Superlambanana is a bright yellow sculpture located in Liverpool, England. Weighing almost eight tons and standing at 17 feet tall, it is intended to be a cross between a banana and a lamb and was created by Manhattan-based Japanese artist Taro Chiezo. It currently stands in Tithebarn Street, outside the Liverpool John Moores University Avril Robarts Library/Learning Resource Centre, having previously been located on Wapping near the Albert Dock.[1]
Chiezo himself only created a four-inch model, with four local artists: Andy Small, Julian Taylor, Tommy Reason and Ray Stokes, creating the full size replica. Developed for the 1998 ArtTransPennine Exhibition, the sculpture is both a comment on the dangers of genetic engineering and also heavily influenced by the history of Liverpool: historically both sheep and bananas were common cargos in the city's docks.
In 2008, as part of Liverpool's year-long position as European Capital of Culture, 125 individually designed miniature replicas were created. Sponsored by local community organisations and businesses in the city, the mini Superlambananas were located throughout the Liverpool and Merseyside region. One sculpture, The Highest SuperLambBanana, was located on top of Moel Famau, North Wales, recognising the very close links the city has with that region.[2]
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The sculpture was created for the ArtTransPennine Exhibition in 1998, part of an initiative to create a 'corridor of art' through the North of England.[3] Liverpool's contribution, designed by Japanese artist Taro Chiezo, was the Superlambanana which was unveiled to the city at the reopening of Liverpool's branch of the famous Tate Gallery. An ironic comment on the dangers of genetic engineering, it was developed with the city specifically in mind as both the banana and lamb were once a common cargo in Liverpool's bustling docks.[4]. The thinking behind Chiezo's Superlambanana was the creation of something that 'spoke of the future of 90's Liverpool'. He had previously visited the city and been inspired by the Queensway Tunnel's ventilation shaft, in particular the symbolism of how a vital piece of 1930's engineering had been incorporated into a broader 'sculpture' (or in this case an aesthetically attractive building).[5] Chiezo himself made only a four-inch model, with four local sculptors: Andy Small, Julian Taylor, Tommy Reason and Ray Stokes, recreating it on a scale of 50:1.[6][7][8] It was created using a wire-mesh frame that supported a concrete and fibreglass shell[6] and was developed at the former Bryant and May Matchworks factory in the south of the City at a total cost of £35,000.[9] The sculpture was at first considered controversial and there was scepticism regarding its purpose and value. However it soon became a popular symbol in the city and a valued piece of public art.[4] At the end of the ArtTransPennine Exhibition, responsibility for the sculpture was handed to the Liverpool Architecture & Design Trust.[2]
Since the sculpture's conception it was intended to move around the city and not remain in one location.[4] It was originally located on the Strand near Liverpool's famous Liver Building and has since been located in several places including Williamson Square,[6] Spike Island in Halton, Cheshire,[10] and on Wapping, close to the Albert Dock.[1] Council leader Warren Bradley also suggested that the sculpture could be moved to Garston in the south of the city in the near future.[11] Although its usual colour is yellow, the statue has occasionally been given a temporary repaint as part of a sponsorship arrangement. Colours have included pink, during a period of sponsorship by the breast cancer awareness charity Breakthrough,[4] the colours of a Friesian cow during a period of 'quasi-vandalism', and purple during the SmokeFree Liverpool campaign.[12]
There had been a great deal of speculation about the future of the sculpture after it emerged that it was only on loan to the city council from the artist and it had been suggested that the sculpture could be sold to Liverpool's neighbour Manchester.[13] In September 2008 talks began between the Liverpool Culture Company and representatives of Taro Chiezo about keeping the sculpture in Liverpool.[14] Six months later, in February 2009, it was announced that an agreement had been reached between the two parties that will see a new replica model being made by original sculptor Julian Taylor that will remain in the city for the next 80 years.[15] It is expected that the current Superlambanana will be returned to Chiezo to be auctioned off.[16]
As part of Liverpool's Capital of Culture celebrations, 125 two metre high replicas of Superlambanana were commissioned and located throughout Liverpool and the surrounding areas. The mini Superlambananas were developed in partnership between the Liverpool Culture Company and Wild in Art, with each one being sponsored by a local institution or business and designed by local community members. The miniature Superlambananas were on display for ten weeks, from the June to August 2008.[17] The Liverpool Echo partnered with the event, releasing a location map and guide of every mini Superlambanana to encourage locals to get involved.[18] All but two of them were located within the Merseyside area. Lovemedoodle was located at Euston railway station in London for a short while until it was moved back to Liverpool Lime Street station[19], whilst The Highest SuperLambBanana was located on top of Moel Famau in North Wales and was sponsored by Denbighshire County Council.[20]
Early in 2010, eight new two-metre high replicas of Superlambanana, known as the 'Eight for 08' were commissioned as a permanent piece of public art. Initially placed on The Strand, in front of the Cunard and Liver Buildings, they are destined to be moved to the new Lime Street Station once it is finished.[21]