HeroQuest Logo |
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| Designer(s) | Robin D. Laws |
|---|---|
| Publisher(s) | Moon Design Publications |
| Publication date | 2009 |
| Genre(s) | Multi |
| System(s) | Narrative |
HeroQuest is a narrativist role-playing game written by Robin D. Laws and published by Moon Design Publications under license from Issaries, Inc. (July 2009). It has its roots in Greg Stafford's fantasy world of Glorantha, but was designed as a generic system, suitable for, but not tied to any particular genre. The game's mechanics are focused on quick resolution; Contests are resolved by comparing the results of two twenty sided dice, each tied to a character ability chosen by players and/or narrator. After the die roll, the participants work together to interpret the outcome in story terms.
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The current (second) edition of HeroQuest has a firm narrativist basis and focuses on dramatic presentation and storytelling techniques:
Who Prospers? It is an unavoidable fact that all roleplaying games favor certain player skill sets. Where some games reward memorization, an instinct for math, and the willingness to comb through multiple rulebooks for the most useful super powers, HeroQuest tips the scales for creative improvisation, verbal acuity, and a familiarity with the techniques and stereotypes of popular fiction. - Introduction, HeroQuest Core Rules[1]
The system is built around abilities and keywords. A Keyword is a broad term to sum up several abilities, such as a profession or a homeland or culture.
There are three main methods to create a character: Prose, List, or As-You-Go.
In the Prose method, the player describes the character in a couple of sentences for a total of 100 words. The player then selects words and phrases from the description to be used as character abilities. Depending on the game setting, the description can include Keywords to indicate a character's profession, homeland, and other affiliations. Keywords can be used to imply certain abilities.
In the List method, the player starts with choosing one or more Keywords as appropriate for the setting, and then chooses up to ten additional abilities and up to three flaws.
In the As-You-Go method a player states their character concept and defines Keywords and abilities during play based on what they think their character would know.
Characters are defined by a list of their abilities. Keywords are an optional rule that allows abilities to be grouped together for simplicity. For example, a character might have a keyword representing their Occupation, and this is assumed to contain all abilities relating to that occupation. Other keywords might cover the character's background culture, homeland or magical tradition.
Abilities are given a level from 1 to 20, to represent how good the character is at using that ability to solve problems. Keyword ratings cover all the abilities within that keyword. For example, a character with a Warrior rating of 17 can reasonably be expected to be able to sword fight at that level. However, characters are further defined by adding points to abilities, and can raise the default levels above their starting point. If a Warrior is very good at sword fighting, then that ability would be raised. Once an ability is raised above 20, the character gains a level of Mastery (see the game mechanics section).
One of the main differences in HeroQuest's use of abilities, as compared to other roleplaying games, is that they are not limited to describing skills and capability, but may also describe areas of expertise, relationships, personality traits, magic spells, technological implents, superpowers and posessions, depending on the genre of the game being played. Each one is equal to the others. Sword Fighting at 17 is just as capable as Angry at 17. Both could be used to win a sword fight, provided the character is angry. Because of this, a character's personality and relationships are just as important as their skills. Abilities can also augment each other. In the example above, Sword Fighting 17 and Angry 17 could be used together giving a better target number. In play, this means that when players are pursuing goals in line with their character's abilities, they can be extremely capable and are more likely to see success than if they ignore some of those building blocks.
There are a few more types of abilities, such as equipment, followers, and magic. Everything is defined using the same system. The adaptability and ease of expansion of these basic concepts are what helped make the system popular for use in other settings and genres among its followers.
The resolution mechanic is built around a pair of twenty-sided dice. One die is rolled for the character's ability, the other for the resistance, a score chosen by the narrator. This can be an ability of a supporting (non-player) character or a resistance score of an impersonal obstacle or a force of nature.
In HeroQuest players do not compare the numbers thrown, but instead compare the implied results. Results rank from Fumble, through Failure and Success to Critical. A Success is scored if the die roll does not exceed the ability score, with a 1 indicating a Critical success. If the die roll exceeds the ability score, the result is a Failure, while a 20 indicates a Fumble (Critical Failure).
The two results are then compared to determine the level of victory (or defeat):
In keeping with the narrativist philosophy of the game, the most recent version of the rules (Heroquest Core Rules, 2009) suggests that resistances offered by the narrator should generally not be chosen based on any objective assessment of the challenge to be faced, but should rather reflect the dramatic requirements of the story. A side-effect of this is that most published scenarios do not contain statistics for opposing non-player characters or other obstacles, requiring instead that the narrator chooses the level of difficulty that supplies the appropriate dramatic effect.
Most obstacles are dealt with via simple contest, requiring only one dice roll. Important events such as the climactic end scene of the story may be run as extended contests, in which several simple contests are run with a score being kept of which side is ahead and which is behind.
Narrators may apply modifiers (bonuses or penalties) to target scores to reflect specific situational factors, such as hurt or impared characters, characters overcoming more than one opponent, or the use of specialised or inappropriate abilities in a particular contest.
Players may apply augments (bonuses) to their target scores by using other abilities to boost their main one, or by having other characters render them some form of assistance.
The thrown dice results can be altered by applying Hero points or Masteries - every 20 points raises an ability by one Mastery, which can be used to bump up a result by one level. Masteries are applied automatically, Hero points are a conscious decision of the player.
Once an ability surpasses 20, it gains a level of mastery, noted by a rune (ш) and then drops down to 1. So instead of 21, the character would have a 1ш. This cycle repeats, so after 20ш you get 1ш2, signifying two masteries. Although the first edition book lists some godlike powers up to a 12 masteries (ш12) this allows for limitless scaling without a huge burden of additional dice or complex math.
Masteries first cancel each other out. So a conflict between a 4ш and a 12ш is mechanically identical to a 4ш2 against a 12ш2 or, as they both resolve as, a 4 against a 12. When masteries differ, such as a 4ш2 against a 12ш, then the remainder gives the character with the higher mastery an advantage. For each mastery one has over the opposition, they can improve the result of their die roll by one step. A failure becomes a success. A success becomes a critical. If the side with the higher mastery reaches critical and still has masteries to spare, they use the extra masteries to lower the opposition's dice by one step for each additional mastery.
The use of Hero Points to bump up results represents the ability of fictional heroes to summon up reserves not available to ordinary people, to turn a difficult situation in their favour. Hero Points are awarded at the end of successful adventures, and can be also used to improve characters' ability scores.
Early editions of the HeroQuest system were published by Issaries Inc., designed to be the RPG system of choice for Greg Stafford's fantasy world of Glorantha, effectively replacing the 1980s RuneQuest.
| Publisher(s) | Issaries, Inc. |
|---|---|
| Publication date | 2000 |
| Genre(s) | Fantasy |
| System(s) | Custom |
The first-edition rulebook, Hero Wars, was published in 2000. It had serious quality issues as the publisher did not have sufficient funding to complete production. [3]
| Designer(s) | Robin D. Laws |
|---|---|
| Publisher(s) | Issaries, Inc. |
| Publication date | 2003 |
| Genre(s) | Fantasy |
| System(s) | Custom |
The game's extensively revised second edition was published in 2003 as HeroQuest; the Hero Wars products are highly compatible, and conversion guidelines are available online.
In 2003 Lance and Laser Miniatures developed a corresponding line of eighty miniature packs for Heroquest. Lance and Laser was sold to Armorcast LLC in 2009 and the miniatures are still available.
A special limited edition was distributed during the Tentacles game convention during Pentecost weekend in Bacharach, Germany.[5]
As of 2011 the full list of supplements released included:
Hero Wars, Published by Issaries:
HeroQuest (1st Edition), Steve Jackson Games/Moon Design Publications, under licence from Issaries:
HeroQuest (2nd Edition), Moon Design Publications, under licence from Issaries:
Official supplements in preparation by Moon Design Publications as of November 2011 include:
In 2006, Mythic Russia, the first licensed game using the Heroquest game engine, was released.[6]
In 2009, Nameless Streets, a licensed game using the HeroQuest game engine, and based on supernatural horror in the modern US, was released by Alephtar Games.[7]