| Silverlock | |
|---|---|
First edition cover |
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| Author(s) | John Myers Myers |
| Country | United States |
| Language | English |
| Genre(s) | Fantasy novel |
| Publisher | E. P. Dutton |
| Publication date | 1949 |
| Media type | Print (Hardback & Paperback) |
| Pages | 349 pp |
| ISBN | NA |
Silverlock is a novel by John Myers Myers published in 1949. The novel's settings and characters, aside from the protagonist, are all drawn from history, mythology, and other works of literature.
In 1981, The Moon's Fire-Eating Daughter was published. Thematically related to Silverlock, it was billed as a "sequel to Silverlock" on the cover.
Contents |
While on a sea voyage, A. Clarence Shandon's ship founders and he is washed ashore in a fictional land known as "The Commonwealth of Letters". He is befriended by Golias, who nicknames him "Silverlock" and who becomes his guide. Silverlock and Golias encounter figures from history, literature and mythology.
"In this richly picaresque story of a modern man's fruitful adventurings in legendary realms of gold, John Myers Myers has presented a glowing tapestry of real excitement and meaning. In essence, this is the tale of Silverlock's wanderings in the Commonwealth, the land of immortal heroes real and imagined, in search of his true destiny. In form, it is sheer headlong narrative, with occasional clangorous verses woven into its fabric. In content, it is something between a many-peopled, incident-studded story of high emprise, and a morality for our time. Always it is fresh and bold in concept, superb in its execution . . . How A. Clarence Shandon came to the Commonwealth, exchanging his everyday name and Chicago-bound life for that of a traveler beyond time; what great ones of old legend and modern story he encountered, and to what purpose; what loves he knew and what fights he fought; what trials befell him in the Pit, and what truth he discovered when at last he won to the Hippocrene Spring -- these are matters of such crowding variety and implicit significance as the reader must discover for himself . . . And in the discovering, the literate reader will have a wonderful time. He will be amused by the wicked wit that illumines the vast panorama, and intrigued by the challenge it offers his own learning. Most of all, he will be impressed by its profound knowledge, of our cultural heritage, and stirred by its vital interpretations."--From first edition the dust jacket[1]
This is a partial listing of the characters, settings, and events that are drawn from history, and from works of literature and mythology. Some of the characters go by names other than those given below, thus the reader is expected to identify them from their contexts.
"John Myers Myers is remembered [largely] for SILVERLOCK, a recursive fantasy that centres on a picaresque voyage by a shipwrecked protagonist through the 'Commonwealth' (of literature), where he encounters numerous characters and situations from world literature and mythology -- the Ass of Apuleius, Beowulf, the Green Knight, Robin Hood, Dante's Hell, Friar John from RABELAIS, and many more. The novel is light and pleasant, rather in the manner of Christopher Morley . . . " Grant [3]
" . . . Gulliverian fantasy in which a castaway is washed up on the shore of the Commonwealth, where all the great characters of literature are to be found; the hapless hero wanders around, repeatedly getting himself into difficulties and finding famous rescuers, eventually cultivating a kind of heroism. An amusing exercise in literary game playing . . . " Barron [4]
"Journeys of self-discovery appear in every genre, teaching us about the main character as well as ourselves. The journey takes many forms: Gilgamesh searching for immortality; Dante's trips to Heaven, Hell, and Purgatory; and Wyatt and Billy's road trip in Easy Rider, among many others. These voyages speak to human beings' desire to answer fundamental questions about their place in the world. John Myers Myers takes a novel approach to this genre in Silverlock. His main character learns about himself by participating in the lives of other literary figures." Eller [5]