| L'Absent | |
|---|---|
Theatrical release poster |
|
| Directed by | Céline Baril |
| Produced by | Céline Baril |
| Written by | Céline Baril |
| Starring | Roland Bréard Bobo Vian |
| Music by | Roland Bréard |
| Cinematography | Céline Baril Michel Lamothe |
| Editing by | Céline Baril Michel Lamothe |
| Distributed by | Cinéma Libre (Quebec) |
| Release date(s) | 1997 |
| Running time | 78 minutes |
| Country | Canada |
| Language | French |
L'Absent (English: The Absent One) is a 1997 Canadian experimental film written and directed by Céline Baril.[1][2][3][4]
The idea for the film was inspired by Baril's discovery in a Paris flea market of a dusty old photo album. Interior scenes, and all exteriors of European cities, including Rome, Vienna, Budapest and Prague, as well as glimpses (footage) of old B&W photos of a family, were shot in 8 mm and blown up to 16 mm for effect.[5]
Contents |
This film tells the story of Paul Kadar, an architect and musician who, en route to Budapest, is overcome by vertigo while contemplating the Danube and throws himself into it. It is an account of the happiness shared by Paul Kadar, his wife Françoise and Roland, their adopted son.[6] Years later, Roland, still unclear as to the circumstances that led his father to drown himself in the Danube, heads to Europe to find out for himself. His journey takes him to such places as Budapest, Warsaw, Prague and even as far as Tokyo.[2]
In August 1997, Brendan Kelly of Variety wrote, "With its snail-like pacing, sub-par acting and underwhelming emotional impact, "The Absent One" is not likely to stir up much interest," and concludes with "Baril moves what little story there is along at an extremely slow speed, further straining viewer patience."[5]