Kingdom Come (comics)

Kingdom Come

Cover to the Absolute Kingdom Come hardcover edition (2006). Art by Alex Ross.
Publication information
Publisher DC Comics
Schedule Monthly
Format Mini-series
Publication date May – August 1996
Number of issues 4
Main character(s) Superman
Batman
Wonder Woman
Captain Marvel
The Spectre
Norman McCay
Creative team
Writer(s) Mark Waid
Alex Ross
Artist(s) Alex Ross
Letterer(s) Todd Klein
Collected editions
Absolute edition ISBN 1401207685
Hardcover ISBN 1563893177
Softcover ISBN 1563893304

Kingdom Come is a four-issue comic book mini-series published in 1996 by DC Comics. It was written by Alex Ross and Mark Waid and painted in gouache by Ross, who also developed the concept from an original idea. Set some twenty years into the future of the then-current DC Universe, it deals with a growing conflict between "traditional" superheroes, such as Superman, Wonder Woman, and the Justice League, and a growing population of largely amoral and dangerously irresponsible new vigilantes. Between these two groups is Batman and his assembled team, who attempt to contain the escalating disaster, foil the machinations of Lex Luthor, and prevent a world-ending superhuman war.

Contents

Development

When comic book artist Alex Ross was working on Marvels, published in 1994, he decided to create a similar "grand opus" about characters from DC Comics. Ross wrote a 40-page handwritten outline of what would become Kingdom Come and pitched the idea to James Dale Robinson as a project similar in scope to Watchmen (1986–1987) and Alan Moore's infamous "lost work" Twilight of the Superheroes. Ultimately, Ross teamed with writer Mark Waid, who was recommended by DC editors due to his strong familiarity with the history of DC superheroes.[1]

Plot

Impending disaster

The story is set roughly a generation after the then-current DC universe. Ten years prior to the start of the story, the Joker massacres the staff of the Daily Planet, killing (among others) Jimmy Olsen, Perry White and Lois Lane. As he arrives for his trial, he is killed by a new superhero named Magog. In an instance of jury nullification, Magog is acquitted for his cold-blooded act, and Superman is appalled by the public embracing a killer as a hero. Already disheartened by Lois Lane's death, Kal-El abandons his life as Superman, retreating to his Fortress of Solitude. He spends the next decade there—all the while, failing to realize his importance/responsibility as a constant inspiration and role model to other superheroes. In the meantime, those other superheroes—equally disturbed at the public's overwhelmingly positive reaction to Magog's actions—withdraw from the world at large, too.

Without the moral compass provided by Superman and his contemporaries, there is little or no distinction between "heroes" and "villains". Metahumans battle openly in the streets without true cause and with no concern for collateral damage or innocent passersby.

The narrator and point of view character of the story is a minister named Norman McCay. McCay is a longtime friend of Wesley Dodds, the original Sandman, now infirm and bedridden. The nightmares that once aided Dodds' crimefighting have become disturbing, apocalyptic visions. McCay, like Dodds' doctors, attribute the visions to senility. When Dodds passes away, his visions are transferred to McCay. Already suffering from a crisis of faith, McCay is convinced he has finally gone insane when the Spectre appears to him. The Spectre, still hosted by Jim Corrigan, but no longer in touch with his humanity, recruits McCay to bear witness, and help him determine the innocent from the wicked and ultimately to pass judgment on the approaching superhuman apocalypse.

The dark state of the world comes to a head when the Justice Battalion, led by Magog, attacks the Parasite with excessive and unnecessary force — they refuse his offers to surrender and deny his pleas for mercy. Parasite panics and tears apart Captain Atom, releasing his nuclear energies and irradiating the entire state of Kansas and parts of the surrounding states, killing millions and taking out a large portion of America's food production.[2]

Second coming of Superman

Coaxed back into action by Wonder Woman, Superman decides to return to Metropolis and re-form the Justice League following the Kansas disaster to rein in the new breed of heroes.[2] He manages to collect former heroes (including Green Lantern, the Flash, Hawkman, and Dick Grayson, now known as Red Robin, among others) and reformed "new heroes", such as Avia (Mr. Miracle and Big Barda's daughter), but Batman, one of the most prominent of the old guard, refuses to join Superman's crusade. Batman believes Superman's idealist notions are outdated and that his interference will only exacerbate the problem. He interprets Superman's plan as an example of the strong exerting their will upon the weak, something to which he will not be party. He instead begins to organize a second group of heroes, made up largely of non-powered heroes like Green Arrow and the Blue Beetle, as well as second and third generation heroes like Jade, daughter of the first Green Lantern, and Zatara, son of Zatanna and grandson of the first generation hero whose name he shares.

Lex Luthor is still alive and well, and has organized the "Mankind Liberation Front". The MLF is primarily a group of Silver Age Justice League villains, including Batman foes Catwoman and the Riddler; Vandal Savage; King, leader of the Royal Flush Gang, as well as third generation villains like Ra's al Ghul's successor, Ibn al Xu'ffasch, who is Bruce Wayne and Talia al Ghul's son. The MLF work to wrestle control of the world away from the heroes.[3]

Pact

Superman's Justice League gathers more captives than converts, and his prison (nicknamed "The Gulag") is filled to capacity almost as soon as it is built. Superman designates Captain Comet as warden and works to persuade the inmates that their methods are wrong-headed and dangerous, but his entreaties fall upon deaf ears. With hostile hero-villains like 666, Kabuki Kommando, and Von Bach locked up together, pressure builds. Meanwhile, Superman, urged on by Wonder Woman, reacts with increasing inflexibility towards the inappropriate behavior of the metahuman community. He learns that Wonder Woman's ardent militant stance may be influenced by her recent exile from Paradise Island: in the eyes of the Amazons, her mission to bring peace to the outside world has failed.

At first, Batman and his cadre of heroes seem to enter into an alliance with the MLF as a united front against the Justice League. In time, Luthor reveals his plan to exacerbate the conflict between the League and the inmates by pitting Captain Marvel against the League, the Gulag and Superman: the ensuing chaos will afford Luthor an opportunity to seize power. Assisted by the Martian Manhunter, Batman discovers that an adult Billy Batson is under the villains' control. Batson, who becomes Captain Marvel when he utters the word "Shazam!", is the one being capable of matching Superman's power.

When the Gulag's inmates riot, killing Captain Comet, Batman's forces ambush Luthor and his conspirators. Batman is unable to restrain the brain-washed Batson, who transforms into Marvel and flies to Kansas. He opens the Gulag and unleashes chaos.

After Captain Comet's murder, Wonder Woman convinces the members of the League to use deadly force to deal with the inmates of the Gulag; Superman still objects. The Justice League clashes with the bloodthirsty inmates, and Superman finds Batman and forces him to recognize that they may very well be facing the end of the world. Superman knows that Batman will act, because his entire crime-fighting life is based upon the desire to prevent the loss of human life. Batman at first justifies inaction by saying the world would be better off if all the world's meta-humans destroyed each other. Superman rejects this notion, pointing out that if all human life is sacred, then logically, that includes super-human life.[4]

Armageddon

Upon arriving at the Gulag, Superman and Captain Marvel battle while the Spectre and Norman look on.[4] Although Batman's forces join the fray, aiding Superman's League in quelling the riot, he also works to restrain Superman from imposing narrow rules upon all metahumans. Batman, wearing an armored battle suit with the power of flight, comes into direct conflict with Wonder Woman, who had killed Von Bach in retaliation for his murder of Captain Comet.

As the conditions worsen, the United Nations Secretary General Wyrmwood authorizes the deployment of three tactical nuclear warheads, hardened against certain metahuman powers. While this action will destroy hero and villain alike, the U.N. feels it has no choice in the matter: if humanity is to survive, metahumanity must be destroyed.

An armored Batman and Wonder Woman clash in the middle of the warzone, taking to the skies, where they see the incoming stealth bombers (piloted by the Blackhawk Squadron) delivering the nuclear bombs. They manage to stop two of them, but the third slips past and drops its payload. Captain Marvel continues to batter Superman by using his magic lightning bolt over and over, but dodging before it hits, leaving Superman to bear the brunt of a magical lightning strike. However, as Marvel says the name again, Superman grabs him and the lightning finds its mark; Marvel turns back into Billy Batson. Holding Batson's mouth shut, Superman tells Batson that he is going to stop the remaining bomb, and Batson must make an important choice: either stop Superman and allow the warhead to kill all the metahumans, or let Superman stop the bomb and allow the metahumans' war to engulf the world. Superman tells Batson he must be the one to make this decision, as he is the only one who lives in both worlds, that of normal humans (as Batson) and the metahuman community (as Marvel).

Superman releases him and flies off to stop the incoming bomb. Batson, his mind now clear of Luthor's influence, says the name, turns into Marvel, flies past Superman, and takes hold of the bomb, having found a third option. Marvel shouts "Shazam!" three more times in rapid succession, and the lightning sets off the bomb prematurely, killing Billy Batson in the process.

Despite Marvel's sacrifice, most of the metahumans are obliterated in the explosion, although some survive beneath a force field generated by Green Lantern and his daughter Jade, and others are teleported away at the last second by Fate. Superman, though outside the force field, is virtually untouched. Giving in to his rage at the tremendous loss of life, he flies to the U.N. Building and threatens to bring it down atop the delegates as punishment for the massacre — not realizing there were survivors at this point — and reacting in such a fearful and cowardly way to the metahuman war. The surviving metahumans arrive, but Norman McCay is the one who talks him down, pointing out how his appearance and behavior are exactly the sort of reasons that normal humans fear the super-powered. Chastised and ashamed, Superman immediately ceases his rampage. He is handed Captain Marvel's cape, the only remnant of the hero, and tells the U.N. representatives that he will use his wisdom to guide, rather than lead, humankind. Superman ties Captain Marvel's cape to a flagpole and raises it among the flags of the member nations of the U.N., suggesting that this role of guidance would be more political and global in nature than the classic crime-busting vigilantism of the past.[5]

Epilogue

In the aftermath of the metahuman civil war, the heroes actively strive to become fully integrated members of the communities they had previously tried to distance themselves from. Masks are abandoned. Wonder Woman's exile from Paradise Island ends, and she becomes an ambassador for super-humanity, taking the survivors of the Gulag to Paradise Island for rehabilitation.

Batman abandons his crusade and becomes a healer, opening his mansion as a hospital to care for those wounded by the destruction of Kansas and the ensuing violence. He also reconciles with both Dick Grayson/Red Robin, and his son Ibn al Xu'ffasch. Superman lashes himself to a giant plow and begins the arduous task of restoring the Midwestern farmlands, devastated in the Justice Battalion's attempt to capture the Parasite. He even comes to terms with his past as Clark Kent by accepting a pair of glasses from Wonder Woman, and shares a kiss with her before she returns to Paradise Island. It is a fitting parallel to the end of the generational conflict that started the war, as both men have come full circle in their lives and adopted the vocations of their fathers; Thomas Wayne, the doctor, and Jonathan Kent, the farmer.

Norman McCay resumes pastorship of his congregation, preaching a message of hope for humanity. Among the congregation is Jim Corrigan, the Spectre's human host.[5] In the novelization, Clark Kent attends a sermon as well.

Collected edition additional scenes

The first additional scene takes place at the end of the second part of the series, when Superman visits Orion on Apokolips wanting his advice for what to do with the captive rogue metahumans. Orion tells Superman to look for Scott Free and Big Barda.

The second additional scene is an epilogue. At Planet Krypton, a theme restaurant owned by Michael Jon Carter, Clark Kent and Diana Prince intend to inform Bruce Wayne they are expecting a child, but Bruce deduces the news before they can tell him. Diana asks Bruce to serve as godfather and mentor to the child. He accepts after Clark states that he believes that Bruce will provide a balancing influence to the child, adding that in spite of their differences over the years he has always trusted Batman.

Characters

During the "Brightest Day" storyline, the White Light contacts Maxwell Lord, showing him the future events of Kingdom Come, and warns him to take steps to stop it; thereby seemingly confirming that the events of Kingdom Come do indeed occur in the mainstream DC Universe at some point.[6]

There are multiple cameo references to Watchmen. The tell-all book Under the Hood, written by Hollis Mason, the original Nite Owl, appears in a bookstore window. Rorschach appears in the background in several panels during a bar scene. Graffiti that says, "Who watches the Watchmen?" appears on a fence.

Superman's Justice League

Many of the members of the re-formed Justice League are either old characters in new forms or brand new adoptions of old names. Partial list:

Batman's "Outsiders"

Batman has formed a group of metahumans, similar to his Outsiders, many of which are second-generation heroes, to combat the Justice League and the Mankind Liberation Front. Playing upon the generational differences between the heroes, five of his heroes are the children of the original Teen Titans, while the Titans have all sided with Superman. Partial list:

Luthor's Mankind Liberation Front

Since Superman's departure ten years ago, Luthor and the MLF have been conducting events behind the scenes in an attempt to destroy metahumans and rule the world at last.

Magog's Justice Battalion

Magog and his followers who are violent vigilantes who deal out "justice" in the form of death to anyone who commits a crime.

Metahumans with heroic legacies

Rogue metahumans

The superbeings of the future who have virtually no regard for human life. Many of them were killed in the Gulag battle, but most have already made their mark in the world as monsters. Listed below are the major, supporting, or otherwise notable characters.

Others

Appearances in mainstream continuity

The Kingdom

Due to the popularity of the series, Mark Waid and Alex Ross began to plot a sequel/prequel titled The Kingdom. Alex Ross' original intent was for Gog to be an alien, twice the size of a human, from the planet Urgrund that split into two and created Apokolips and New Genesis, and that Magog would be the grown son of Superman and Wonder Woman who would be mentored by Gog. Waid and Ross disagreed on several concepts and Ross decided to leave the project.[7]

Without Ross' involvement, Waid continued the story in the New Year's Evil: Gog one-shot. The Kingdom mini-series soon followed, featuring a two-part series and several one-shots focusing on specific characters. The series was used to present Grant Morrison's Hypertime concept.

Thy Kingdom Come

The final issue of 52 reveals that Earth-22 is the designation of the Kingdom Come alternate universe.

In Justice Society of America (vol. 3), a new Starman appears wearing a costume identical to that of the Starman from the Kingdom Come series. It is soon revealed that this individual is indeed the Starman from Kingdom Come, and that he is also Thom Kallor, a native of the planet Xanthu and member of the Legion of Super-Heroes in the 30th and 31st centuries. Due to a time travel error, Starman traveled to Earth-22 before arriving in 21st century New Earth.

The "Thy Kingdom Come" story arc of the Justice Society of America title features the involvement of Alex Ross, as well as the appearance of the Kingdom Come Superman. Seeing the connection between Gog of New Earth and Magog of Earth-22, Superman-22 and the JSA seek to prevent New Earth from going the way of his own world by stopping Gog in his crusade to rid the world of false gods, and before he can choose a successor one day in Magog. The JSA is split in their opinions on Gog; some believe he is truly a benevolent god, while others are suspicious of his true intentions. To prove himself, Gog heals certain JSA members such as Starman, Doctor Mid-Nite, and Damage, and he resurrects Lance from the dead to make him his successor, Magog.

Soon, the JSA learns that Gog is forming a parasitic relationship with the planet Earth where, if he remains long enough, the planet will not be able to survive without him. All of the heroes turn on Gog, and he takes back the gifts he had given them, but he is still defeated. They remove his head, and Superman-22 and Starman take it to the Source Wall. Starman, whose costume has the power to transport people throughout the Multiverse, sends Superman back to Earth-22. He arrives in time to see the carnage caused by Captain Marvel detonating the bomb. The events of Kingdom Come continue from there and conclude in its entirety, except that it ends with several scenes depicting Superman and Wonder Woman's life as a couple and the legacy Superman leaves to his Earth.

Alex Ross states that this story is not intended as a sequel to Kingdom Come as that would negate the purpose of the original story.[8]

Justice League: Generation Lost

A major subplot of Judd Winick and Keith Giffen's 2010 maxi-series, Justice League: Generation Lost concerns the events of Kingdom Come. The story sees Maxwell Lord being tasked by the Entity with stopping Magog before he can inadvertently trigger an apocalyptic war between Earth's superhumans, which ultimately brings Magog and Lord into conflict with Justice League International. To drive the point home, the Entity shows Lord a series of visions taken directly from Kingdom Come, including Magog and the Justice Battalion attacking Parasite.

Collected editions

A boxed-set of the four individual issues was packaged in a die-cut cardboard sleeve with a Skybox trading card, part of a short-lived experimental program to package comics for resale at Toys R Us and other mass market retailers.

The original trade paperback collected the entire series along with twelve additional pages by Ross, including the epilogue. Promotional artwork and sketches of the major characters were also included. The trade was also printed as a hardback (without dustjacket) by Graphitti Designs.

A separate deluxe, slip-cased two-volume hardback edition, also co-published by DC and Graphitti Designs added a second volume (entitled Revelations) to the text, containing further sketches and developmental artwork from Ross, showing the development of the character designs and the storyline.

Elliot S. Maggin wrote the novelization which was published by Warner Aspect as a hardback, and (in limited numbers) a slip-cased, signed edition. It fleshes out characters such as Magog, the world leaders, and the Batman/Ib'n connection. The book contains four new color pages by Ross, as well as four black and white sketches of the major players.

A 1998 special from Wizard magazine contained the original proposal for the series by Ross, providing notes on what was changed and why. Ross' comments on The Kingdom were also included.

DC released an Absolute Kingdom Come hardcover edition in 2006. It collected the entire series in a significantly larger page format, along with interviews with Waid and Ross, character artwork, sketches and a complete annotation for the series.

Spin-offs

Audio play

Hachette Audio released an audio dramatization of the story, adapted from the novelization, featuring the voice talent of Mike Mearian, Don Peoples, Garet Scott, John Cunningham, Kent Broadhurst, Jeff David, Chuck Cooper, Harry Goz, Barbara Rosenblat, Craig Zakarian, Mike Arkin, Bob Lydiard, Peter Newman, Birgit Darby, Mark Finley, Igot Goldin, Macintyre Dixon, and Chloe Patellis, along with the guest voices of Dennis O'Neil, Mark Waid, Mike Carlin, Dan Raspler, Charles Kochman, Peter Tomasi, Greg Ross, Janet Harney, Elisabeth Vincentelli. The music for the audio version was composed by John Bauers.

The Comicology Kingdom Come Companion

In January 1999, Harbor Press published the first (special) issue of their comics magazine Comicology. The 272-page Comicology: Kingdom Come Companion, edited by Brian Lamken, focused heavily on Kingdom Come, featuring an A-Z of almost everything with extensive illustrations by Ross and various other commentary on the mini-series. It was the subject of a swift cease-and-desist notice from DC, objecting that the volume "constitute[d] an unauthorized derivative work that infringe[d] upon [DC's] copyrights, violates [their] trademark rights, and misappropriates [their] good will."[9] Lamken acquiesced to the recall, despite protesting that DC had prior knowledge of the project. It is likely that the similarities between the material contained in the Revelations volume (available only with the purchase of the considerably-more-expensive Graphitti/DC two-volume set) contributed to the recall of the Comicology volume. The recall made the Companion arguably the most difficult Kingdom Come item to find.

Trading cards

In 1996, Fleer/Skybox released a set of trading cards based on Kingdom Come, entitled Kingdom Come eXtra. Alongside the 50 basic cards, featuring art by Ross and text by Waid, there are 15 "sketchboard" cards, 3 "Kingdom Classics" (featuring Superman, Batman and Wonder Woman in iconic poses), 6 "Alex Ross Original" cards, and some rarer autograph cards.

Action figures

DC Direct (The exclusive collectibles division of DC Comics) has produced 3 waves of action figures based on Kingdom Come's artwork. The first wave of figures included Superman, Wonder Woman, Green Lantern and Hawkman. The second wave included Batman, Red Robin, Captain Marvel and Kid Flash. The last wave included Magog, Flash, Armored Wonder Woman and Deadman. An exclusive figure of Red Arrow was released through ToyFare magazine. DC Direct also released several other characters through their Elseworlds toylines. These figures included The Spectre, Norman McCay, Jade, Nightstar, Aquaman and Blue Beetle. An updated version of Kingdom Come Superman was released in JSA series2 which was based on the covers that Alex Ross worked on.

References

  1. ^ Ross, Alex (May 10, 2006). "Alex Ross: Inside the Artist's Gallery". Wizard Entertainment. Archived from the original on September 30, 2007. http://web.archive.org/web/20070930153829/http://www.wizarduniverse.com/magazine/wizard/000062004.cfm. Retrieved August 3, 2007. 
  2. ^ a b Kingdom Come #1 (May 1996)
  3. ^ Kingdom Come #2 (June 1996)
  4. ^ a b Kingdom Come #3 (July 1996)
  5. ^ a b Kingdom Come #4 (August 1996)
  6. ^ Justice League: Generation Lost #10 (November 2010)
  7. ^ Ross, Alex (November 2005). Mythology: The DC Comics Art of Alex Ross. Pantheon. ISBN 978-0375714627. 
  8. ^ Justice Society of America: Kingdom Come Special - Superman (January 2009). p. 25.
  9. ^ "Harbor Press calls an end to Comicology’s coverage of Kingdom Come". Sequential Tart. http://www.sequentialtart.com/archive/mar99/pr.shtml#harborpress. Retrieved January 12, 2008.