The True Story of Ah Q

The True Story of Ah Q  

One of the reprints after 1923 with the author and English title on the cover
Author(s) Lu Xun
Original title Ā Q Zhèngzhuàn
Country China
Language Vernacular Chinese
Publication date 1921

The True Story of Ah Q (Traditional Chinese: 阿Q正傳; Simplified Chinese: 阿Q正传; pinyin: Ā Q Zhèngzhuàn), is an episodic novella written by Lu Xun, first published as a serial between December 4, 1921 and February 12, 1922. It was later placed in his first short story collection Call to Arms (呐喊, Nahan) in 1923 and is the longest of the stories in the collection. The piece is generally held to be a masterpiece of modern Chinese literature, since it is considered the first piece of work fully to utilize Vernacular Chinese after the 1919 May 4th Movement in China.[1]

Contents

Synopsis

The story traces the "adventures" of Ah Q, a man from the rural peasant class with little education and no definite occupation. Ah Q is famous for "spiritual victories", Lu Xun's euphemism for self-talk and self-deception even when faced with extreme defeat or humiliation. Ah Q is a bully to the less fortunate but fearful of those who are above him in rank, strength, or power. He persuades himself mentally that he is spiritually "superior" to his oppressors even as he succumbs to their tyranny and suppression. Lu Xun exposes Ah Q's extreme faults as symptomatic of the Chinese national character of his time. The ending of the piece – when Ah Q is carted off to execution for a minor crime – is equally poignant and satirical.

Metaphor

In Chapter One, the author claims ironically that he could not recall nor verify Ah Q's correct name, a claim that gives the character symbolic anonymity. "Ah" (阿) in Chinese is a diminutive prefix for names. "Q" is short for "Quei 媯," Lu Xun's romanization of what would today be romanized in Hanyu Pinyin as "Guī." However, as there are many characters that are pronounced "quei," the narrator claims he does not know which character he should use, and therefore shortens it to "Q." The deliberate use of a Western letter instead of a Chinese character is a reference to the concepts of the May Fourth movement, which advocated adoption of Western ideas. Another like theory regarding the use of the letter Q, is its aural and visual similarity to 'queue', the Manchu hairstyle which all men in Qing Dynasty China were forced to wear, and which most cut off after the republic was established as a symbol of protest.

Plot

Ah Q is known for deluding himself into believing he is the victor every time he loses a fight. In one scene, Ah Q is beaten and his silver is stolen. He slaps himself on the face, and because he is the person doing the slapping, he sees himself as the victor.

When Mr. Zhao, an honored landlord of the village, beats Ah Q in a fight, Ah Q considers himself important for having even a tiny association with such a person. Though some villagers suspect Ah Q may have no true association with Mr. Zhao, they do not question the matter closely, and instead give Ah Q more respect for a time.

Ah Q is often close-minded about petty things. When he ventures into a new town and sees that a "long bench" is called a "straight bench," he believes their way to be instantly inferior and totally wrong.

There is a scene in which Ah Q harasses a nun to make himself feel better. He pinches her and blames his problems on her. Instead of crying out at the injustice of Ah Q's bullying, the crowd nearby laughs.

One day, news of the Xinhai Revolution comes into town. Both landlord families, the Zhaos and the Chiens, become revolutionaries to keep their power. Other people, calling themselves a "revolutionary army", rob the houses of the landlords and rich men. Ah Q also wants to join them and also call himself a revolutionary. But when the time comes, he misses the opportunity to act, because he slept in one morning and no one woke him up. Finally, Ah Q is arrested as a scapegoat for the looting and sentenced to death by the new governor.

When Ah Q is asked to sign a confession, he worries that he cannot write his name. The officers tell him to sign a circle instead. Ah Q is so worried about drawing a perfect circle to save face that he is unaware he would be executed until it is too late. Before his death he tries to entertain the crowds watching his execution, but cannot decide on suitable lines from any Chinese opera.

References in modern culture

In modern Chinese language, the term the "spirit of Ah Q" or "Ah Q mentality" (阿Q精神, A Q jingshen) is used commonly as a term of mockery to describe someone who chooses not to face up to reality and deceives himself into believing he is successful, or has unjustified beliefs of superiority over others. It describes a narcissistic individual who rationalizes every single actual failure he faces as a psychological triumph ("spiritual victory").

See also

References

  1. ^ Luo, Jing. [2004] (2004). Over a Cup of Tea: An Introduction to Chinese Life and Culture. University Press of America. ISBN 0761829377

External links

Further Reading