| Beyond Dawn | |
|---|---|
| Origin | Norway |
| Genres | Dark metal Avant-garde metal Electropop |
| Years active | 1990–2003 |
| Website | http://www.beyonddawn.com |
| Members | |
| Espen Ingierd Petter Haavik Tore Gjedrem Einar Sjursø |
|
Beyond Dawn is a Norwegian avant-garde metal band turned electropop composed of Espen Ingierd, Petter Haavik, Tore Gjedrem, and Einar Sjursø. They are described on their official website as "Norway's Best & Least Selling Act", which most likely insinuates Beyond Dawn's distinct artistic integrity being connected with their relative lack of commercial success. After two demo tapes in 1990 and 1991, the band were picked up by French label Adipocere Records, which made possible the band's first two commercial releases, 1993's Up Through the Linear Shades 7" and 1994's Longing For Scarlet Days EP. In 1995, Beyond Dawn released their critically acclaimed full length debut Pity Love on Candlelight Records. Soon after, the band began work on an album intended to be a departure from the doom metal music they were becoming known for, but their record label was less than pleased with the band's drastic change in sound and they were soon in search of a new label. They eventually signed with Misanthropy Records and released Revelry in 1998 to more critical praise. Beyond Dawn eventually resumed work on the would-be 1996 album and, after adding additional material and overdubs, released In Reverie in 1999 on Eibon Records, which would also be reissued in 2005 with two bonus tracks included. During the latter half of 1999, they released Electric Sulking Machine on the Peaceville label, which soon became a favorite amongst fans and remains sought after due to its limited pressing.
During the span of their career, Beyond Dawn's sound has gradually evolved from the doom metal present on their early releases to the minimalistic electropop present on the band's latest album, Frysh. In addition to this, the trombone, which was a core part of Beyond Dawn's sound on nearly all of their 90s works, is not featured on their most recent output. Due to the limited commercial success of Frysh, the band went on hiatus in 2003 to focus on other projects. Some time later, several tracks from Frysh were remixed by various electronic and EBM artists and released in the form of the double LP We're Down With Species of Any Kind in 2005. Currently, the band remains on an indefinite hiatus.