Mid-Autumn Festival | |
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Mid-Autumn Festival decorations in Beijing |
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Official name | Zhōngqiū Jié (中秋節, 中秋节) |
Also called | Moon Festival Mooncake Festival Lantern Festival Peh Goeh Cheh (八月節) |
Observed by | Chinese, Taiwanese, Vietnamese |
Type | Cultural, Religious |
Significance | Celebrates the end of the fall harvest |
Date | 15th day of the 8th lunar month |
2012 date | September 12 |
2013 date | September 30 |
Observances | consumption of mooncakes, worship of deities (Chang'e) |
Related to | Tết Trung Thu, Chuseok |
Mid-Autumn Festival | |||||||||||||||||||||||
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Mooncakes, often eaten during the festival | |||||||||||||||||||||||
Chinese name | |||||||||||||||||||||||
Traditional Chinese | 中秋節 | ||||||||||||||||||||||
Simplified Chinese | 中秋节 | ||||||||||||||||||||||
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Min name | |||||||||||||||||||||||
Chinese | 八月節 | ||||||||||||||||||||||
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Vietnamese name | |||||||||||||||||||||||
Quốc ngữ | Tết Trung Thu | ||||||||||||||||||||||
Chữ nôm | 節中秋 |
The Mid-Autumn Festival (Chinese: 中秋節), also known as the Moon Festival or Mooncake Festival or Zhongqiu Festival, is a popular lunar harvest festival celebrated by Chinese and Vietnamese people.[1] A description of the festival first appeared in Rites of Zhou, a written collection of rituals of the Western Zhou Dynasty from 3,000 years ago.[1] The celebration became popular during the early Tang Dynasty.[1] The festival is held on the 15th day of the eighth month in the Chinese calendar, which is in September or early October in the Gregorian calendar, close to the autumnal equinox.[1] The Government of the People's Republic of China listed the festival as an "intangible cultural heritage" in 2006, and it was made a Chinese public holiday in 2008.[1] It is also a Taiwanese public holiday.
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The Mid-Autumn Festival is one of the few most important holidays in the Chinese calendar, the others being Spring Festival and Winter Solstice.[1] Accompanying the celebration, there are additional cultural or regional customs, such as:
Celebration of the Mid-Autumn Festival is strongly associated with the legend of Houyi and Chang'e, the Moon Goddess of Immortality. Tradition places these two figures from Chinese mythology at around 2200 BCE, during the reign of the legendary Emperor Yao, shortly after that of Huangdi. Unlike many lunar deities in other cultures who personify the moon, Chang'e simply lives on the moon but is not the moon herself.
There are many variants and adaptations of the legend of Chang'e that frequently contradict each other. However, most versions of the legend involve some variation of the following elements: Houyi, the Archer, an emperor, either benevolent or malevolent, and an elixir of life.
One version of the legend states that Houyi was an immortal and Chang'e was a beautiful young girl, working in the palace of the Jade Emperor (the Emperor of Heaven, 玉帝 pinyin:Yùdì) as an attendant to the Queen Mother of the West (the Jade Emperor's wife). Houyi aroused the jealousy of the other immortals, who then slandered him before the Jade Emperor. Houyi and his wife, Chang'e, were subsequently banished from heaven. They were forced to live on Earth. Houyi had to hunt to survive and became a skilled and famous archer.
At that time, there were ten suns, in the form of three-legged birds, residing in a mulberry tree in the eastern sea. Each day one of the sun birds would have to travel around the world on a carriage, driven by Xihe, the 'mother' of the suns. One day, all ten of the suns circled together, causing the Earth to burn. Emperor Yao, the Emperor of China, commanded Houyi to use his archery skill to shoot down all but one of the suns. Upon completion of his task, the Emperor rewarded Houyi with a pill that granted eternal life. Emperor Yao advised Houyi not to swallow the pill immediately but instead to prepare himself by praying and fasting for a year before taking it.[3] Houyi took the pill home and hid it under a rafter. One day, Houyi was summoned away again by Emperor Yao. During her husband's absence, Chang'e, noticed a white beam of light beckoning from the rafters, and discovered the pill. Chang'e swallowed it and immediately found that she could fly. Houyi returned home, realizing what had happened he began to reprimand his wife. Chang'e escaped by flying out the window into the sky.[3]
Houyi pursued her halfway across the heavens but was forced to return to Earth because of strong winds. Chang'e reached the moon, where she coughed up part of the pill.[3] Chang'e commanded the hare that lived on the moon to make another pill. Chang'e would then be able to return to Earth and her husband.
The legend states that the hare is still pounding herbs, trying to make the pill. Houyi built himself a palace in the sun, representing "Yang" (the male principle), in contrast to Chang'e's home on the moon which represents "Yin" (the female principle). Once a year, on the night of the Mid-Autumn Festival, Houyi visits his wife. That is the reason why the moon is very full and beautiful on that night.[3]
This description appears in written form in two Western Han dynasty (206 BC-24 AD) collections; Shan Hai Jing, the Classic of the Mountains and Seas and Huainanzi, a philosophical classic.[4]
Another version of the legend, similar to the one above, differs in saying that Chang'e swallowed the pill of immortality because Peng, one of Houyi's many apprentice archers, tried to force her to give the pill to him. Knowing that she could not fight off Peng, Chang'e had no choice but to swallow the pill herself.
Other versions say that Houyi and Chang'e were still immortals living in heaven at the time that Houyi killed nine of the suns. The sun birds were the sons of the Jade Emperor, who punished Houyi and Chang'e by forcing them to live on Earth as mortals. Seeing that Chang'e felt extremely miserable over her loss of immortality, Houyi decided to find the pill that would restore it. At the end of his quest, he met the Queen Mother of the West, who agreed to give him the pill, but warned him that each person would only need half a pill to regain immortality. Houyi brought the pill home and stored it in a case. He warned Chang'e not to open the case, and then left home for a while. Like Pandora in Greek mythology, Chang'e became curious. She opened up the case and found the pill, just as Houyi was returning home. Nervous that Houyi would catch her, discovering the contents of the case, she accidentally swallowed the entire pill, and started to float into the sky because of the overdose.
Some versions of the legend do not refer to Houyi or Chang'e as having previously been immortals and initially present them as mortals instead.
There are also versions of the story in which Houyi was made king as a reward for killing nine of the suns and saving the people. However, King Houyi became a despot who either stole a pill of immortality from the Queen Mother of the West or learned that he could make such a pill by grinding up the body of a different adolescent boy every night for a hundred nights. Chang'e stole the pill and swallowed it herself, either to stop more boys being killed or to prevent her husband's tyrannical rule from lasting forever.
According to tradition, the Jade Rabbit pounds medicine, together with the lady, Chang'e, for the gods. Others say that the Jade Rabbit is a shape, assumed by Chang'e herself. The dark areas to the top of the full moon may be construed as the figure of a rabbit. The animal's ears point to the upper right, while at the left are two large circular areas, representing its head and body.[5]
According to a widespread folk tale (not necessarily supported by historical records), the Mid-Autumn Festival commemorates an uprising in China against the Mongol rulers of the Yuan Dynasty (1280–1368) in the 14th century.[6] As group gatherings were banned, it was impossible to make plans for a rebellion.[6] Noting that the Mongols did not eat mooncakes, Liu Bowen (劉伯溫) of Zhejiang Province, advisor to the Chinese rebel leader Zhu Yuanzhang, came up with the idea of timing the rebellion to coincide with the Mid-Autumn Festival. He sought permission to distribute thousands of moon cakes to the Chinese residents in the city to bless the longevity of the Mongol emperor. Inside each cake, however, was inserted a piece of paper with the message: "Kill the Mongols on the 15th day of the 8th month" (traditional Chinese: 八月十五殺韃子; simplified Chinese: 八月十五杀鞑子).[6] On the night of the Moon Festival, the rebels successfully attacked and overthrew the government. What followed was the establishment of the Ming Dynasty (1368–1644), under Zhu. Henceforth, the Mid-Autumn Festival was celebrated with moon cakes on a national level.
Since the middle of the 1980s, Taiwanese started the trend of barbecuing with friends and family at the Mid-Autumn Festival. This trend traces from different statements, some say that it started because of the boost of commercial companies, others say that it is because people usually get hungry when they are watching the moon, so outdoors barbecue has become widespread among people. However, the take-off of the Taiwanese economy and the influence of western life styles was also a reason which made people change their traditional customs. Mooncakes are typically round but smaller, with less elaborate fillings. More recently, some versions of the cake from Hong Kong seem to be gaining popularity.
The Mid-Autumn festival is named "Tết Trung Thu" in Vietnamese. [7]
The Vietnamese version of the holiday recounts the legend of Cuội, whose wife accidentally urinated on a sacred banyan tree. Soon after desecrating the tree, she sat on one of the tree branches and the sacred tree began to grow and continued until it finally reached the moon, leaving Cuội's wife stranded there. Every year, during the Mid-Autumn Festival, children light lanterns and participate in a procession to show Cuội's wife the way back to Earth.[8]
In Vietnam, Mooncakes are typically square rather than round, though round ones do exist. Besides the indigenous tale of the banyan tree, other legends are widely told including the story of the Moon Lady, and the story of the carp who wanted to become a dragon.[8]
One important event before and during the Vietnamese Mid-Autumn Festival are lion dances. Dances are performed by both non-professional children's groups and trained professional groups. Lion dance groups perform on the streets, going to houses asking for permission to perform for them. If the host consents, the "lion" will come in and start dancing as a blessing of luck and fortune for the home. In return, the host gives luck money to show their gratitude.
The Mid-Autumn Festival is held on the 15th day of the eighth month in the Chinese calendar, which is in September or early October in the Gregorian calendar. In 2010 the Mid-Autumn Festival fell on September 22. It will occur on these days in coming years:[9]
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