| Mary Mackey | |
|---|---|
| Born | Indianapolis, Indiana |
| Nationality | American |
| Education | BA Harvard College PhD. University of Michigan |
| Occupation | Poet, Novelist |
| Spouse | Angus Wright |
| Website | |
| Mary Mackey's homepage | |
Mary Mackey is an American novelist, poet, and academic.
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Mackey was born in Indianapolis, Indiana. Her father was a physician. Her mother worked as a chemist in the Mead Johnson laboratories during World War II.[1] While attending Harvard College, Mackey, an English major, came under the influence of the father of modern ethnobotany, Richard Evans Schultes to whom she attributes a life-long interest in botany and ecology, themes which often appear in her novels and poetry.[2] During her twenties, she lived in field stations in the then-remote jungles of Costa Rica.[3] After receiving her Ph.D. in Comparative Literature from the University of Michigan, she moved to California to become Professor of English and Writer-in-Residence at California State University, Sacramento (CSUS). She is married to Angus Wright,[4] CSUS Emeritus Professor of Environmental Studies, with whom she frequently travels to Brazil.[5]
Mackey was one of the founders of the CSUS Women’s Studies Program.[6] She also founded the CSUS English Department Graduate Creative Writing Program along with poet Dennis Schmitz and novelist Richard Bankowsky. In 1978 Mackey founded the Feminist Writers Guild with poets Adrienne Rich and Susan Griffin and novelist Valerie Miner.[7] From 1989-1992, Mackey served as President of the West Coast Branch of PEN American Center involving herself in PEN’s international defense of persecuted writers.[8] Mackey retired from California State University in 2008. As of 2011, she continues to write novels and poetry.[9]
Mackey is the author of thirteen novels and six collections of poetry. She is noted for her historical fiction, particularly for The Year The Horses Came, The Horses At The Gate, and The Fires of Spring, a trilogy set in Neolithic Europe which Mackey based on the research of archaeologist Marija Gimbutas. She is also noted for her lyric poetry which has been praised by Wendell Berry, Jane Hirshfield, Dennis Nurkse, Ron Hansen, Dennis Schmitz, and Marge Piercy for its beauty, precision, originality, and extraordinary range.[10]
Her first novel, Immersion (Shameless Hussy Press, 1972) is set in the rain forests of Costa Rica. It takes as its subjects ecology and feminism, and is believed to be the first feminist novel published by a Second Wave American feminist press.[11] McCarthy’s List is a comic novel set in Indianapolis in the 1950s. The Last Warrior Queen retells the myth of Inanna, the Sumerian goddess of sexual love, fertility, and warfare. A Grand Passion[12] and The Kindness of Strangers are set in Europe and take as their subject three generations of women involved in the arts.[13] Three of Mackey’s novels (The Year The Horses Came, The Horses At The Gate, and The Fires of Spring) comprise her Earthsong Trilogy. Set in Europe in the Neolithic Period, they deal with struggles between matristic earth-centered goddess-worshipping cultures and invading patriarchal nomads. Mackey’s Season of Shadows is set at Harvard in the late 60’s and deals with various political issues such as the Civil Rights Movement and protests against the United States' involvement in the Vietnam War. In 2003 and 2004, in a departure from her previous styles and themes, Mackey chose to write The Stand-In and Sweet Revenge under the pen name “Kate Clemens.”[14] Both are comic novels set in Los Angeles. Most recently she has written two Civil War novels, The Notorious Mrs. Winston and The Widow’s War,[15] set in Indiana and Kansas respectively.
Mackey’s poetry is hard to classify. Critics have called it “fierce,” “surreal,” and “ecstatic,” “passionately transcendent,” and “corrosive,” and noted her “hallucinatory troping” which is “continually deconstructing rational consciousness.”[16] In speaking of Mackey’s collection Breaking The Fever, poet Jane Hirshfield noted: “The poetry in Breaking the Fever offers truths both personal & political, visions both actual and imaginatively broad …, set down with a sensuous, compassionate, and utterly unflinching eye.”[17] On several occasions, Garrison Keillor has read Mackey’s poems on his daily on-line, radio, and podcast The Writer’s Almanac. In October 2011, Marsh Hawk Press published Mackey’s sixth collection of poetry, Sugar Zone. Mackey has said that the poems in Sugar Zone are inspired by the works of Brazilian novelists and poets, and that they “combine Portuguese and English as incantation to evoke the lyrical space that lies at the conjunction between the two languages.”[18]