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Joachim Werneburg (born July 15, 1953 in Erfurt, Germany) studied theoretical electrotechnology at University of Ilmenau, lives in Weimar, writes lyric poetry and short prose.
With his poems Joachim Werneburg created a mythology for Thuringia in regard to geology, flora and fauna. He drew poetic excursions to prehistorical, medieval time and discovered that area by the creative conflict between Slavic immigration (Wends) and western conquests (by the Merovingians). The spirit of GDR time was captured in several epigrams (“Thuringian Sea”).
In later works Werneburg enlarged his ‘central European’ approach of “Thuringian Sea” by “Bohemian Jewel Stones”, the world of ancient Scythians or – after Fall of the Wall – by the landscapes of Provence and Cornwall. In pulsative poetic returns he came back to Thuringia (“The Aeon of the Lizard”).
In his works Werneburg continued this kind of interplay since 1997, issuing the landscapes of the antique Middle- and Southern Italy, the Greek Islands or the ancient Celtic Wales. One Andalucian poetry cycle includes Islamic motives; a journey on the chthonian Nile presents the Ancient Egypt. Elegies of a nature lyric content lead back to the social environment of the author (“The Gorgon’s Dirge”).
In the years 1988/89 Joachim Werneburg drew near the works of the Chinese poet Pe-lo-thien (Bai Juyi, 772–846, Tang Dynasty), and discovered him to be his relative in having similar existential experiences (“Journey to South-East”).
From 1979 to 1994 the artist Walter Werneburg, the author’s father, created coloured artist prints related to 21 poetry cycles. They were presented in several exhibitions. Those works were completely published in the book "Die Rabenfibel" (2010). The book “Word and Swinging Line” (1997, 2010) reports about that artistic collaboration.
While cruising the shallows of “Thuringian Sea“, Joachim Werneburg wrote a logbook: “The Copper Mine, Fragments” (Chronicles of the years 1977 to 1989). “Notes on the Rock’s Face” are from the first years after Fall of the Wall (1990 to 1995).
Works
- Lyrics
- Thüringer Meer 1986, extended 1991, (Thuringian Sea)
- Die Schlangenfüßige Göttin 1993, (Snake Fooded Godness)
- Das Zeitalter der Eidechse 2002, (The Aeon of the Lizard)
- Die Klage der Gorgonen 2008, (The Gorgon’s Dirge)
- Die Schlangenfüßige Göttin 2009, (Snake Fooded Godness)
- Die Rabenfibel 2010, (The Raven´s Fibula)
- Prose
- Kupferbergwerk 1997, (Copper Mine)
- Wort und geschwungene Linie 1997, (Word and Swinging Line)
- Notizen auf der Felswand 1998, (Notes on the Rock’s Face)
- Free adaptation
- Die Reise nach Südost 1991, (Journey to South-East).
Literature
- Fechner D. & Völkerling H. (Hrsg.). "Thüringer Autoren der Gegenwart". Quartus-Verlag, Bucha 2003
- Agthe, K. "Zu Gedichten von Joachim Werneburg". In: Schüly, W. Natursprache, Arnshaugk, Grimma 2009
- Agthe, K. "Das Hohelied des Mythos". Palmbaum - Literarisches Journal für Thüringen: 2/2008
- Bigalke, D. Review on the book "Das Zeitalter der Eidechse". Webcritics 2008 [1]
- Bigalke, D. Review on the book "Die Klage der Gorgonen". Webcritics 2008 [2]
References
External links
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Werneburg, Joachim |
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| Date of birth |
July 15, 1953 |
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