| Judee Sill | |
|---|---|
| Birth name | Judith Lynn Sill |
| Born | October 7, 1944 in Oakland, California |
| Died | November 23, 1979 (aged 35) in North Hollywood, Los Angeles, California |
| Genres | Folk, baroque pop |
| Instruments | Guitar, piano, bass guitar[1] |
| Labels | Asylum |
Judee Sill (born Judith Lynn Sill, October 7, 1944 – November 23, 1979) was an American singer and songwriter. The first artist signed to David Geffen's Asylum label, she released two albums, then worked briefly as a cartoonist[2] before dying of drug abuse in 1979.[3] Her eponymous debut album was released in late 1971 and was followed around eighteen months later by Heart Food. She also recorded demos for a third album in 1974, which were released with other rarities on the 2005 two-disc collection Dreams Come True.
Sill was heavily influenced by Bach's metric forms and suites, while lyrically her work drew substantially on Christian themes of rapture and redemption.
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Sill's father, an importer of exotic animals for use in films, and older brother both died in separate incidents when she was young. Her mother subsequently married Tom and Jerry animator Kenneth Muse in 1952.
Sill returned to the West Coast where she encountered Graham Nash and David Crosby and toured with them for a time as their opening act. After some initial interest from Atlantic Records[4] David Geffen offered her a contract with his new Asylum label. She sold her song "Lady-O" to The Turtles. She was featured on the cover of Rolling Stone.
Graham Nash produced the first single for her first album, "Jesus was a Cross Maker", which was released to radio on October 1, 1971. The album Judee Sill soon followed in October 1971. The album featured Sill's voice in multiple overdubs, often in a four-part chorale or fugue. She worked with engineer Henry Lewy.
Sill recorded her second and last album, Heart Food. Sill took over orchestrating and arranging Heart Food which included "The Donor".
Following a series of car accidents and failed surgery to rectify a painful back injury,[5] Sill struggled with drug addiction and dropped out of the music scene, finally dying of a drug overdose, or "acute cocaine and codeine intoxication," on November 23, 1979 at her apartment on Morrison Street in North Hollywood. Sill's ashes were scattered into the Pacific Ocean following a ceremony organised by a few close friends at the Self-Realization Fellowship in Pacific Palisades.[6]
Jim O'Rourke mixed the posthumous collection of unreleased material, Dreams Come True. Her two original albums have been reissued as a double CD with a number of live recordings and demos as bonus tracks.
Cass Elliot from The Mamas & the Papas recorded "Jesus was a Cross Maker" for her debut self-titled solo album for RCA in 1971. The arrangement by Benny Golson remains faithful to the original Graham Nash arrangement while adding a decidedly jazz-after-midnight feel to the folk-rock original. Elliot herself proves more than capable of handling the various elements to the arrangements.
The song was recorded in 1973 by Graham Nash's former band The Hollies, although Nash had no part in their recording. The Hollies' version appears in the opening sequence of Cameron Crowe's film Elizabethtown.
Seattle-based folk group Fleet Foxes perform "Crayon Angels" at their concerts. American singer-songwriter Warren Zevon recorded "Jesus was a Cross Maker" for his 1995 album, Mutineer.
Another version covered by American singer-songwriter Rachael Yamagata is featured in the film's soundtrack. Gospel rocker Larry Norman covered the song but retitled it as "Sweet Silver Angels". The song was released on the Essential 2: Agitator CD.
Scottish Celtic-Soul singer Jackie Leven's 2006 album Oh What a Blow That Phantom Dealt Me! contains a song entitled "The Silver In Her Crucifix (Homage To Judee Sill)", which includes the lines: "and Judee Sill just stood there/with a gold key in her heart/and the silver in her crucifix/kept warring worlds apart/that's why I love Judee Sill.../and I know I always will."
In 1983, Chicago-based lesbian-feminist singer Ginni Clemmens released an album entitled Lopin' Along Thru the Cosmos (reissued in 1992 on the Flying Fish label) which included cover versions of "Lady-O" and "Lopin' Along Thru the Cosmos."
In 1991, English singer-songwriter Judie Tzuke released an album on Columbia called Left Hand Talking, which included a cover version of "Jesus was a Cross Maker".
In 1994, singer-songwriter singer Shawn Colvin recorded "There's a Rugged Road" on her Cover Girl album.
Linda Ronstadt covered "Jesus was a Cross Maker" but re-titled it "Bandit & a Heartbreaker"; it was released on her Elektra box set in 1999.
A book called New Rock Record by Terry Hounsome, published in 1981, lists a third album Tulips From Amsterdam.
In 2009, the independent label American Dust announced the release of Crayon Angel: A Tribute to the Music of Judee Sill, featuring covers of Sill's songs done by Beth Orton, Bill Callahan, Ron Sexsmith, Daniel Rossen, Final Fantasy, Marissa Nadler and Meg Baird, among others.[7]
Singer songwriter Tanita Tikaram says that "Jesus was a Cross-Maker" is a song with which she is obsessed.
In the 2010 film Greenberg, the lead female character Florence, played by Greta Gerwig, sings Sill's song "There's a Rugged Road." Gerwig sang this herself. The song did not appear on the "Greenberg" soundtrack CD.