A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the later medieval emergence of the book of hours, psalters were the books most widely owned by wealthy lay persons and were commonly used for learning to read. Many Psalters were richly illuminated and they include some of the most spectacular surviving examples of medieval book art.
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Psalters (as distinct from copies of the Psalms in other formats) developed in the Latin West from the early 8th century. The extensively illustrated Utrecht Psalter is one of the most important surviving Carolingian manuscripts and exercised a major influence on the later development of Anglo-Saxon art.[1] In the Middle Ages psalters were among the most popular types of illuminated manuscripts, rivaled only by the Gospel Books, from which they gradually took over as the type of manuscript chosen for lavish illumination. From the late 11th century onwards they became particularly widespread - Psalms were recited by the clergy at various points in the liturgy, so psalters were a key part of the liturgical equipment in major churches.
Various different schemes existed for the arrangement of the Psalms into groups (see Latin Psalters). As well as the 150 Psalms, medieval psalters often included a calendar, a litany of saints, canticles from the Old and New Testaments, and other devotional texts. The selection of saints mentioned in the calendar and litany varied greatly and can often give clues as to the original ownership of the manuscript, since monasteries and private patrons alike would choose those saints that had particular significance for them.
Many psalters were lavishly illuminated with full-page miniatures as well as decorated initials. Of the initials the most important is normally the so-called "Beatus initial", based on the "B" of the words Beatus vir... ("Blessed is the man...") at the start of Psalm 1. This was usually given the most elaborate decoration in an illuminated psalter, often taking a whole page for the initial letter or first two words. Historiated initials or full-page illuminations were also used to mark the beginnings of the three major divisions of the Psalms, or the various daily readings, and may have helped users navigate to the relevant part of the text (medieval books almost never had page numbers). Many psalters, particularly from the 12th century onwards, included a richly decorated "prefatory cycle" - a series of full-page illuminations preceding the Psalms, usually illustrating the Passion story, though some also featuring Old Testament narratives. Such images helped to enhance the book's status, and also served as aids to contemplation in the practice of personal devotions.
The psalter is also a part of either the Horologion or the breviary, used to say the Liturgy of the Hours in the Eastern and Western Christian worlds respectively.
In Eastern Orthodox and Byzantine Catholic usage the psalter is divided into 20 kathismata, for reading at Vespers and Matins. Kathisma means sitting, since the people normally sit during the reading of the psalms. Each kathisma is divided into three stases, from stasis, to stand, because each stasis ends with Glory to the Father…, at which everyone stands. The reading of the kathismata are so arranged that the entire psalter is read through in the course of a week (during Great Lent it is read through twice in a week). During Bright Week (Easter Week) there is no reading from the psalter. Orthodox psalters usually also contain the Biblical canticles, which are read at the canon of Matins during Great Lent. Some Orthodox psalters also contain special prayers for the departed, which are used during the wake, when the psalms are read over the deceased (see Christian burial).[2]
In British North America, the first book printed was the Bay Psalm Book in 1640 in Cambridge, Massachusetts. The Psalms in it are metrical translations into English.