Jack Petersen (guitarist)

Jack Petersen
born 1933

Name:
Born:
Jack Leroy Petersen
October 25, 1933 (1933-10-25) (age 78)
Elk City, OK
Music
Avocations:
Jazz Guitarist
Collegiate Jazz Educator
Jazz Educator
Composer
Pianist
Arranger
Clinician
College
and University
Affiliations
Berklee (1963–65)
North Texas (1970s-88)
North Florida (1988–1999)

Jack Leroy Petersen (born 25 Oct 1933 Elk City, Oklahoma) is an American jazz guitarist, pianist, composer, arranger, music publisher, music clinician, and renowned pioneer in jazz education who revolutionized guitar education.[1] He was a pedagogical architect for jazz guitar and jazz improvisation at three institutions of higher learning:

Contents

Biography

Family background

His father, Harold Petersen (Apr. 24, 1904, Beemer, NE – Dec 28, 1971, Denton, TX) had worked for LTV and his mother, Effie Ellen Peterson, née Smith (Jul. 7, 1900, Hammon, OK – May 29, 1974, Denton, TX) had worked at Russel-Newman Manufacturing Company for 19 years.

When Jack Petersen was 5, his family moved to Denton, TX. He began playing guitar when he was 16 (about 1949), his initial influence being Western Swing.

Early guitar education

Petersen won a course in guitar from a radio contest. The teacher was Bob Hames, an ex-GI attending North Texas from Wolfe City, TX.[2] Hames introduced Petersen – and Petersen's friend, Dick Crockett – to jazz recordings of Karl Kress, Tal Farlow, Chuck Wayne, Herb Ellis, Barney Kessel, Barry Galbraith, Remo Palmieri, Oscar Moore, and Charlie Christian.

During Petersen's high school years, he and his friend, Dick Crockett, spent a lot of time listening to the North Texas Lab Bands and many small groups that appeared on campus.[3] Petersen graduated from Denton High School 1951.[4]

U.S. Army

In 1955, Petersen enlisted in the Army to perform with the 8th US Army Band in Seoul, Korea. While in in Seoul, Petersen met a lot of musicians and played 11 gigs a week.[1]

College

After leaving the Army, Petersen attended North Texas to study music, playing cello and double bass in the orchestra and guitar and piano in the jazz ensemble where he collaborated closely with faculty members Gene Hall and Floyd Graham.

While North Texas was the first university in the world to offer an academic degree in jazz (1947 – the degree was originally called "dance band"),[5] talented jazz artists, like Petersen, commonly did not finish degrees, despite having the camaraderie of music students with amazing musical talent.

In the 50s, the jazz and popular music profession did not place much value on college degrees. In academia at other universities, a degree in jazz had limited use. Even until the 80s, some universities with reputable music schools banned jazz. Even today, in the jazz and popular music profession, having performed with the One O'Clock Lab Band has similar cachet as having won a European Music Conservatory First Prize. North Texas has always been a magnet for young talented musicians. Many jazz students, especially in the early days, viewed North Texas more like a music conservatory, avoiding non-music core academics of universities.

Building upon his scholastic days, Petersen was proficient in double bass, cello, and piano, all of which gave him strong sight reading skills, a highly differentiating competitive edge for guitarists of the day who were earning money playing for others. Sight reading and being able to maneuver sophisticated jazz chord progressions (beyond blues, pentatonic, and classic rock) made Petersen a highly sought-after guitarist in recording studios, with big bands, and with high-profile artists and entertainers who had little time to teach parts to sidemen.

Family

  1. Cheryl A. Petersen (b. Boston, MA) now of Palm Coast, FL
  2. Scott Petersen (b 1970, Dallas, TX) aka Catharsis, is an electronic music recording artist, studio engineer, DJ, and member of PC Synergy, a group signed with Om Records and Scott's own imprint partnership, Soul Support Recordings, with engineer Phil Green of Greenteam Media Inc. Publisher Greentiger Publishing ASCAP

Career

Demand for Petersen's talent as a guitarist lured him away from college before he finished his degree, but he never lost contact with or mutual admiration for his collegiate mentors. Some say that, despite having no degree, Petersen's early influences from North Texas gave him the talent, vision, inspiration, and connections to make jazz guitar a highly respected discipline at major academic institutions of higher learning. Petersen laid foundations at three such institutions for future generations of guitarists to emerge well rounded in music and with academic diplomas.

Guitar lab innovation

While at Berklee, Petersen introduced a guitar lab concept that transformed guitar education, particularly jazz guitar, with respect to sight reading and with respect to accommodating large numbers of guitar students. He created a big band composed of 12 guitars in three units of four – one unit would cover the woodwinds of a big band, one would cover the trombones, and one would cover the trumpets. The guitar players read single notes, just like horn players — no chords.[1] Later, Petersen helped his colleague at North Texas, Rich Matteson develop a similar concept for low brass, creating a big band composed solely of low brass instruments. The Matteson-Phillips Tubajazz Consort was composed mostly of renown professional artists and educators.

Performance associations

Petersen's professional performance associations include

Former students

BERKLEE

NORTH TEXAS

NORTH FLORIDA

Note: This list is incomplete. There are hundreds of professional non-guitarists who studied jazz improvisation, arranging, and small group ensemble with Petersen (along with Rich Matteson and Dan Haerle at North Texas) who regard him as a major influence in their education.

Selected discography

Instruments

Petersen's primary jazz guitar is a Benedetto Fratello Archtop.[9]

Benedetto Guitars

See also

One O'Clock Lab Band

Compositions & arrangements

Recorded on the album, Scrapbook, Dallas Jazz Orchestra, Jazz Mark (March 30, 1999)
  • Magic of Brazil (BMI)
  • Up Tight (BMI)

Publications

  • Jack Petersen, Jazz styles & analysis, guitar: a history of the jazz guitar via recorded solos, transcribed and annotated, Vols. I & II, Maher Publications (c1979)
  • Jack Petersen, Beginning Guitar: Mastering the Keys: The Jack Petersen Guitar Series, Mel Bay (April 2002)
  • Jack Petersen, Chords Galore: A Systematic Approach to Voicing Chords on Guitar, Mel Bay (August 2003)
  • Dan Haerle, Jack Petersen, Rich Matteson, Jazz Tunes for Improvisation: A Graduated course of study for the jazz musician, (c 1983) Alfred Publishing (July 1, 1997)
  • Rich Matteson, Jack Petersen, Music Minus One: The Art of Improvisation, Vol. 1, Music Minus One (January 1, 1995)
  • Jack Petersen, "Django Reinhardt's Guitar in 'Festival 48'" Down Beat Music '80 (1980), p. 52-53
  • Jack Petersen & Rich Matteson, Up tight (1981)
  • Jack Petersen, Magic of Brazil (1995)
  • Rich Matteson & Jack Petersen, Art of melodic motion: an improvisational study (1981)

References

  1. ^ a b c d Tim Schneckloth, Jack Petersen, Down Beat, pgs. 32-33 (March 24, 1977)
  2. ^ After WW II, many service musicians entered higher education on the G.I. Bill (colleges that foresaw and met the demand for specialized training in jazz were North Texas State U, Berklee College of Music, and U of Miami and rose to prominence in the field) – "Jazz Studies in American Schools and Colleges: a Brief History" by Daniel Murphy – Jazz Educators Journal, Vol 26, pp 34-8 (1994)
  3. ^ Dick Crockett, Autobiography
  4. ^ Denton H.S. Will Graduate 135 Seniors, Denton Record-Chronicle (May 6, 1951)
  5. ^ Graham Collier, "The Churchill Report on Jazz Education in America", Jazz Changes Magazine, Volume 1, Issue 1 (Spring 1994)
  6. ^ "Miss Wilkinson, Jack Petersen Exchange Vows", Denton Record-Chronicle (Sept 25, 1960)
  7. ^ Peterson to Tour With Dance Band, The Denton Record-Chronicle, col. 5, pg. pg. 2, Sept. 8, 1957 ("Petersen" is misspelled in article as "Peterson"
  8. ^ Charles Chapman, Mel Bay Presents Interviews with the Jazz Greats — and More Mel Bay (June 1, 2001)
  9. ^ Terence M. Ripmaster, Bucky Pizzarelli: A Life in Music, Mel Bay (c1998)