| Most | |
|---|---|
| Directed by | Bobby Garabedian |
| Produced by | Jim Van Eerden |
| Written by | Bobby Garabedian William Zabka |
| Starring | Vladimir Javorsky Lynda Rybova Ladislav Ondrej Ester Geislerova Brad Heller Klara Issova |
| Music by | John Debney |
| Cinematography | Michael FitzMaurice |
| Editing by | Kveto Hecko Paul Petschek |
| Release date(s) | 2003 |
| Running time | 29 minutes |
| Country | Czech Republic |
Most (re-titled The Bridge in some countries) is a 2003 Czech film directed by Bobby Garabedian and written and produced by American actor William Zabka. The music score was created by John Debney (Passion of the Christ). It introduces three new characters, starring Vladimir Javorsky, Linda Rybova, and introducing Lada Ondrej.
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Most is the story of a single father who takes his eight year-old son to work with him at the railroad drawbridge where he is the bridge tender. A day before, the boy meets a woman boarding a train, a drug abuser. At the bridge, the father goes into the engine room, and tells his son to stay at the edge of the nearby lake. A ship comes, and the bridge is lifted. Though it is supposed to arrive an hour later, the train happens to arrive. The son sees this, and tries to warn his father, who is not able to see this. Just as the oncoming train approaches, his son falls into the drawbridge gear works while attempting to lower the bridge, leaving the father with a horrific choice. The father then lowers the bridge, the gears crushing the boy. The people in the train are completely oblivious to the fact a boy died trying to save them, other than the drug addict woman, who happened to look out her train window. The movie ends, with the man wandering a new city, and meets the woman, no longer a drug addict, holding a small baby. The film draws Christian parallels with the sacrifice a young boy and his father make to that of God and Jesus. Other relevant narratives run in parallel, namely one of the female drug-addict, and they all meet at the climax of this tumultuous film. Critics gave rave reviews for this unique, subtle, and brilliantly produced work. Many reviewers had deep and moving reactions to the film. Christianity Today magazine called it “life changing.”
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