Part of a series on |
|
|---|---|
| Architecture | |
|
Arabic · Azeri |
|
| Art | |
|
Calligraphy · Miniature · Rugs |
|
| Dress | |
|
Abaya · Agal · Boubou |
|
| Holidays | |
|
Ashura · Arba'een · al-Ghadeer |
|
| Literature | |
|
Arabic · Azeri · Bengali |
|
| Martial arts | |
| Music | |
| Dastgah · Ghazal · Madih nabawi |
|
| Theatre | |
|
Islam Portal |
|
|
A series of articles on |
|
|
Life Career Miracles Views by subject Succession Praise Perspectives |
Madih nabawi one of the principal religious genres of Arabic music, is a song form devoted to eulogizing or rather praising the Prophet Muhammad and his family. The genre dates from 632 CE, immediately after the death of Muhammad, but the performers address Muhammad as if he were still alive. It is also Sufi genre of belletristic Arab literature (Touma 1996, p. 161).
A typical musical performance features a skilled solo maqam singer assisted by a chorus of eight to sixteen men. The chorus sings in unison and a new verse of poetry and prayers or blessings for the audience are added at certain places during the chorus. In North Africa, it resembles ma'luf or andalusi nubah, in Egypt the dur, in Syria the muwashshah, and in Iraq the maqam al-iraqi (ibid, p. 159).
Musical genres or subgenres in the madih repertoire include tanzilah ("revelation"), ibtihal ("supplication"), tawassul ("beseechment"), tawshih, and muwashshah. A typical performance includes a solo singer accompanied by a chorus of men with frame drums, the chorus singing a refrain which the soloist improvisationally answers through variation, paraphrasing, or transformation of the refrain, emphasising the characteristics of the respective maqam row or scale (ibid, p. 162).