| Ishmael Reed | |
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| Born | Ishmael Scott Reed February 22, 1938 Chattanooga, Tennessee |
| Occupation | poet, essayist, novelist |
| Education | University of Buffalo |
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Influences
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Ishmael Scott Reed (born 22 February 1938) is an American poet, essayist, and novelist. A prominent African-American literary figure, Reed is known for his satirical works challenging American political culture, and highlighting political and cultural oppression.[1]
Reed has been described as one of the most controversial writers. While his work has often sought to represent neglected African and African-American perspectives, his energy and advocacy have centered more broadly on neglected peoples and perspectives, irrespective of their cultural origins.[2]
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Reed was born in Chattanooga, Tennessee, but grew up in Buffalo, New York, where he attended the University of Buffalo, a private university that became part of the state public university system after he left. The university awarded him an honorary doctorate in 1995.
In 1998, Reed spoke about his influences in an interview: "I've probably been more influenced by poets than by novelists — the Harlem Renaissance poets, the Beat poets, the American surrealist Ted Joans. Poets have to be more attuned to originality, coming up with lines and associations the ordinary prose writer wouldn't think of."[3]
He moved to New York City in 1962 and co-founded with the late Walter Bowart the East Village Other, a well-known underground publication. He was also a member of the Umbra Writers Workshop, an organization among whose members were some that helped establish the Black Arts Movement and promoted a Black Aesthetic, although Ishmael Reed was never a participant in that movement.
In 2005, Reed retired from teaching at the University of California, Berkeley, where he taught for thirty-five years. He currently lives in Oakland, California with his wife of more than 40 years, Carla Blank, the acclaimed author, choreographer, and director.[4] His archives are located in Special Collections at the University of Delaware in Newark. His blog appears at www.sfgate.com.
Reed's published works include his ten novels:
Among his other published books are: six collections of poetry, including: New and Collected Poems, 1964–2007; eight collections of essays, most recently Barack Obama and the Jim Crow Media: The Return of the Nigger Breakers (2010); one farce, Cab Calloway Stands In for the Moon or The Hexorcism of Noxon D Awful (1970); one libretto, Gethsemane Park; a sampler collection, The Reed Reader (2000); two travelogues, of which the most recent is Blues City: A Walk in Oakland (2003); and six plays, collected by Dalkey Archive Press as Ishmael Reed, The Plays (2009).
He has also edited thirteen anthologies, the most recent of which is POW WOW, Charting the Fault Lines in the American Experience—Short Fiction from Then to Now (2009), a collection of 63 writers co-edited with Carla Blank. Spanning over 200 years of American writing, Reed in his "Foreword" calls it "a gathering of voices from the different American tribes." POW WOW is the fiction companion anthology to From Totems to Hip-Hop: A Multicultural Anthology of Poetry Across the Americas, 1900–2002 (2003), in which Reed endorses an open definition of American poetry as an amalgamation, which should include work found in the traditional canon of European-influenced American poetry as well as work by immigrants, hip hop artists, and Native Americans.
Since the early 1970s, Ishmael Reed has championed the work of other writers, founding and serving as editor and publisher of various small presses and journals. His current publishing imprint is Ishmael Reed Publishing Company, and his online literary magazine, Konch, featuring poetry, essays and fiction, can be found at www.ishmaelreedpub.com. Reed is one of the producers of The Domestic Crusaders, a two-act play about Muslim Pakistani Americans written by his former student, Wajahat Ali.[5] Its first act was performed at the Kennedy Center's Millennium Hall in Washington, D.C., on November 14, 2010, and remains archived on their website.
Two of his books have been nominated for National Book Awards, and a book of poetry, Conjure, was nominated for a Pulitzer Prize. His New and Collected Poems, 1964–2007, received the Commonwealth Club of California's Gold Medal. A poem written in Seattle in 1969, “Beware Do Not Read This Poem,” has been cited by Gale Research Company as one of the approximately 20 poems that teachers and librarians have identified as the most frequently studied in literature courses. Reed’s novels, poetry and essays have been translated into French, Spanish, Italian, German, Japanese, Hebrew, Hungarian, Dutch, Korean, Chinese and Czech, among other languages.
Most recently, LitQuake, the annual San Francisco Literary Festival, honored Ishmael Reed with their 2011 Barbary Coast Award. Among Ishmael Reed's other honors are writing fellowships from the Guggenheim Foundation and National Endowment for the Arts. In 1995, he received the Langston Hughes Medal, awarded by City College of New York; in 1997, the Lila Wallace Reader’s Digest Award, establishing a 3-year collaboration with the Oakland based Second Start Literacy Project in 1998. In 1998, he also received a John D. and Catherine T. MacArthur Foundation Fellowship award. In 1999, he received a Fred Cody Award from the Bay Area Book Reviewers Association, and was inducted into Chicago State University’s National Literary Hall of Fame of Writers of African Descent. Other awards include a Rene Castillo OTTO Award for Political Theatre (2002); a Phillis Wheatley Award from the Harlem Book Fair (2003); and in 2004, a Robert Kirsch Award, a Los Angeles Times Book Prize, besides the D.C. Area Writing Project’s 2nd Annual Exemplary Writer’s Award and the Martin Millennial Writers, Inc. Contribution to Southern Arts Award, in Memphis, Tennessee. A 1972 manifesto inspired a major visual art exhibit, NeoHooDoo: Art for a Forgotten Faith, curated by Franklin Sirmans for The Menil Collection in Houston, where it opened June 27, 2008, and subsequently traveled to P.S. 1 Contemporary Art Center in New York City, and the Miami Art Museum through 2009.
Ishmael Reed’s texts and lyrics have been performed, composed or set to music by Albert Ayler, David Murray, Allen Toussaint, Carman Moore, Taj Mahal, Olu Dara, Lester Bowie, Carla Bley, Steve Swallow, Ravi Coltrane, Leo Nocentelli, Eddie Harris, Anthony Cox, Don Pullen, Billie Bang, Bobby Womack, Milton Cardonna, Omar Sosa, Fernando Saunders, Yosvanni Terry, Jack Bruce, Little Jimmy Scott, Robert Jason, Alvin Youngblood Hart, Mary Wilson of the Supremes, Cassandra Wilson and others. He has been the central participant in the longest ongoing music/poetry collaboration, known as Conjure projects, produced by Kip Hanrahan on American Clavé: Conjure I (1984) and Conjure II (1988), which were reissued by Rounder Records in 1995; and Conjure Bad Mouth (2005), whose compositions were developed in live Conjure band performances, from 2003 to 2004, including engagements at Paris’ Banlieues Bleues, London’s Barbican, and the Blue Note Café in Tokyo. The Village Voice ranked the 2005 Conjure CD one of four best spoken word albums released in 2006. In 2008, he was honored as Blues Songwriter of the Year from the West Coast Blues Hall of Fame Awards. A David Murray CD released in 2009, The Devil Tried to Kill Me, includes two songs with lyrics by Reed: “Afrika,” sung by Taj Mahal, and the title song performed by SF based rapper, Sista Kee. September 11, 2011, in a Jazz à la Villette concert at the Grande Halle in Paris, the Red Bull Music Academy World Tour premiered 3 new songs with lyrics by Ishmael Reed, performed by Macy Gray, Tony Allen, members of The Roots, David Murray and his Big Band, Amp Fiddler and Fela! singer/dancers. In 2007, he made his debut as a Jazz pianist and bandleader with For All We Know by The Ishmael Reed Quintet.
Ishmael Reed is a founder of the Before Columbus Foundation, which since 1980 has annually presented the American Book Awards; the Oakland chapter of PEN; and There City Cinema, an organization that furthers the distribution and discussion of films from throughout the world.