Šas Шас Shas Svač |
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— Village — | |
Šas
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Coordinates: | |
Country | Montenegro |
Municipality | Ulcinj |
Population (2003) | |
• Total | 268 |
Time zone | CET (UTC+1) |
• Summer (DST) | CEST (UTC+2) |
Area code | +382 30 |
Car plates | UL |
Šas (Albanian: Shas, Latin: Suacium[1] and Old Church Slavonic: Свач (Svač)) is a village in Montenegro. According to the 2003 census, the village has a population of 268 people. It is located within the Ana Malit region, east of Ulcinj.
In the vicinity of the village is its eponymous lake, Lake Šas.
Vladimir Hill, near Šas, has an unknown fortification with a church, and is believed to be the location of Oblik, a significant fortification mentioned in the Chronicle of the Priest of Duklja.
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It is believed that Šas / Svač is named after Saint Astius.
The Latin form of the Šas / Svač is Suacia, and is formed from the abbreviation of sanctus (saint) - Su. and the Astius. The combination Su+Astius forms Suastius, and through the phoneme shift st → c, Suastius becomes Suacius, which in the feminine form is Suacia.
The Albanian and Montenegrin forms of Šas / Svač are not formed via translation from the Latin form. Instead, however, they are formed based on localised translations of Saint Astius.
In 1985, fragments of prehistoric pottery were found lowest layer in ruddy soil lying between the grooves and holes in the rocks. Even if the prehistoric pottery was from various epochs, it was not separated by layers in the rocks. On the eastern end, several pottery fragments were found decorated with fingernails, which possibly indicates early neolithic origin. These fragments also show trace amounts of quartz and silex. Chalcolithic pottery was also found in the same area, with findings from a ditch in the upper part of the town dating from the same era, or slightly younger, from the Bronze Age.[2]
The most numerous findings were of Iron Age pottery, found in several trenches, in the upper part of town and a great part of the suburbium. Such findings provides evidence for the existence of an Iron Age fort. This idea is also supplemented by constructed dry walls built of certain large stones. This type of stone was also found in some walls of medieval Svač.
Fragments of some Hellenistic pottery was found in the waterfalls east of Svač, suggesting that a Hellenistic layer could exist in the northern outskirts. Fragments of thin-walled pottery in red and yellow colors, possibly Roman, were discovered in the upper fort and in the outskirts by the northern waterfalls beneath the city.
Svač, as Šas was known in the Middle Ages, was first mentioned in the 1067 in a papal bull by Pope Alexander II as "Svacia Civitas"[3] (literally "city-state of Suacia"). However, it is believed to have been founded in the 6th century during the reign of Justinian I.
In 1183, Rascian ruler Stefan Nemanja conquered the town and annexed it to his state. However, in 1242, following their failed invasion of Ulcinium, the Mongols, led by Batu Khan (grandson of Genghis Khan), destroyed Svač and slaughtered its inhabitants. The ruins remaining from the Mongol invasion are today known by the locals as kishat, Albanian for churches.
Historical sources indicate that Queen Jelena of Serbia ordered its reconstruction in the late 13th century.[4] Jelena was residing at Ulcinj at the time. However, the town's structures were starting to collapse in ca. early 15th century as evidenced by a letter to Venice in 1406 written by the Archbishop of Svač, pleading for monetary funding to renovate the town's walls.
The town was destroyed by the Ottoman Turks in 1571 and the ancient See of Suacium was forever suppressed.[1]
Population of Šas:
Ethnicity | Number | Percentage |
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Albanians | 268 | 100.00% |
Others | 0 | 0% |
Total | 268 | 100% |
According to legend, Svač once had as many churches as there were days, however, much of these churches lay in ruin, with only eight remaining.
In 1533, Genoese Francisco Giustiniani wrote that in Svač were the ruins of 360 churches and chapels. In 1610, Archbishop of Antivari Marin Bici similarly wrote that Svač contained the same number of churches as there were days in a year.
The largest churches in Svač are:
Based on archeological studies, certain Slavic rituals, such as "trizna" (funerary rite), were recorded in Svač. It is known that vessels were placed into graves in Svač, which is also seen in the Albanian town of Lezhë. This is thought to represent the stressing of the Orthodox Christianity by observing of ritual under iconoclastic rule.[5]
The use of a bread-baking pan found in Svač further characterises the presence of Slavs within the region.
Pottery shards decorated by wavy and upright lines drawn by a comb found in Svač suggest a Slavic migration from the Danube to Scutari. This style of pottery appears ca. early 7th century, originating from the regions around Vienna and Bratislava.
Byzantine style pots dating from the latter half of the 12th century appear in Svač, similar to those found in modern-day Bulgaria. However, nearly all kitchen pottery in Svač adhere to a Roman Catholic cultural foundation. However, toward the end of the town's existence, a notable presence of imported pots of possible Venetian origin occurs. These pots bear a striking resemblance to those found in Istria and Dalmatia.
All findings of amphora are of Byzantine origin and span between the 6th and 12th centuries.
Svač was once located on an important trade route between Ulcinj and Scutari. About thirty coins were found in the town. Two are of Nemanyid origin, several Byzantine dating from the last quarter of the 14th century, of which three were minted Bar and Kotor, two in Scutari and in an unknown city, possibly Ulcinj. Two Venetian coins dating from mid-16th century, one of which was minted in Kotor, and two other coins dating between 18th and 19th centuries. The other coins were unable to be classified. Composition-wise, of the thirty coins found, one coin was gold, two in silver and the rest either bronze or copper.
It is known that Svač minted its own coins in the 15th century.[6] On its coins, the fortress of Svač is shown with Renaissance figures, its three stories with colonnades and keep.