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Life Remembrance Perspectives |
Marsiya (Marsia) (Persian: مرثیہ) is an elegiac poem written (especially in Persia and India) to commemorate the martyrdom and valour of Hussain and his comrades of the Karbala.[1] They are essentially religious.[1]
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The word ‘Marsiya’ is derived from the Arabic word ‘Risa’, meaning a great tragedy or lamentation for a departed soul.[2]
Marsiya (or elegy), is nearly always on the death of Hasan and Hussein and their families, but occasionally on the death of relatives and friends. It is usually in six-lined stanzas with the rhyme aaaabb. The recitation of these elegies in the first ten days of Muharram is one of the greatest event in Muslim life. A fully developed marsiya is always an epic.[3]
This form found a specially congenial soil in Lucknow, chiefly because it was one of the centres of Shia Muslim communities in Indian sub-continent, which regarded it an act of piety and religious duty to eulogies and bemoan the martyrs of the battle of Karbala. The form reached its peak in the writing of Mir Babar Ali Anis. Marsia is a poem written to commemorate the martyrdom of Ahl al-Bayt, Imam Hussain and Battle of Karbala. It is usually a poem of mourning. and Even a short poem written to mourn the death of a friend can be called marsia. Lord Alfred Tennyson's poem 'In Memoriam' can rightly be called marsia. The sub-parts of marsia are called noha and soz which means lamentation and burning of (heart) respectively.[4]
The famous marsia writers in Urdu are Mir Babar Ali Anis, Mir Moonis, Salamat Ali Dabeer, Mir Zameer.[2]
Mir Babar Ali Anis a renowned Urdu poet, composed salāms, elegies, nauhas, quatrains. While the length of elegy initially had no more than forty or fifty stanzas, it now was beyond one hundred fifty or even longer than two hundred stanzas or bunds, as each unit of marsia in musaddas format is known. Mir Anis has drawn upon the vocabulary of Arabic, Persian, Urdu/Hindi/Awadhi in such a good measure that he symbolizes the full spectrum of the cultural mosaic that Urdu has come to be.[5] [2]
Muharram and Mir Anis have become synonymous among Urdu lovers of the Indo-Pak subcontinent.
The first major and still current critical articulation about Mir Anis was Muazna-e-Anis-o-Dabir (1907) written by Shibli Nomani in which he said "the poetic qualities and merits of Anis are not matched by any other poet".
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