Pan-Africanism

Pan-African topics
General
Pan-Africanism
Afro-Asian
Afro-Latino
Colonialism
Africa
Maafa
Black people
African philosophy
Black conservatism
Black leftism
Black nationalism
Black orientalism
Afrocentrism
African Topics
Art
FESPACO
African art
PAFF
People
George Padmore
Walter Rodney
Patrice Lumumba
Thomas Sankara
Frantz Fanon
Molefi Kete Asante
Ahmed Sékou Touré
Kwame Nkrumah
Marcus Garvey
Malcolm X
W. E. B. Du Bois
Muammar Gaddafi
C. L. R. James
Cheikh Anta Diop
Elijah Muhammad

Pan-Africanism (Literally All Africa) is a movement that seeks to unify African people or people living in Africa, into a "one African community".[1] Differing types of Pan-Africanism seek different levels of economic, racial, social, or political unity.[2] The largest governmental body striving for governmental unity is the African Union.[3][4]

Contents

Origins

In the United States, the term is closely associated with Afrocentrism, an ideology of African American identity politics that emerged during the civil rights movement of the 1960s to 1970s.[5] "Pan-African" unity is especially important in African American identity politics, because the African ancestry of Afro-American community cannot be derived from any identifiable African people. Therefore it has become necessary to minimize the differences between the various peoples of Africa in favour of a generalized "African" heritage.[6] As a philosophy, Pan-Africanism represents the aggregation of the historical, cultural, spiritual, artistic, scientific and philosophical legacies of Africans from past times to the present. Pan-Africanism as an ethical system traces its origins from ancient times, and promotes values that are the product of the African civilization and the struggles against slavery, racism, colonialism, and neo-colonialism.[7]

Pan-Africanism is usually seen as a product of the European slave trade. Enslaved Africans of diverse origins and their descendants found themselves embedded in a system of exploitation where their African origin became a sign of their servile status. Pan-Africanism set aside cultural differences, asserting the principality of these shared experiences to foster solidarity and resistance to exploitation.

Alongside a large number of slave insurrections, by the end of the eighteenth century a political movement developed across the Americas, Europe and Africa which sought to weld these disparate movements into a network of solidarity putting an end to this oppression. In London, the Sons of Africa was a political group addressed by Quobna Ottobah Cugoano in the 1791 edition of his book Thoughts and sentiments on the evil of slavery. The group addressed meetings and organised letter-writing campaigns, published campaigning material and visited parliament. They wrote to figures such as Granville Sharp, William Pitt and other members of the white abolition movement, as well as King George III and the Prince of Wales, the future George IV.

Modern Pan-Africanism began around the beginning of the twentieth century. The African Association, later renamed the Pan-African Association, was organized by Henry Sylvester-Williams around 1887, and their first conference was held in 1900.[8]

Concept

As originally conceived by Henry Sylvester-Williams (note: some history books credit this idea to Edward Wilmot Blyden) pan-Africanism referred to the unity of all continental Africa.[1] The concept soon expanded, however, to include the African diaspora.

During apartheid South Africa there was a Pan Africanist Congress that dealt with the oppression of South Africans under European apartheid rule. Other pan-Africanist organizations include Garvey's Universal Negro Improvement Association-African Communities League, TransAfrica and the International People's Democratic Uhuru Movement.

The goals of Pan-Africanism are diverse. Some may view pan-Africanism as an endeavour to provide revisionist histories of Africa that include and focus on the perspectives of Africans, rather than only Europeans or colonialists. Others may view Pan-Africanism as an endeavour to return to "traditional" African concepts about culture, society, and values. Examples of this include Léopold Sédar Senghor's Négritude movement, and Mobutu Sese Seko's view of Authenticité.

An important theme running through much pan-Africanist literature concerns the historical links between different countries on the continent, and the benefits of cooperation as a way of resisting imperialism and colonialism.

In the 21st century, this theme has developed in response to globalisation and the problems of environmental justice. For instance, at the conference "Pan-Africanism for a New Generation"[9] held at the University of Oxford, June 2011, Ledum Mittee, the current president of the Movement for the Survival of the Ogoni People (MOSOP) argues that environmental justice movements across the African continent should create horizontal linkages in order to better protect the interests of threatened peoples and the ecological systems in which they are embedded, and upon which their survival depends.

An important aspect is the argument that Egypt is an African country, and shares important historical and cultural continuities with other countries in the Nile valley. This is sometimes characterised by the term Nile Valley Civilizations or African civilizations that group Egypt with other civilisations of other parts of the continent.

Some universities have gone as far as creating "Departments of Pan-African Studies" in the late 1960s. This includes the California State University, where that department was founded in 1969 as a direct reaction to the civil rights movement, and is today dedicated to "teaching students about the African World Experience", to "demonstrate to the campus and the community the richness, vibrance, diversity, and vitality of African, African American, and Caribbean cultures" and to "presenting students and the community with an Afrocentric analysis" of anti-black racism.[1] Syracuse University also offers a masters degree in "Pan African Studies".[10]

Key figures in Pan-Africanism

Pan-African banner

The Pan-African flag was designed by Marcus Garvey and is known as "The Red, Black, and Green". This flag symbolizes the struggle for the unification and liberation of African people. The "red" stands for the blood that unites all people of African ancestry, "black" represents the color of the skin of the people of Africa, and "green" stands for the rich land of Africa.

Sometimes the green, gold, and red of the Ethiopian flag are used as the colors of the Pan-African movement. According to some sources, this is because Ethiopia resisted European colonization attempts except for a brief period of occupation by Italy under the Fascists. Ethiopia is the headquarters of the African Union and several institutions concentrated on the African continent. Sebujja Katende, ambassador of Uganda to the AU said Ethiopia is considered as "the grand father of Africa."[13]

The four Pan-African colors—red, black, green, and gold—have inspired many nations flags, outside of Africa as well as within it.

Maafa studies

Maafa is an aspect of Pan-African studies. The term collectively refers to 500 years of suffering (including the present) of people of African heritage through slavery, imperialism, colonialism, and other forms of oppression.[14][15][16] In this area of study, both the actual history and the legacy of that history are studied as a single discourse. The emphasis in the historical narrative is on African agents, as opposed to non-African agents.[17]

Political parties and organizations

Africa-based

Barbados

British-based

US-based

African American topics
Category · Portal

Pan-African concepts and philosophies

Afrocentric Pan-Africanism

Afrocentric Pan-Africanism, as espoused by Kwabena Faheem Ashanti, in his book The Psychotechnology of Brainwashing: Crucifying Willie Lynch. Another newer movement that has evolved from the early Afrocentric school is the Afrisecal movement or Afrisecaism of Francis Ohanyido a Nigerian Philosopher- Poet.[20] Black Nationalism is sometimes associated with this form of pan-Africanism; the figure of Afrocentric Pan-Africanism in the Spanish-speaking world is Professor Antumi Toasijé.[21]

Kawaida

Hip Hop

During the past three decades hip hop has emerged as a powerful force shaping black and African identities worldwide. In his article “Hip-hop Turns 30: Whatcha Celebratin’ For?,” Greg Tate describes hip hop culture as the product of a Pan-African state of mind.[22] It is an “ethnic enclave/ empowerment zone that has served as a foothold for the poorest among us to get a grip on the land of the prosperous,”.[22] Hip-hop unifies those of African descent globally in its movement towards greater economic, social and political power. Andreana Clay in her article “Keepin’ it Real: Black Youth, Hip-Hop Culture, and Black Identity” states that hip hop provides the world with “vivid illustrations of Black lived experience” creating bonds of black identity across the globe.[23] Hip hop authenticates a black identity, and in doing so, creates a unifying uplifting force among Africans as Pan-Africanism sets out to achieve.

Pan-African art

See also

References

  1. ^ a b "Sculpting a Pan-African Culture in the Art of Négritude: A Model for African Artist". http://www.jpanafrican.com/. 
  2. ^ http://books.google.com/books?id=aM40vekC-ucC&pg=PA509&lpg=PA509&dq=types+of+Pan-Africanism&source=bl&ots=6S8ggTISK5&sig=RYMKqlOiD_0I0J8PHcJuwP8ygeQ&hl=en&ei=8DVmTsc2yZXxA92AxbYK&sa=X&oi=book_result&ct=result&resnum=8&ved=0CEoQ6AEwBw#v=onepage&q=types%20of%20Pan-Africanism&f=false The African diaspora: African origins and New World identities By Isidore Okpewho
  3. ^ http://www.africa-union.org/root/au/aboutau/au_in_a_nutshell_en.htm African Union About
  4. ^ http://news.bbc.co.uk/2/hi/country_profiles/3870303.stm BBC Profile on African Union as a Pan-African Organization
  5. ^ see e.g. Ronald W. Walters, Pan Africanism in the African Diaspora: An Analysis of Modern Afrocentric Political Movements, African American Life Series, Wayne State University Press, 1997. Chapter 2: "The Pan African Movement in the United States".
  6. ^ Stephen Howe, Afrocentrism: mythical pasts and imagined homes, 1999: "Since it is often difficult, if not impossible, especially in the United States, to identify Afro-American cultural traits as deriving from particular African peoples, it has become important for some intellectuals to emphasize that distinctions between those people were essentially insignificant, so that descent from a generalized 'Africa' becomes more meaningful." (p. 103)
  7. ^ "The Politics of Liberation". Hakim Adi , African Holocaust Society. http://www.africanholocaust.net/html_ah/panafricanismhakimadi.html. Retrieved 2007-01-04. 
  8. ^ "The History of Pan-Africanism". http://panafrican.homestead.com/history.html. 
  9. ^ http://oxfordafrican.wordpress.com/
  10. ^ aas.syr.edu/MAProgram.htm
  11. ^ Duberman, Martin,Paul Robeson 1989.pg284-285The Apex of Fame
  12. ^ Foner, Phillip S.,Paul Robeson speaks: writings, speeches, interviews, 1918-1974 1979.pg88-93 I want to be African & Negros Don't Ape The Whites
  13. ^ Sebujja: Ethiopia the grand father of Africa
  14. ^ "Let the Circle be Unbroken". Marimba Ani. http://www.africawithin.com/ani/marimba_ani.htm. 
  15. ^ "What Holocaust". "Glenn Reitz". http://www.temple-news.com/media/storage/paper143/news/2003/10/30/Opinion/What-African.Holocaust-543918.shtml?norewrite200612211320&sourcedomain=www.temple-news.. 
  16. ^ "The Maafa, African Holocaust". Swagga. http://www.swagga.com/maafa.htm. 
  17. ^ "Removal of Agency from Africa". "Owen 'Alik Shahadah". http://www.africanholocaust.net/news_ah/agencyandafrica.htm. Retrieved 2005. 
  18. ^ a b Duberman, Martin. Paul Robeson, 1989, p. 296-297.
  19. ^ "Principles of Us". http://www.us-organization.org/30th/ppp.html. 
  20. ^ "African Resource" "Francis Ohanyido Bio". http://www.africaresource.com/index.php?option=com "African Resource". 
  21. ^ "Antumi Toasijé Bio in Spanish". http://es.wikipedia.org/wiki/Antumi_Toasij%C3%A9. 
  22. ^ a b Tate, Greg. “Hip-hop Turns 30: Whatcha Celebratin’ For?” Village Voice. 4 January 2005.
  23. ^ Clay, Andreana. “Keepin’ it Real: Black Youth, Hip-Hop Culture, and Black Identity.” In American Behavioral Scientist, Vol. 46.10 (2003): 1346-1358.

External links