Takumar

Takumar is the name that Asahi Optical gave to its lenses, notably but not exclusively those for its own SLR cameras. Named after the Japanese-American portrait painter, Takuma Kajiwara (梶原啄磨, Kajiwara Takuma^?),^[1] whose brother Kumao Kajiware founded Asahi Optical,^[2] the name adorned its lenses until 1975, when Asahi switched from the M42 screw mount to the bayonet K-mount. K-mount lenses were simply named "SMC Pentax".

The Takumar designation was used on lenses designed for Asahi's 35mm cameras, 6×7 cameras, and for other purposes too.^[3]

Takumar lenses were made in M37 screwmount for the original Asahiflex cameras and continued into the M42 period.
Auto-Takumar lenses were a type of preset lens. The user selected an aperture then engaged a lever to energise the stopping-down mechanism. The camera would then trip this mechanism when the shutter was fired.
Super-Takumar lenses featured an early form of lens coating (to prevent flare) and a more sophisticated stopping-down mechanism. There was a switch on the lens to select "Auto" or "Manual" modes. In manual mode, the lens would always be in the selected aperture. In Auto mode, the lens would remain wide open (at maximum aperture) until a pin on the rear of the lens was pushed in. This pin would be automatically pushed in by the camera when the shutter was tripped.
Super-Multi-Coated (later SMC) Takumar. These lenses introduced Asahi's lens multi-coating process. They also introduced a lug on the rear of the lens which moved with the aperture selected. When used with a camera body which could read the lug, this enabled the use of open-aperture metering. Examples of such cameras are Asahi's Spotmatic F and the ES/ESII.

The Takumar series of lenses has a very good reputation among users, with very few "dogs" anywhere in the line-up. This could be due to many factors:

Cameras were expected to be made of metal, not plastic, and so the lenses were too.
Zooms only became available towards the end of the Takumar period, and almost all Takumars were primes. Zoom lenses are inherently more difficult to design than prime lenses, and embody more compromises.
Black-and-white film was poorer quality than now and therefore photographers used slower film than would be common today; the only color film then available would now be regarded as slow. Therefore lenses had to be fast (to let in more light). A common lens for an SLR in the 1960s and 1970s was a 50 mm f/1.4 lens, which lets in about six to sixteen times as much light as typical f/3.5-5.6 zoom lenses.

Pentax resurrected the Takumar name in the 1980s and 1990s for a budget line of zoom and prime lenses that lacked the Pentax "Super Multi-Coating" anti-reflective coating, an optical treatment that reduces lens flare. These lenses are marked "Takumar (Bayonet)" to distinguish them from the older screw-mount Takumar lenses.

Non-Asahi cameras with Asahi lenses branded Takumar include the Suzuki Press Van and two versions of the Takane Mine Six.^[4]

References

^ (Japanese) Niimi Kahee (新見嘉兵衛), Kamera-mei no gogen sanpo (カメラ名の語源散歩, Strolls in the etymology of camera names), 2nd ed. (Tokyo: Shashin Kōgyō Shuppansha, 2002; ISBN 4-87956-060-X0, p.18
^ Who Was Takuma Kajiwara?; http://www.pentaxforums.com/forums/search.php?searchid=5358146
^ Pentax Lens Series overview; http://www.pentaxforums.com/lensreviews/
^ Suzuki Press Van: Shōwa 10–40nen kōkoku ni miru kokusan kamera no rekishi, items 795–6; (Japanese) page on "spring cameras". Takane Mine Six: Shōwa 10–40nen kōkoku ni miru kokusan kamera no rekishi, items 1619, 1621.

(Japanese) Asahi Camera editorial staff. Shōwa 10–40nen kōkoku ni miru kokusan kamera no rekishi (昭和10〜40年広告にみる国産カメラの歴史, Japanese camera history as seen in advertisements, 1935–1965). Tokyo: Asahi Shinbunsha, 1994. ISBN 4-02-330312-7.

Takumar

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