Nouvelle Chanson

Nouvelle Chanson[1] or 'New Chanson' is a recently coined buzzword used to define a new style of music emerging in France, one which takes clear inspiration from the forefathers of French Chanson (including Jacques Brel, Barbara and Charles Aznavour), albeit in an updated style. However, the principal influences appear to be the more avant-garde artists including Serge Gainsbourg, Brigitte Fontaine, Juliette Greco and George Brassens. Principal French exponents of Nouvelle Chanson include artists such as Benjamin Biolay, Émilie Simon, Coralie Clément, Keren Ann, Francoiz Breut, Olivia Ruiz, and Camille. The term Chanson Nouveau is also used, and as a developing genre, there is considerable disagreement even in France about who belongs in this genre and how it is to be described.[2]

Well-known contemporary English speaking artists who might also be termed New Chanson, in that their musical style is clearly traceable from this same Chanson lineage can be seen in artists such as New York based Rufus Wainwright, his sister Martha Wainwright (who recently reprised Barbara's song 'Dis, quand reviendras-tu ?' - [3], Regina Spektor (showing French influence in songs such as 'Après moi' and 'Ne me quitte pas'), CocoRosie (originally American, now Paris-based) and London-based singer-songwriter Ana Silvera.[4]

Contents

Characteristics of Nouvelle Chanson

Nouvelle Chanson, whilst influenced by the forefathers of French Chanson (cited above) has developed through modern influences such as rock and electronica. There is a tendency for theatricality and the adoption of personas, alongside intensely poetic lyrics incorporating surreal and metaphorical elements. Wry, intelligent humour is also often prevalent. However the defining characteristic of Chanson, both old and new, is that it focuses on the French language as vehicle and instrument. There is an emphasis on craftsmanship with many of the artists classically trained and/or having studied music academically (cf. Benjamin Biolay studied at the National Conservatoire, Lyon[5], Emilie Simon studied musicology at the University of Montpellier[6], Ana Silvera has performed with the English National Opera and Royal Opera House[7] and Ezra Axelrod studied composition and opera at Middlebury College[8]) giving an intellectual aspect that sets this style of music apart from other genres such as pop, rock and 'anti-folk'.

Subgenres of Nouvelle Chanson

Nouvelle Chanson artists could be divided into the following genres:

Trip-Hop/Electronica influences
Emilie Simon and Francoiz Breut belong in this group, and Camille, though she uses few electronic effects.
Updated Traditional Chanson
The second group seek to refine traditional Chanson, usually accompanied by a solo guitar or piano. This includes Anais (Croze) and Pauline Croze
Bossa Nova and Samba influenced musicians include
Olivia Ruiz, Coralie Clement, Benjamin Biolay, Emily Loizeau, and Les Blaireux.
Nouvelle Vague
Artists such as Cibelle and Amel Bent are examples of the chanson form with Latin and/or African influences.
Keren Ann, Vanessa Paradis, and Les Blaireaux represent the chanson form mediated through pop/rock sensibilities.

Literary And Artistic influences

Nouvelle Chanson takes its inspiration artistically from Dada and Surrealism. Lyrically, inspiration is also drawn from fairy tales, contemporary poetry, and magical realist literature. It is also theatrical, and draws on the adoption of various personas.

Artists

France

Note: Outside France, there are a number of artists who, although perhaps not Chanson artists as such, seem to fit in with demonstrate an affinity with the movement, such as French-born [1]Marianne Dissard working from Tucson in Arizona (USA).

UK

Scandinavia

Canada

USA

Artists such as Rufus Wainwright, Regina Spektor, Marianne Dissard and Antony Hegarty could be classified as "Nouvelle Chanson". Their work is usually highly literary and may employ classical techniques as well as utilizing the waltz style.

Philippines

References

External links