| My Arms, Your Hearse | ||||
|---|---|---|---|---|
| Studio album by Opeth | ||||
| Released | August 18, 1998 (see release history) |
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| Recorded | August–September 1997 (Studio Fredman, Maestro Musik and Nacksving Studio) |
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| Genre | Progressive death metal, progressive black metal | |||
| Length | 52:38 | |||
| Label | Candlelight, Century Black | |||
| Producer | Fredrik Nordström, Opeth | |||
| Opeth chronology | ||||
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| Alternative cover | ||||
My Arms, Your Hearse is Opeth's third studio album, released in 1998. This album marks a large stylistic change from their previous release, Morningrise, especially production-wise. All of the songs are shorter than ten minutes, whereas on their prior albums most songs exceed this length.
My Arms, Your Hearse was Opeth's first album to be simultaneously released in Europe, on Candlelight Records, and the United States, on Century Black.
The title of the album is derived from the lyrics of "Drip, Drip" from First Utterance by Comus.[1] The album is dedicated to Lee Barrett (of Candlelight Records).[2]
Contents |
This was the first Opeth album with Martin Lopez, who answered a newspaper ad searching for a drummer. Shortly thereafter the band also brought in Martin Mendez, a friend and previous band-mate of Lopez. However, Mendez did not have enough time to learn the bass parts for the album, so Mikael Åkerfeldt played bass at the recording session.[3] Åkerfeldt explains the sound of this album is affected because he recorded it with the flu.
The album features a heavier overall sound, cleaner production and fewer mellow acoustic parts. The album contains three instrumental tracks, "Prologue", "Madrigal", and "Epilogue", and one mellow track, "Credence", which is devoid of death metal vocals. This was also Opeth's first concept album.
Åkerfeldt came up with the lyrics for this album before the music was written. The lyrics were written to be a concept album, and the music was written based on the lyrics.[4]
The album concerns a character who dies and becomes a ghost. The narrative on the ghost's existence revolves around the woman he loved. Frustration and suspicion make the character restless as he watches his loved one after his death, his soul in constant turmoil as he does not believe that she genuinely grieved his passing. Though his ghost's actual presence remains undetected, she feels a great sadness, and remains unwilling to accept his death.
The progression of the album can also be seen as linked to the progression of the seasons, the final song ending with winter, and leading back into the first song with the beginnings of spring.
The last word of each song on the album is the name of the following, with the album's final track, "Epilogue", leading back to "Prologue" to complete the cycle. Since the album has three instrumental tracks, lyrics are included in the jacket to be read during those parts, fulfilling the naming convention. In some cases, the silent lyrics move the plot along, and in others only serve to comment in a passive fashion.
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | [5] |
| Chronicles of Chaos | [6] |
| Metal Crypt | [7] |
| Metal Storm | [8] |
| Sea of Tranquility | [9] |
| Tartarean Desire | [10] |
| Terrorizer | [11] |
My Arms, Your Hearse was released on August 18, 1998 simultaneously in Europe and United States on CD by Candlelight Records and Century Black respectively. It was released in Poland by Mystic Production on cassette. The album was reissued in 2000 on CD by Candlelight Records and on LP by Displeased Records. The LP was limited to 1000 copies. These reissues contains two bonus tracks, "Circle of the Tyrants" and "Remember Tomorrow".[5][12] They are covers of songs that were only previously available on two separate tribute albums, In Memory of Celtic Frost and A Call to Irons: A Tribute to Iron Maiden, respectively.[13][14] A special edition was released by Candlelight in 2003.[12]
The album was widely praised by critics. Steve Huey of Allmusic said that it "flows logically from one composition to the next, and the mostly long songs have enough variation in texture and mood to hold the listener's interest fairly consistently."[5] Jeb of Metal Faith magazine said that "each song sort of flows into the next giving the whole album a unified feel."[11] Jeff of Mid West Metal magazine commented "having never been exposed to Opeth, I had them pegged as a typical black metal bands that sings about love and relationships and crap like that. I really didn't expect to get blown out of the water when "April Ethereal" kicked in, from this point I am converted! And while the album has some mellow parts and some folk-ish characteristics, it's still a very intense album from a band who seems to have not forgotten how the fuck they got their current plateau in life."[11] Christian Renner of Metal Crypt wrote "the musicianship is brilliant as always and the songwriting is just what you would expect from this incredibly talented group. This is another great album that most bands out there would give their right arm to have written and that statement just speaks volumes of the songwriting talent of the Åkerfeldt/Lindgren team."[7] Pedro Azevedo of Chronicles of Chaos gave it ten of ten stars writing "though some parts of the drum sound are somewhat awkward at times (new drummer and bass player, by the way), the instrumental performance is as great as one would expect, and Akerfeldt's vocals are again amazing. Top quality sections just flow throughout the album, making it truly -excellent-. My Arms, Your Hearse is a indeed a brilliant proof that Swedish metal isn't entirely stagnant."[6] Tartarean Desire's critic Cseke Róbert wrote that "this record is more powerful and more beautiful than most of today's music from this genre. The entire record is a mixture of hell-bound adrenalin and soul... My Arms, Your Hearse is such a powerful album that I consider it one of the best of the genre."[10] Demonic Tutor (Olivier Espiau) of Metal Storm stated the album is a "trip to heaven" and also:[8]
| “ | If the album Blackwater Park remains as Opeth's masterpiece so far, My Arms, Your Hearse also deserves the maximal rating. I personally think that this record is equal to Blackwater Park... Well, every metalhead on earth MUST have this album. If you're tired of your standards or if you just want to discover new horizons in the metal world, or simply if you don't want to miss the best band for its creativity, listen to Opeth... Listening to My Arms, Your Hearse, I can say that perfection has now a name: Opeth. | ” |
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— Olivier Espiau, Metal Storm.
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Tim Henderson of Brave Words & Bloody Knuckles said "you are in for a treat, easily described as the black metal version of Darkside of the Moon in all it's [sic] pride and glory. In fact, if Gilmour joined Emperor, or if Cradle took sides with Yes, can My Arms, Your Hearse be truly described".[11] "My Arms, Your Hearse is a milestone in 90's extreme metal", wrote Chris Bruni in his review for Unrestrained! magazine. He also wrote that is "easily their most stunning achievement" and "the songs are stronger, heavier, more cohesive, with a stronger sound courtesy of Studio Fredman, and the textures and song movements are some of the best executed structures to be heard in metal."[11]
All songs written and composed by Mikael Åkerfeldt, except where noted[15].
| No. | Title | Length |
|---|---|---|
| 1. | "Prologue" (instrumental) | 0:59 |
| 2. | "April Ethereal" | 8:41 |
| 3. | "When" | 9:14 |
| 4. | "Madrigal" (instrumental) | 1:26 |
| 5. | "The Amen Corner" | 8:43 |
| 6. | "Demon of the Fall" (Åkerfeldt, Peter Lindgren) | 6:13 |
| 7. | "Credence" | 5:26 |
| 8. | "Karma" | 7:52 |
| 9. | "Epilogue" (instrumental) | 3:59 |
| 10. | "Circle of the Tyrants" (Celtic Frost cover, bonus track on reissue CD and LP only) | 5:12 |
| 11. | "Remember Tomorrow" (Iron Maiden cover, bonus track on reissue CD and LP only) | 5:00 |
| Year | Region | Label | Format | Catalog |
|---|---|---|---|---|
| 1998 | United Kingdom | Candlelight | CD | CANDLE25 |
| 1998 | United States | Century Black | CD | 7894-2 |
| 1998 | Poland | Mystic Production | cassette | 159 |
| 2000 | United Kingdom | Candlelight | CD | Candle055 |
| 2000 | Netherlands | Displeased | double LP | D-00083 |
| 2000 | United States | Candlelight | CD | CANUS068CD |
| 2003 | United Kingdom | Candlelight | CD | CANDLE055TIN |
| 2003 | Russia | IROND | CD | IROND CD 03-632 |
| 2005 | United Kingdom | Candlelight | LP | CVCS 005 PD |
| 2006 | Japan | Candlelight | CD | XQAN-1003 |
| 2008 | United Kingdom | Back On Black | LP | BOBV099LP |
| 2008 | Japan | Avalon | CD | MICP-10809 |
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