"Masters in This Hall" (alternate title: "Nowell, Sing We Clear") is a Christmas carol with words written around 1860 by William Morris to an old French dance tune. The carol is moderately popular around the world but has not entered the canon of most popular carols.
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The French composer Marin Marais composed the dance for his opera Alcyone of 1706, with the title Marche pour les Matelots.[1][2]
The tune was subsequently included in Raoul Auger Feuillet's 1706 Recueil de contredanse along with a longways proper dance, La Matelotte, which Feuillet had himself written to go with the tune.[3]
In 1710 John Essex (d. 1744) published an English translation of Feuillet's work called, For the Further Improvement of Dancing, in which the dance is given as The Female Saylor.[3]
The words were written around 1860 while William Morris was working as an apprentice in the office of the architect, Edmund Street, presumably under the persuasion of his fellow students who at that time had a taste for part-song.[4]
The architect and musician Edmund Sedding had at one point also been in the office of G. E. Street and he had discovered the tune at a meeting with the organist at Chartes Cathedral.[5] It was included in Sedding's collection of Nine Antient and Goodly Carols for the Merry Tide of Christmas (1860). In 1884 the poet Algernon Charles Swinburne described this carol as "one of the co-equal three finest ... in the language." According to Swinburne, the carol was also included, at his suggestion, in the publisher Arthur Bullen's A Christmas Garland: Carols and Poems from the Fifteenth Century to the Present (1885).[6]
Gustav Holst incorporated the carol into his work Three Carols (1916-17) along with "Christmas Song: On this Day" and "I Saw Three Ships". Holst wrote the Three Carols for amateurs singing in his Thaxted festivals. The carols are all for unison choir with orchestral or organ accompaniment.[7]
"Masters in This Hall" is said to have a sixteenth century feel, harking back to a simpler society, in line with Morris's own romanticism.[5] It also has elements of Morris's socialist beliefs, with the poor bringing news of Christ's birth to the "Masters in this Hall" and a warning to the proud.[8]
In Morris's original version there are twelve verses but today only four or five are sung.[3]
The carol describes a poor man, emphasised by his rural dialect, drawing his master's attention to the birth of Christ by describing how he had met shepherds travelling to Bethlehem in solemn mood where, joining them, he had seen the Christ child in his mother's arms. The chorus repeats how the birth of Christ has raised up the poor and cast down the proud.[3]
First verse and chorus: