| Mrityudand | |
|---|---|
Theatrical release poster |
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| Directed by | Prakash Jha |
| Produced by | Prakash Jha |
| Screenplay by | Prakash Jha |
| Starring | Madhuri Dixit Shabana Azmi Ayub Khan Mohan Agashe Om Puri Mohan Joshi |
| Music by | Anand-Milind |
| Cinematography | Rajan Kinagi Rajan Kothari |
| Editing by | Prakash Jha |
| Release date(s) | July 11, 1997 |
| Running time | 152 minutes |
| Country | India |
| Language | Hindi |
Mrityudand (The Death Sentence) is an Indian Hindi movie released in 1997. It was directed and produced by Prakash Jha and stars Madhuri Dixit, Shabana Azmi, Ayub Khan, Mohan Agashe and Om Puri.
The film is a commentary on social and gender injustice. As in his other movies, filmmaker Prakash Jha has focussed on the social problems that plague his native state of Bihar, India, and like his other movies this one straddles the boundary between art film and commercial film. The film also boasted of some semi-classical music, tuned by Anand-Milind and Raghunath Seth and worded by Javed Akhtar.
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It is set in the fictional village of Bilaspur, Bihar in 1996. The movie starts with the grisly portrayal of a mob killing of two defenceless women, orchestrated by vested interests, and how village power players later evade administrative inquiries into this atrocity. This incident sets the tone for much of the rest of the movie.
The central characters are a young couple, Vinay (Ayub Khan) and Ketki (Madhuri Dixit). They are quickly plunged into the midst of machinations by several powerful and unscrupulous villagers. Foremost among them is contractor Tirpat Singh (Mohan Joshi), a powerful, corrupt and ruthless man who oppresses poor people and especially women with impunity. Vinay too becomes influenced by Tirpat, and under this influence spirals down a dark road of domestic abuse, alcoholism, and selfishness that alienates his loving wife and tears apart the whole family, despite her best efforts to fight this.
The rest of the movie deals with their efforts to break out of this morass, both within their relationship as well as outside of it, and Vinay's and especially Ketki's long, hard, and bloody struggle to confront and defeat the forces of oppression and male domination in the village.