left New Zealand to live separately in Britain, but are still close friends. In 2011, Currie married Jimmy Cauty (formerly of The KLF) and currently is a trained upholsterer known professionally as "Miss Pokeno".[15]
The earlier members went on to do other things:
Bailey continues to make music under the moniker International Observer. His albums Seen, and All Played Out both received positive reviews. The most recent outing was Felt, released on 8 September 2009.[19] He also performs with the Holiwater group from India. Remarried (to artist Lauren Drescher), he currently resides in London.