| Lets Get Killed | ||||
|---|---|---|---|---|
| Studio album by David Holmes | ||||
| Released | 8 September 1997 | |||
| Genre | Electronica | |||
| Length | 59:45 | |||
| Label | Go! Beat | |||
| Producer | David Holmes, Jagz Kooner, Gary Burns, Keith Tenniswood, Richie Fermie, Tim Goldsworthy | |||
| David Holmes chronology | ||||
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Lets Get Killed is the second studio album by Belfast electronica DJ and producer David Holmes. It was released in the UK on 8 September 1997 through Go! Beat Records and contained two UK Top 40 singles: "Don't Die Just Yet" and "My Mate Paul".[1][2] The album also includes a re-working of the James Bond theme, retitled as "Radio 7", and a remake of a Serge Gainsbourg song, "Don't Die Just Yet".[3]
Lets Get Killed was Holmes' first album release in the United States, following the domestic acclaim of his debut long-player This Film's Crap Let's Slash the Seats.
Contents |
Holmes grew up in Belfast, Northern Ireland as the youngest of ten children.[4] By the age of 15 he had begun to DJ in his local pubs and bars, playing soul, jazz, rock and disco. This eclecticism would remain into adulthood, and is a feature of his DJ sets.[5] When he was 17, Holmes visited New York, spending time in the South Bronx, Washington Square and Central Park areas. He took a DAT recorder with him as he explored the city, and taped conversations with many people he spoke to. Holmes kept the recordings for over ten years, using them as the basis for Lets Get Killed.[6]
Lets Get Killed is so called because on one occasion Holmes and his associates were "...chased by eight guys through the South Bronx who were after our expensive audio equipment".[7]
Holmes used the recordings he made in New York of conversations and other street-level noise as samples on the album. These snippets of conversation were often spoken by people from New York's cultural underbelly, including prostitutes, pimps and drug-dealers. The samples were used in between the tracks on the album,and in some cases in the tracks themselves.
The record contains a wide variety of styles within the electronica spectrum, including techno, breaks, trip-hop and drum 'n' bass.[8] David Holmes has produced many film scores, and it has often been said that his studio albums have a cinematic feel to them.[9][10]
David Holmes wrote and produced the majority of the album, apart from "Radio 7" which was written by Monty Norman, and "Don't Die Just Yet", written by Serge Gainsbourg.
Other appearances and credits were:[11]
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | [12] |
| Rolling Stone | [13] |
Lets Get Killed was well-received by critics in general, and the dance music press in particular. Both Jockey Slut and Mixmag awarded it Album of the Month, whilst DJ Magazine gave it a rating of 10/10.
The NME said, "Holmes both evokes the endless possibilities, claustrophobia and madness of The Big Apple and offers a critique....Not bad at all for a trendy DJ", and placed it number 40 in the 1997 Critics Poll. Melody Maker also included it in their end of year poll, this time at number 24.
Rolling Stone magazine and Allmusic both gave the album 3 stars out of 5, with Allmusic saying the "effect created is like that of a soundtrack, and even though Lets Get Killed isn't attached to a film, it flows with energy and grace".[14][15]
Entertainment Weekly rated the album A-minus, saying "Holmes loves airy cinematic beauty, but he tempers it with frisky Latin percussion".[16]
On the strength of the album, Holmes won Best Rock Artist at Ireland's National Entertainment Awards, the first time it was awarded to a dance artist.[17]
Lets Get Killed was included in the book 1001 Albums You Must Hear Before You Die.[18]
Lets Get Killed spent two weeks in the UK Albums Chart, entering at number 34 in its first week. It dropped to number 75 in its second and final week in the chart.[19]
| Year | Single | Chart | Position |
|---|---|---|---|
| 1998 | "Don't Die Just Yet" | UK Top 40[20] | 33 |
| 1998 | "My Mate Paul" | UK Top 40[21] | 39 |
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