The craft of stonemasonry has existed since the dawn of civilization - creating buildings, structures, and sculpture using stone from the earth. These materials have been used to construct many of the long-lasting, ancient monuments, artifacts, cathedrals, and cities in a wide variety of cultures. Famous products of stonemasonry include the Taj Mahal, Cusco's Incan Wall, Easter Island's statues, the Egyptian Pyramids, Angkor Wat, Borobudur, Tihuanaco, Tenochtitlan, Persepolis, the Parthenon, Stonehenge, and Chartres Cathedral.
Contents |
Stonemasonry is the craft of shaping rough pieces of rock into accurate geometrical shapes, mostly simple, but some of considerable complexity, and then arranging the resulting stones, often together with mortar, to form structures.
The modern stonemason undergoes comprehensive training, both in the classroom and in the working environment. Hands-on skill is complemented by intimate knowledge of each stone type, its application and best uses, and how to work and fix each stone in place. The mason may be skilled and competent to carry out one or all of the various branches of stonemasonry. In some areas the trend is towards specialization, in other areas towards adaptability.
Stonemasons use all types of natural stone: igneous, metamorphic and sedimentary; while some also use artificial stone as well.
Igneous stone ranges from very soft rocks such as pumice and scoria to somewhat harder rocks such as tuff and hard rocks such as granite and basalt.
Slate is a popular choice of stone for memorials and inscriptions, as its fine grain and hardness means it leaves details very sharp. Meanwhile, its tendency to split into thin plates has made it a popular roofing material.
Types of stonemasonry are:
Traditionally medieval stonemasons served a seven-year apprenticeship. A similar system still operates today.
A modern apprenticeship lasts four years. This combines on-site learning through personal experience, the experience of the tradesmen and college work where apprentices are given an overall experience of the building, hewing and theory work involved in masonry. In some areas colleges offer courses which teach not only the manual skills but also related fields such as drafting and blueprint reading or construction conservationism. Electronic Stonemasonry training resources enhance traditional delivery techniques.[2] Hands-on workshops are a good way to learn about stonemasonry also.[3] Those wishing to become stonemasons should have little problem working at heights, possess reasonable hand-eye co-ordination, be moderately physically fit, and have basic mathematical ability. Most of these things can be developed while learning.
Stonemasons use a wide variety of tools to handle and shape stone blocks (ashlar) and slabs into finished articles. The basic tools for shaping the stone are a mallet, chisels, and a metal straight edge. With these one can make a flat surface - the basis of all stonemasonry.
Chisels come in a variety of sizes and shapes, dependent upon the function for which they are being used. There are different chisels for different materials and sizes of material being worked, for removing large amounts of material and for putting a fine finish on the stone.
Mixing mortar is normally done today with mortar mixers which usually use a rotating drum or rotating paddles to mix the mortar.
The masonry trowel is used for the application of the mortar between and around the stones as they are set into place. Filling in the gaps (joints) with mortar is referred to as pointing. Pointing in smaller joints can be accomplished using tuck pointers, pointing trowels, and margin trowels, among other tools.
At least one tool bears the name of the tradesmen that use it, and that is the Stonemason's hammer. This hammer can be used in place of a chisel in certain circumstances. The hammer can also be used to make shims and chinks while holding a small stone in one hand and striking it with the hammer.
Stonemasons use a Lewis together with a crane or winch to hoist building stones into place.
Today power tools such as compressed-air chisels, abrasive spinners and angle grinders are much used: these save time and money, but are hazardous and require just as much skill as the hand tools that they augment. But many of the basic tools of stonemasonry have remained virtually the same throughout vast amounts of time, even thousands of years.
Stonemasonry is one of the earliest trades in civilisation's history. During the time of the Neolithic Revolution and domestication of animals, people learned how to use fire to create quicklime, plasters, and mortars. They used these to fashion homes for themselves with mud, straw, or stone, and masonry was born.
The Ancients heavily relied on the stonemason to build the most impressive and long lasting monuments to their civilizations. The Egyptians built their pyramids, the civilizations of Central America had their step pyramids, the Persians their palaces, the Greeks their temples, and the Romans their public works and wonders (See Roman Architecture). Among the famous ancient stonemasons is Sophroniscus, the father of Socrates, who was a stone-cutter.
Castle building was an entire industry for the medieval stonemasons. When the Western Roman Empire fell, building in dressed stone decreased in much of Western Europe, and there was a resulting increase in timber-based construction. Stone work experienced a resurgence in the 9th and 10th centuries in Europe, and by the 12th century religious fervour resulted in the construction of thousands of impressive churches and cathedrals in stone across Western Europe.
Medieval stonemasons' skills were in high demand, and members of the guild, gave rise to three classes of stonemasons: apprentices, journeymen, and master masons. Apprentices were indentured to their masters as the price for their training, journeymen had a higher level of skill and could go on journeys to assist their masters, and master masons were considered freemen who could travel as they wished to work on the projects of the patrons. During the Renaissance, the stonemason's guild admitted members who were not stonemasons, and eventually evolved into the Society of Freemasonry; fraternal groups which observe the traditional culture of stonemasons, but are not typically involved in modern construction projects.
A medieval stonemason would often carve a personal symbol onto their block to differentiate their work from that of other stonemasons. This also provided a simple ‘quality assurance’ system.
The Renaissance saw stonemasonry return to the prominence and sophistication of the Classical age. The rise of the Humanist philosophy gave people the ambition to create marvelous works of art. The centre stage for the Renaissance would prove to be Italy, where city-states such as Florence erected great structures, including the Cathedral of Santa Maria del Fiore, the Fountain of Neptune, and the Laurentian Library which was planned and built by Michelangelo Buonarroti, a famous stonemason of the Renaissance.
When Europeans settled the Americas, they brought the stonemasonry techniques of their respective homelands with them. Settlers used what materials were available, and in some areas stone was the material of choice. In the first waves, building mimicked that of Europe, to eventually be replaced by unique architecture later on.
In the 20th century, stonemasonry saw its most radical changes in the way the work is accomplished. Prior to the first half of the century, most heavy work was executed by draft animals or human muscle power. With the arrival of the internal combustion engine, many of these hard aspects of the trade have been made simpler and easier. Cranes and forklifts have made moving and laying heavy stones relatively easy for the stonemasons. Motor powered mortar mixers have saved much in time and energy as well. Compressed-air powered tools have made working of stone less time-intensive. Petrol and electric powered abrasive saws can cut through stone much faster and with more precision than chiseling alone. Carbide-tipped chisels can stand up to much more abuse than the steel and iron chisels made by blacksmiths of old.
|
||||||||||||||||||||