Stelarc (Stelios Arkadiou) is a Cypriot-Australian performance artist whose works focuses heavily on extending the capabilities of the human body. As such, most of his pieces are centred around his concept that the human body is obsolete. Until 2007 he held the position of Principal Research Fellow in the Performance Arts Digital Research Unit at Nottingham Trent University in Nottingham, England. He is currently a visiting Professor in the School of Arts at Brunel University, West London.
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Stelarc's idiosyncratic performances often involve robotics or other relatively modern technology integrated with his body somehow. In 25 different performances he has suspended himself in flesh hook suspension, often with one of his robotic inventions integrated. In another performance he allowed his body to be controlled remotely by electronic muscle stimulators connected to the internet. He has also performed with a robotic third arm, and a pneumatic spider-like six-legged walking machine which sits the user in the centre of the legs and allows them to control the machine through arm gestures. His works have been heralded for their abilities to embrace a wider audience, the best example of this was his allowance for the worldwide audience to log into the exhibition and thus access or control the electrodes his own body was hooked up to.
In 2007, Stelarc had a cell-cultivated ear surgically attached to his left arm.[1]
In 2005, MIT Press published Stelarc: The Monograph which is the first extensive study of Stelarc's prolific work. It includes images of performances and interviews with several writers including William Gibson, who recount their meetings with Stelarc.