| T. V. Chandran | |
|---|---|
| Born | November 23, 1950 Thalassery, Kannur District, Kerala State, India |
| Occupation | director, screenwriter, actor |
| Years active | 1975-present |
| Website | |
| tvchandran.com | |
T. V. Chandran is an Indian filmmaker, script writer, and actor. He is most known for his art-house films which have references to history and undertones of politics and feminism. Directing highly acclaimed art-house films such as Alicinte Anveshanam, Ponthan Mada, Ormakal Undayirikkanam, Mangamma, Danny, Paadam Onnu: Oru Vilapam and Vilapangalkappuram, he has won several National Film Awards and Kerala State Film Awards.
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T. V. Chandran was born in Thalassery, Kannur District, Kerala State, India to Narayanan Nambiar and Karthyayini Amma.[1] After graduating with a degree from Christ College, Irinjalakuda,[2] and a post graduation from Farook College, University of Calicut,[3] he embarked on a career as a Reserve Bank of India employee.[4]
His son Yadavan and brother Soman are also fimmakers. Yadavan has directed docu-films and has assisted Chandran in many of his films. Soman is working an assistant with Chandran right from his first film.[5][6] Chandran's attachment with his other brother, who died in Nigeria in the 1980s, would later inspire the film Sankaranum Mohananum.[7]
T. V. Chandran has had no formal training in film-making.[4] He began his film career as an actor in P. A. Backer's Kabani Nadi Chuvannappol (1975). This leftist political cinema that came out during the Emergency period was adjudged Second Best Film in the Kerala State Film Awards. P. A. Backer was awarded Best Director that year for his directorial debut. The cast includes T. V. Chandran, Raveendran, J. Siddiqui and Shalini.[8][9] Chandran then worked as an assistant to P. A. Backer and the avant-garde filmmaker John Abraham. According to Chandran, it was his association with director Pavithran (who also produced Kabani Nadi Chuvannappol),[10] that caused his transformation into the "condemned status" of a filmmaker. He says: "Our association had begun when I was just over 14, and since then we used to clandestinely share our interest in the film medium. Filmmaking was an event of celebration in the case of Pavithran and every phase of his productions had an exciting participation of the masses."[11]
Chandran debuted as a director with Krishnan Kutty (1981).[4][5] A critical and commercial failure, this experimental film did not even had a wide public release. The film represents a continuation of P. A. Backer's style of independent film.[12] Chandran's next venture was the Tamil feature film Hemavin Kadhalargal (1985). This film had Delhi Ganesh and Anuradha in the lead roles.[13] The film marked the debut of the latter, who dominated the Tamil cinema for quite a long time. Though the film was a commercial success and garnered favourable reviews, Chandran got his much needed break only with his third venture Alicinte Anveshanam (1989). A mystery film by genre, it narrated the journey of a lady in search of her missing husband. It was the official entry from India for the Locarno International Film Festival, and got a nomination for the Golden Leopard.[4] In 1993, Chandran's much acclaimed Ponthan Mada, was released. He cast two of India's greatest method actors, Mammootty and Nasiruddin Shah, in the film that focused the spotlight on the feudal era. The film earned the national and state awards to Mammootty.[4]
Chandran's next venture Ormakal Undayirikkanam (1995) starred Bharath Gopi, Mammootty, Master Nitin, Nedumudi Venu and Sreenivasan. It portrayed the rise of the Communists to power in 1957 and the infamous Vimochana Samaram (Liberation Struggle) of 1959. The film earned a national and a state award to Chandran.[4] With critical success coming back to back, Chandran wrote and directed Mangamma, which told the story of a bold woman who stands up to all the trials and survives. Produced by the National Film Development Corporation of India (NFDC), it was screened at the Zanzibar International Film Festival. The film won many major awards, including national and state awards.[14][15]
The references to feminism can be best observed in Susanna (2000), an emotional drama about Susanna, who appears to be a prostitute living with five different people at the same time. The film is another testimony for the fact that feminine psyche is another of Chandran’s abiding concerns. Vani Viswanath played the title role, widely appreciated to be the best in her career.[16] Chandran originally cast noted danseuse Mallika Sarabhai in this role, but she opted out citing her busy schedules. As a compensation, Mallika Sarabhai was given a major role by Chandran in his next venture Danny (2001), a comedy-drama with Mammootty in the title role.[5] It was Chandran's third collaboration with Mammootty. As expected, the film garnered universal acclaim with most of the critics hailing the performance of Mammootty. Chandran himself has rated this as the finest performance by any lead actor. The protagonist of this film is a mute witness to many of the historical happenings taking place around in the world. The film traces the life of this character and comments upon many things that may have social and political relevance. It won numerous awards including a National Film Award and three State Film Awards.[17][18][5][19]
Paadam Onnu: Oru Vilapam (2003) dealt with child marriage and polygamy prevailing in traditional Muslim communities of Kerala. Meera Jasmine played the lead role, who won the National and State Film Award for Best Actress for her performance in the film as a teen age Muslim girl. The premiere of the film saw protests from a group of Islamic periodicals of Kerala. The date of release was postponed more than once for this reason. The film won the National Film Award for Best Film on Family Welfare. T. V. Chandran narrowly missed his second national award as the best director for this film. As there was a tie, the casting vote of the Chairman of jury went to Bengali director Goutam Ghosh.[20][21][22] With Paadam Onnu: Oru Vilapam, Chandran ended his association with music director Johnson, bringing in background music specialist Issac Thomas Kottukapally to score his social thriller Kathavasheshan (2004). Co-produced by and starring Dileep, the film follows a murder mystery. The film tells the story of a civil engineer who commits suicide as a protest against the 2002 Gujarat riots. The film stands odd in the filmography of Chandran for the narrative style it had.[23] The film emerged the biggest winner at the Kerala State Film Awards with four wins.[24] Chandran then worked in a Tamil psychological drama - Aadum Koothu (2005). The film unfolds from the life of a college student who can see what others don't. The film – starring Navya Nair, Cheran and Prakash Raj – was screened at various film festivals in 2005-06, but was not released in theatres. It won the National Film Award for Best Feature Film in Tamil in 2005. Vilapangalkkappuram - based on the aftermath of the Gujarat riots of 2002 - was released in 2005. Priyanka, Biju Menon, Sudheesh and Suhasini played the pivotal roles, and Priyanka won a state award for her performance in the film as a Muslim woman gang raped by a group of communalists.
In 2008, Chandran returned as an actor after his debut in Kabani Nadi Chuvannappol, in M. G. Sasi's Atayalangal. He played the supporting role of Bhaskara Kurup in the film that won five state film awards.[25][26] With Boomi Malayalam (2009), he associated with Suresh Gopi for the first time. The film depicted the plight of seven different women who represent different periods of time. It won the award for the second best feature film at the state film awards.[27]
All these films were average performers at the box office although they received strong positive reviews from critics and garnered awards at state, national and international levels. All of his films were screened at major national and international film festivals. He is foraying into mainstream cinema with his next venture - Sankaranum Mohananum - a comedy fantasy starring Jayasurya, Meera Nandan and Rima Kallingal. Notabily, the film will have Jayasurya appearing in 20 different getups. The film is currently in production.
Chandran has also directed a few tele-films and tele-serials. Notable among them are the tele-film Varum Varaykakal, which won the State TV Award for Second Best Tele-film,[28] and the tele-serial, Sadasivante Kumbasaram.[29]
| # | Year | Title | Language | Awards |
|---|---|---|---|---|
| 01 | 1981 | Krishnan Kutty (കൃഷ്ണൻ കുട്ടി) |
Malayalam | |
| 02 | 1985 | Hemavin Kadhalargal Hema's Lovers |
Tamil | |
| 03 | 1989 | Alicinte Anveshanam The Search of Alice (ആലീസിന്റെ അന്വേഷണം) |
Malayalam | Kerala State Film Award for Second Best Film Golden Leopard at Locarno International Film Festival Indian Panorama at the International Film Festival of India |
| 04 | 1993 | Ponthan Mada Pumpkin Mada (പൊന്തൻ മാട) |
Malayalam | National Film Award for Best Director Kerala State Film Award for Second Best Film Participation at Pessaro Film Festival Indian Panorama at the International Film Festival of India |
| 05 | 1995 | Ormakal Undayirikkanam Memories and Desires (ഓർമ്മകൾ ഉണ്ടായിരിക്കണം) |
Malayalam | National Film Award for Best Feature Film in Malayalam Kerala State Film Award (Special Jury Award) Participation at Phnompen International Film Festival Indian Panorama at the International Film Festival of India |
| 06 | 1997 | Mangamma (മങ്കമ്മ) |
Malayalam | National Film Award for Best Feature Film in Malayalam Kerala State Film Award for Best Director Audience Prize for Best Film at the International Film Festival of Kerala Participation at Zanzibar International Film Festival Participation at SAARC Film Festival Indian Panorama at the International Film Festival of India |
| 07 | 2000 | Susanna (സൂസന്ന) |
Malayalam | Kerala State Film Award (Special Jury Award) Kerala Film Critics Award for Best Film Kerala Film Critics Award for Best Director Padmarajan Award for Best Director Padmarajan Award for Best Screenplay Bharathan Award for Best Director Asianet Film Award for Best Screenplay Mathrubhumi Award for Best Director |
| 08 | 2001 | Danny (ഡാനി) |
Malayalam | National Film Award for Best Feature Film in Malayalam Kerala State Film Award for Best Director Audience Prize for Best Film at the International Film Festival of Kerala Asianet Film Award for Best Film (Special Jury Prize) Mathrubhumi Film Award for Best Film (Special Jury Prize) John Abraham Award for Best Feature Film Participation at the Cinemaya International Film Festival Indian Panorama at the International Film Festival of India |
| 09 | 2003 | Paadam Onnu: Oru Vilapam Lesson One: A Wail (പാഠം ഒന്ന്: ഒരു വിലാപം) |
Malayalam | National Film Award for Best Film on Family Welfare Kerala State Film Award for Second Best Film Don Quixote Award for Best Film Mobyl Award at the Bangladesh International Film Festival Kerala Film Critics Award for Best Film Kerala Film Critics Award for Second Best Director Mathrubhoomi Award for Best Film Padmarajan Award for Best Director Padmarajan Award for Best Screenplay Ramu Kariat Award[30] Participation at Palmspring International Film Festival Participation at Bangkok International Film Festival 2004 |
| 10 | 2004 | Kathavasheshan (കഥാവശേഷൻ) |
Malayalam | Kerala State Film Award for Second Best Film Kerala State Film Award for Best Screenplay Participation at The Cinemaya International Film Festival Indian Panorama at the International Film Festival of India |
| 11 | 2005 | Aadum Koothu | Tamil | National Film Award for Best Feature Film in Tamil Competition entry at International Film Festival of Kerala Indian Panorama at the International Film Festival of India |
| 12 | 2008 | Vilapangalkappuram (വിലാപങ്ങൾക്കപ്പുറം) |
Malayalam | Entry at International Film Festival of Kerala Entry at Indian Panorama at IFFI 2008 Goa Indian Panorama at the International Film Festival of India |
| 13 | 2008 | Bhoomi Malayalam The Mother Earth (ഭൂമി മലയാളം) |
Malayalam | Kerala State Film Award for Second Best Film John Abraham Award for Best Film |
| 14 | 2011 | Sankaranum Mohananum (ശങ്കരനും മോഹനനും) |
Malayalam |
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