| James Newton Howard | |
|---|---|
James Newton Howard at premiere of The Dark Knight. |
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| Background information | |
| Born | June 9, 1951 Los Angeles, California, United States |
| Genres | Film scores |
| Occupations | Composer, musician, songwriter |
| Years active | 1983–present |
| Associated acts | Hans Zimmer, Elton John |
James Newton Howard (born June 9, 1951) is an American composer best known for his scores to motion pictures. He is one of the most popular and respected composers for cinema, and has scored over 100 films. The recipient of eight Academy Award nominations, some of Howard's best known film scores include The Prince of Tides (1991), The Fugitive (1993), Dinosaur (2000), King Kong (2005), I Am Legend (2007), and, most recently Green Lantern (2011). He is also known for his collaboration with director M. Night Shyamalan, having scored all his films since The Sixth Sense (1999).
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Howard was born in Los Angeles, California. Throughout his career as a composer/musician/songwriter, he has scored films of all scales and genres, earning multiple award nominations for his work. Howard began studying music as a child and went on to attend the Thacher School in Ojai, California, the Music Academy of the West in Santa Barbara, California, and then majored in piano performance at the University of Southern California.[1]
After Howard left college, he toured with Elton John as a keyboardist during the late 1970s and early 1980s (he was part of the band that played behind John in Central Park, New York, on Sept. 13, 1980). Howard also arranged strings for several of Elton's songs during this period including on the hits "Don't Go Breaking My Heart" and "Sorry Seems To Be The Hardest Word", as well as playing additional keyboards and synthesizers on several of Elton's studio albums, including "Rock of The Westies" (1975), "Blue Moves" (1976), "21 At 33" (1980), and "The Fox" (1981).
After his tenure with John, Howard toured briefly with Crosby, Stills and Nash before moving into film music in the mid-1980s. Howard did, however, return for a brief collaboration with Elton John on his Tour De Force of Australia at the fall of 1986. Howard conducted both his own and Paul Buckmaster's arrangements during second half of the set, which focused on orchestrated performances of selected songs from John's catalog. (Interestingly, most of Howard's film scores are conducted by others.)
Twenty-five years after the death of his father, Howard learned from his grandfather that the paternal side of his family was of Jewish heritage[2][3]
Howard scored the surprise blockbuster romantic comedy Pretty Woman (1990) and received his first Academy Award nomination for his score for Barbra Streisand's drama The Prince of Tides (1991). Setting the musical mood for numerous films throughout the decade, Howard's skills encompassed a plethora of genres, including four more best original score Oscar nominations, for the Harrison Ford action feature The Fugitive (1993), the Julia Roberts romantic comedy My Best Friend's Wedding (1997), M. Night Shyamalan's The Village (2004) and most recently, Michael Clayton (2007). In addition, Howard scored the Western epic Wyatt Earp (1994), Kevin Costner's Waterworld (1995), and Primal Fear (1996). His collaborations on tunes for One Fine Day (1996) and Junior (1994) garnered Best Song nods. Along with scoring such smaller, character-driven films as Five Corners (1988), Glengarry Glen Ross (1992), and American Heart (1993), Howard proved equally skilled at composing for big-budget Hollywood spectacles, including Space Jam (1996), Dante's Peak (1997) (theme only - score was composed by John Frizzell), and Collateral (2004). He has also scored three Disney feature films which are Dinosaur (2000), Treasure Planet and Atlantis: The Lost Empire. Though he concentrated primarily on films, Howard has also contributed music for TV series, earning an Emmy nomination in 1995 for his theme to NBC's ratings smash ER (Howard also scored the two-hour pilot); he also provided the themes for The Sentinel and Gideon's Crossing, winning an Emmy for the latter.
He has scored all of Shyamalan's suspense thrillers, The Sixth Sense (1999), Unbreakable (2000), Signs (2002), The Village (2004), Lady in the Water (2006), and The Happening (2008), notably dropping the intense, yet subtle, opening credit music for The Sixth Sense from the corresponding soundtrack album.
Howard is now one of the most recognized composers for film.[4] On October 14, 2005, it was officially announced that James Newton Howard would replace Howard Shore as composer for King Kong, due to "differing creative aspirations for the score" between Shore and director Peter Jackson.[5] The resultant score earned Howard his first Golden Globe nomination for Best Original Score. His work on Michael Clayton earned him an Oscar nomination. He followed in 2008 with his eighth Oscar nomination for Edward Zwick's Defiance. He also collaborated with Hans Zimmer on the scores for Batman Begins and its record-breaking sequel The Dark Knight.
Some of his most recent works are The Happening, his sixth film with M. Night Shyamalan, Blood Diamond, Michael Clayton, The Water Horse, I Am Legend, Charlie Wilson's War, and the M. Night Shyamalan film adaptation of the Nickelodeon series "Avatar: the Last Airbender." Additionally, in a radio interview[6] from early 2008, Howard revealed that he would collaborate with Terrence Malick "in about a year," a project likely to be the director's upcoming Tree of Life (2010). However, it was later revealed that Alexandre Desplat will provide the score.
Howard debuted his work for symphony orchestra, I Would Plant A Tree, in February 2009 as part of the Pacific Symphony's annual American Composers Festival. The debut took place at the Renee and Henry Segerstrom Concert Hall in Costa Mesa, California, with the Symphony under the direction of Carl St.Clair.[7]
In 2009, he was awarded a Grammy along with Hans Zimmer for the soundtrack to The Dark Knight.
After being replaced in later seasons, his original theme song for the hit TV show ER returned for the final episode of the series.
In September 2010 he was appointed visiting professor of media composition at the Royal Academy of Music in London.[8]
| Year | Title | Notes |
|---|---|---|
| 1974 | James Newton Howard | |
| 1983 | James Newton Howard and Friends | Recorded live, direct-to-disc. Features David Paich (keyboards), Steve Porcaro (keyboards), Jeff Porcaro (drums) and Joe Porcaro (percussion). |
| 1986 | Head Office | |
| Wildcats (with Hawk Wolinski) | Soundtrack released by Warner Bros. Records with songs co-written by Howard and one score cue | |
| 8 Million Ways to Die | ||
| Tough Guys | ||
| Nobody's Fool | ||
| 1987 | Campus Man | |
| Five Corners | Soundtrack released by Varèse Sarabande | |
| Russkies | Soundtrack released by Varèse Sarabande | |
| 1988 | Promised Land | Soundtrack released by Private Music |
| Off Limits | Soundtrack released by Varèse Sarabande | |
| Some Girls | ||
| Go Toward the Light | television film | |
| Everybody's All-American | Soundtrack released by Capitol Records with one song co-written by Howard; no score included | |
| 1989 | Tap | Soundtrack released by Epic Records with one song co-written by Howard; no score included |
| Men | TV series pilot and theme | |
| Major League | Soundtrack released by Curb Records with two songs co-written by Howard and two score cues | |
| The Package | Soundtrack released by Prometheus Records | |
| 1990 | The Image | television film |
| Coupe de Ville | ||
| Pretty Woman | Cue "She Rescues Him Right Back" written by Thomas Pasatieri. Soundtrack released by EMI America; no score included |
|
| Revealing Evidence: Stalking the Honolulu Strangler | television film | |
| Flatliners | ||
| Somebody Has to Shoot the Picture | television film | |
| Marked for Death | Soundtrack released by Delicious Vinyl with one score cue | |
| 3 Men and a Little Lady | Soundtrack released by Hollywood Records with 20 mins. of score | |
| Descending Angel | television film | |
| 1991 | King Ralph | |
| Guilty by Suspicion | Soundtrack released by Varèse Sarabande with 13 mins. of score End Title composed with Alan and Marilyn Bergman One of the few James Newton Howard film scores to be conducted by the composer |
|
| Dying Young | Soundtrack released by Arista Records with 28 mins. of score | |
| The Man in the Moon | Soundtrack released by Reprise Records | |
| My Girl | Soundtrack released by Columbia Records with one score cut | |
| Grand Canyon | Soundtrack released by Milan | |
| The Prince of Tides (Oscar Nomination) | Replaced John Barry Soundtrack released by Columbia Records with 44 minutes of score Includes song co-written by Howard and performed by Barbra Streisand not used in the film |
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| 1992 | A Private Matter | television film |
| Diggstown | Soundtrack released by Varèse Sarabande; conducted by Howard | |
| 2000 Malibu Road | TV series theme | |
| Glengarry Glen Ross | Soundtrack released by Elektra with just over 16 mins. of score; conducted by Howard | |
| American Heart | ||
| Night and the City | Soundtrack released by Hollywood Records with two songs co-written by Howard and one score cue | |
| 1993 | Alive | Soundtrack released by Hollywood Records |
| Falling Down | Replaced Graeme Revell Score may be conducted by Howard (no conductor credited on the film) |
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| Dave | Soundtrack released by Big Screen Records; cover erroneously credits Howard as the conductor (score actually conducted by Marty Paich) | |
| The Fugitive (Oscar Nomination) | Soundtrack released by Elektra; complete score later released by La-La Land | |
| The Saint Of Fort Washington | Soundtrack released by Varèse Sarabande | |
| 1994 | Intersection | Soundtrack released by Milan |
| Wyatt Earp | Soundtrack released by Warner Bros. Records | |
| ER (Emmy Nomination) | TV series theme and pilot score Soundtrack released by Atlantic Records with Howard's theme in TV and complete versions |
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| Junior (Oscar Nomination) | Soundtrack released by Varèse Sarabande | |
| 1995 | Just Cause | Soundtrack released by Varèse Sarabande |
| Outbreak | Soundtrack released by Varèse Sarabande | |
| French Kiss | Soundtrack released by Mercury Records with one score cue | |
| Waterworld | Replaced Mark Isham (who did only demos) Soundtrack released by MCA |
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| Restoration | Soundtrack released by Milan with 44 minutes of score | |
| 1996 | Eye for an Eye | |
| The Juror | Replaced John Barry |
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| Primal Fear | Soundtrack released by Milan with 28 and a half minutes of score | |
| The Trigger Effect | ||
| The Rich Man's Wife | Theme only; score by John Frizzell | |
| Space Jam | Separate score and song albums released by Atlantic Records Song album includes one track co-written by Howard |
|
| One Fine Day | Soundtrack released by Columbia Records with a song co-written by Howard and one score suite | |
| The Sentinel | TV series theme Soundtrack released by Sonic Images with Howard's theme in main and end title versions |
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| 1997 | Dante's Peak | Theme and some cues; majority of score by John Frizzell Soundtrack released by Varèse Sarabande |
| Liar Liar | Theme only; score by John Debney Soundtrack released by MCA |
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| Fathers' Day | ||
| My Best Friend's Wedding (Oscar Nomination) | Soundtrack released by Sony/Work with one score suite For Your Consideration promo with just over 24 minutes issued |
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| The Devil's Advocate | Soundtrack released by TVT with just over 39 minutes of score | |
| The Postman | Soundtrack released by Warner Bros. Records with just under 50 minutes of score | |
| 1998 | From the Earth to the Moon | Score for part 6: "Mare Tranquilitatis" Soundtrack released by Epic Soundtrax with period pop songs and Michael Kamen's opening and closing theme music; no episode scores |
| A Perfect Murder | Soundtrack released by Varèse Sarabande | |
| 1999 | Runaway Bride | Soundtrack released by Sony; no score |
| Stir of Echoes | Soundtrack released by Nettwerk with 17 and a half minutes of score | |
| The Sixth Sense | Replaced a yet unknown composer Soundtrack released by Varèse Sarabande and Hollywood Records |
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| Mumford | Soundtrack released by Hollywood Records with just under 25 minutes of score | |
| Snow Falling on Cedars | Soundtrack released by Decca Records | |
| Wayward Son (with Steve Porcaro) | ||
| 2000 | Dinosaur | Soundtrack released by Walt Disney Records |
| Gideon's Crossing (Emmy Winner) | TV series theme | |
| Unbreakable | Soundtrack released by Hollywood Records | |
| Vertical Limit | Soundtrack released by Varèse Sarabande | |
| 2001 | Atlantis: The Lost Empire | Soundtrack released by Walt Disney Records 73-minute FYC promo issued |
| America's Sweethearts | Soundtrack released by Atlantic Records with one score suite | |
| 2002 | Big Trouble | |
| Signs | Soundtrack released by Hollywood Records | |
| Unconditional Love | ||
| The Emperor's Club | Soundtrack released by Varèse Sarabande | |
| Treasure Planet | Replaced Alan Silvestri Soundtrack released by Walt Disney Records with about 47 and a half minutes of score |
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| 2003 | Dreamcatcher | Soundtrack released by Varèse Sarabande |
| Peter Pan | "Flying" later used in commercials for Disneyland Paris Soundtrack released by Varèse Sarabande |
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| 2004 | Hidalgo | Soundtrack released by Hollywood Records |
| The Village (Oscar Nomination) | Soundtrack released by Hollywood Records | |
| Collateral (with Tom Rothrock and Antonio Pinto) | Soundtrack released by Hip-O Records with three Howard cues | |
| 2005 | The Interpreter | Soundtrack released by Varèse Sarabande |
| Batman Begins (with Hans Zimmer) | Soundtrack released by Warner Bros. Records | |
| Magnificent Desolation: Walking on the Moon 3D (with Blake Neely) | Theme only; score by Blake Neely | |
| King Kong (with Blake Neely and Chris P. Bacon) | Replaced Howard Shore Soundtrack released by Decca Records |
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| 2006 | Freedomland (with Mel Wesson) | Soundtrack released by Varèse Sarabande |
| Sony Pictures Animation ID | ||
| RV (with Stuart Michael Thomas and Blake Neely) | ||
| Lady in the Water | Soundtrack released by Decca Records | |
| Blood Diamond | Soundtrack released by Varèse Sarabande with 51 and a half minutes of score | |
| 2007 | The Lookout (with Clay Duncan and Stuart Michael Thomas) | Soundtrack released by Hollywood Records as an iTunes exclusive |
| Michael Clayton (Oscar Nomination) | Soundtrack released by Varèse Sarabande | |
| I Am Legend | Soundtrack released by Varèse Sarabande | |
| The Water Horse: Legend of the Deep | Soundtrack released by Sony Classical with 46 minutes of score iTunes release includes 12 more minutes of score |
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| Charlie Wilson's War | Replaced Ry Cooder Soundtrack released by Varèse Sarabande One track co-written by Gingger Shankar |
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| The Great Debaters (with Peter Golub) | Soundtrack released by Varèse Sarabande | |
| 2008 | Mad Money (with Marty Davich) | |
| The Happening | Soundtrack released by Varèse Sarabande | |
| The Dark Knight (with Hans Zimmer) | Soundtrack released by Warner Bros. Records in one-disc and two-disc editions | |
| Youssou N'Dour: I Bring What I Love (with Marty Davich) | Soundtrack released by Nonesuch with one score track | |
| Defiance (Oscar Nomination) | Soundtrack released by Sony Classical | |
| 2009 | Confessions of a Shopaholic | Soundtrack released by Hollywood Records with one score suite |
| Duplicity | Soundtrack released by Varèse Sarabande | |
| Wings Over the Rockies | ||
| It's Complicated | Some additional music with Hans Zimmer | |
| 2010 | Nanny McPhee & The Big Bang | Took over from Thomas Newman (who left and did not do a score) Soundtrack released by Varèse Sarabande |
| Salt | Soundtrack released by Madison Gate Records | |
| The Last Airbender | Soundtrack released by Lakeshore Records | |
| Inhale | ||
| Love And Other Drugs | ||
| The Tourist | Replaced Gabriel Yared Soundtrack released by Varèse Sarabande (includes one track retained from Yared's thrown-out score) |
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| 2011 | Larry Crowne | |
| Water for Elephants | Soundtrack released by Sony Classical | |
| The Green Hornet | Replaced Danny Elfman No album release as of yet. |
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| Gnomeo & Juliet | Soundtrack released by Hollywood Records and Walt Disney Records | |
| Green Lantern | ||
| Darling Companion | ||
| 2012 | The Hunger Games | |
| The Bourne Legacy | ||
| Snow White & the Huntsman | ||
| One Thousand A.E. | Unconfirmed |
In May 2008 he was made an Honorary Member of the Royal Academy of Music.
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