Skewball

Skewball was the name of an 18th-century British racehorse, most famous as the subject of a broadsheet ballad and folk-song.

Contents

History

The horse was foaled in 1741, and originally owned by Francis, 2nd Earl of Godolphin, and later sold. His name has been recorded as "Squball", "Sku-ball", or "Stewball". He won many races in England, and was sent to Ireland. The Irish turf calendar states that he won six races worth £508 in 1752, when he was eleven years old, and was the top earning runner of that year in Ireland.[1] His most famous race took place on the plains of Kildare, Ireland, which is generally the subject of the song of the same name. The early ballad about the event has Skewball belonging to an Arthur Marvell or Mervin. Based on the horse's name, Skewball was likely a skewbald horse.

Songs

There are two major different versions of the sporting ballad, generally titled either "Skewball" or "Stewball"; the latter is more popular in America. There are multiple variations within the two major divisions. Versions date at least as far back as the 18th century, appearing on numerous broadsides. In both songs the title horse is the underdog in the race, up against a favored grey mare (usually called either "Griselda" or "Molly"), and although in most versions of Stewball the winning horse triumphs due to the stumbling of the lead horse, Skewball wins simply by being the faster horse in the end. Probably the most significant lyrical difference in the songs is the conversation Skewball has with his jockey, while Stewball behaves more like a typical horse and does not speak.

American versions were sung and adapted by slaves in the Southern United States, and have Stewball racing in California, Texas, and Kentucky. British and Irish versions, when the setting is mentioned, usually place the race in Kildare, Ireland, leading some to believe that the song is actually Irish in origin.[2] The fact that these accounts still imply that the horse's nationality was English, and they celebrate a victory over a horse that is presumably Irish, makes it likely the song is originally English, and its setting in Ireland is due to it being the site of Skewball's most famous race.

The song is in the Roud Folk Song Index, #456.

Recordings

"...comes aprancin' and adancin' my darling Stewball."

A notable recording is by American folk legend Woody Guthrie, who included an English and an American interpretation (both entitled Stewball) on tape, and recorded in Volume 4 of The Asch Recordings (1930-1940). The American interpretation is a chain-gang song sung by Lead Belly and Guthrie with an African American 'call and response' style, while the English interpretation is derived from the traditional British broadside ballad, and sung to a cowboy waltz tune. The American interpretation has Stewball as being born in California with the famed race against the grey mare taking place in Dallas, Texas. Lead Belly recorded several versions of this song, and the music and lyrics from his version appear in American Ballads and Folk Songs by Lomax and Lomax. John and Ruby Lomax also recorded a version by a "Group of Convicts" in their 1939 Southern States Recording Trip, available online at the American Memory site.[3]

Lead Belly's American chain-gang version of Stewball was covered in the 1950s by The Weavers, and then by British skiffle singer Lonnie Donegan. Guthrie's cowboy version of the British ballad, with the same lyrics but a different tune, was recorded by John Herald and the Greenbriar Boys, and popularized by Peter, Paul and Mary. Other versions of this version of Stewball include Mason Proffit on Come and Gone (1973), which differs in a number of lyrical changes (including the grey mare stumbling) from Peter, Paul, and Mary's version, Joan Baez's on Joan Baez/5 (1964), The Hollies on Would You Believe (1966), and the Chad Mitchell Trio on Reflecting (1964). The 1971 John Lennon song "Happy Xmas (War Is Over)" has a similar meter and tune [4], as does the commercial jingle "Come back to Jamaica". Popular British versions include recordings by A. L. Lloyd, Martin Carthy, and Steeleye Span on the album Ten Man Mop, or Mr. Reservoir Butler Rides Again. An American version following the British tradition is recorded by Broadside Electric on Black-edged Visiting Card. The song has also been recorded by Irish musicians Andy Irvine and Paul Brady as "The Plains of Kildare."

A French song called Skewball was recorded by Hugues Aufray in 1966, becoming one of Aufray's biggest hits. However, this song (written by Hugues Aufray and Pierre Delanoë) is unlike the English-language songs of the same name. It takes the perspective of a man recalling an experience as a ten-year old boy. His father believes that Stewball will win a race, so he puts all his money and assets into this venture. Toward the end of the race, Stewball tragically falls. The veterinarian finishes him off with a single shot. This is the first time that the narrator witnesses his father cry. Aufray's song is very different in that it features Stewball not winning his race and dying due to an injury.

References

  1. ^ Thoroughbred Heritage on Skewball
  2. ^ Old Dublin songs, ed. Hugh Shields (Dublin, 1988)
  3. ^ http://memory.loc.gov/cgi-bin/query/D?lomaxbib:1:./temp/~ammem_PT1f::
  4. ^ Ger Tillekens (Sept. 1998). "Baroque and folk and ... John Lennon". http://www.icce.rug.nl/~soundscapes/VOLUME01/Baroque_Folk_Lennon.shtml. Retrieved 2008-04-10. 

External links